DJ Sets

Kate Bush - Watching You Without Me
Boards of Canada - New Seeds 
Tensnake - Bliss
Typesun - Last Home (DJ Nature Mix) 
Kim Brown - Camera Moves
Metro Area - Piña
Mugwump - Boutade (2013 Techno Redux)			
Vakula - You Can Do
Jon Hopkins - Sun Harmonics 
Erdbeerschnitzel  - Cushion 
Theo Parrish - I Can't Take It 
Big Strick - Heyday
Mano le Tough - Nothing Good Gets
Todd Terje - Stranbar Disko
Ten Walls - Gotham
Herbert - See You On Monday
XX - Tides (Dixon Mix)
FIT featuring Gunnar Wendel - Enter The Fog
Kate Simko featuring Jem Cooke - Your Love
Tommy Dawson - Brenda Done Died With No Name
Admin - Gold Soul
Omar S - Thanku for Letting Me Be Myself
Leon Vynehall - Sister
Pepe Braddock - 4
Four Tet - Peace for Earth
Carl Craig - A Wonderful Life

Joe90 - 4ED Mix

AVA. Records celebrates its 10th anniversary with 52 artists. 10 Yahre is a 4LP compilation housing 22 tracks, a printed 30 pages magazin and a mixed CD. All wrapped in a custom made silkscreen sleeve, also including a textile keychain and stickers. Sonically spanning from ambient to techno, 10 Yahre carries new and exclusive material, all woven around the label’s decade focus on dance floor culture, started 2011 in Cologne, Germany.

Order here: https://avarecords.bandcamp.com/album/10-yahre

The 4LP vinyl includes music by: Am Kinem, Andy Hart, Axel Boman, Cinthie, Damiano von Erckert, Dman, Dogpatrol, форм, Jürgen Ratan, Jus-Ed, Lauer, Lowtec, Move D, Paingel, Paradise Grey, Retrogott, Robi, Ron Trent, Sinoesin, Tito Wun, U-I, Will Saul and Wolfey.

The mixed version of the entire compilation is contributed by Sally C.

The full color magazin and video includes works by: Alina Bader, Andy Kassier, Angel, Anna Beil, Ata Macias, Bailey Keogh, Damiano von Erckert, Dirk Jeans & Lou de Bètoly, Funkycan, Guido, Jana Marei, Jana Maria Dohmann, Joana Pratschke, Johannes Wohnseifer, Juri Bader, Kuchenbaum, Manuel Fischer, Maria Sécio, Martin Fengel & Public Possession, Mathias Schmitt, Maximilian Schweizer, Michael Satter, Naum Hirsl, The Necromantic Antibeat, Nicolas Wenz, Peter Wolff, Rein Vollenga, Rucksack Leer, Stelan Mergenthaler, Suzanne Caroline de Carrasco, Twit One and Yves Taron Harouche.

Compiled by Juri Bader and Damiano von Erckert, mastered by Enyang Urbiks. Design and concept by DVE 1989. Manufactured in Berlin, Germany.

10 Yahre

Buy AVA.XL002

Axel Boman - Don’t Breathe Yet

BUY IT: https://luvshackrecords.fanlink.to/disco-biscuits-2

Disco Biscuits #2

Odmewianie

Das Komplex - Odmewianie | LUV040

DC Promo Tracks #1017: "Love To The End (Sunset Short Mix)" by Lea Lisa @lea-lisa is part of the release "Love To The End EP" on Phonica Records @phonicarecords  

Buy Now: https://www.phonicarecords.com/product/lea-lisa-love-to-the-end-ep-pre-order-phonica-records/182051 

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks: Lea Lisa "Love To The End" (Sunset Short Mix)

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

“Primavera” is a rare flower by Fango that is blossoming during the right season. On vinyl only, pluck it before it withers!"

Fango - Primavera

BUY: https://badabingdiskos.bandcamp.com/ 
(official release date 02.06.2023)

Oslo's Sommerfeldt returns to home label badabing diskos with another EP of terrific disco, house and dub cuts.

Sommerfeldt has been cooking up his own fresh Scandi-sounds for more than 10 years. He has landed on this label as a solo artist but also with the likes of Sigmund Floyd, while also releasing on labels including Prins Thomas’ Full Pupp, Beatservice and Paper Recordings. He has remixed artists such as Amp Fiddler and is a mainstay of the club scene in Oslo who always brings the party.

The dub version of ´Tell Me What To Do´ presents an intimate atmosphere with organic percussion and extra synth sparkle. The track has a warm, wavy bass line and balmy cosmic pads up top. Another timeless fusion of house and cosmic disco from Sommerfeldt.

Tell Me What To Do (dub version)

Sommerfeldt - Tell Me What To Do /dub version (badabing diskos) [OCC PREMIERE]

Lucky Charm

Lucky Charm (Main Mix)

Lucky Charm (Dub)

Discolores New Edit of Deux Next Single,  Diskout, Urbana Recordings.

Deux - Diskout - Discolores Edit

The forest was crowded during the winter. The plants fought for the shadowy warmth of the deep marsh and it was a world in which the fern reigned supreme. The deep green treetops provided shelter and cover for the wet, damp forest floor which was alive and bubbling amidst the cold dew of the morning. In the distance the sound of a crow could be heard, coarse and loud upon the smooth ease of the morning air and the daylight glow. It was not somewhere you'd like to find yourself lost amidst the bitter cold...

Dawn Again & Rothman's are set to release a new EP on Roam Recordings, a flavoursome affair with fine style and finesse. Oh, and it comes with a gracious remix for the red room by Eddie C.

PREMIERE: Dawn Again & Rothmans - Fern World (Eddie C's Red Room Remix)[Roam Recordings]

www.thefader.com/2012/07/24/download-lol-boys-fader-mix

LOL Boys Fader Mix

OP 𓅛 mix 6 - Nicolas Jaar - (BBC Essential Mix 2012)

been on soundcloud for more than 6years but yet this is the first time using it!!
we will try a bit harder this year......well, the point is why do all the process of recording a mix records when you can make music instead....minimoog > turntable, obxa>cdj, bass guitar>traktor, drums>beat matching etc etc etc...zzzzzzz

dego's 'it aint summer! put some clothes on!!' mix

As part of promoting both North African culture and Electronic Music, Eddisco Records brought the best out of these two worlds through its next release.After brilliant edits made for true gems like Ahmed Fakroun's Nisyan, the very talented Tunisian Producer/DJ Khemir chose Malik Adouane's legendary piece, N'touma, to make it into an absolute Italo Disco hit while keeping its original Raï and Sufi spirit.
For those who don't know Malik Adouane, you're missing a lot. For most selectors, Malik is one of the first - if not the first - artists to mix Raï with House Music in the 80s in a musically boiling New York. Back in that time, inspiration hit Malik's soul when he listened to Mark Kamins's mixing the Algerian National Anthem in a House Music set in NY. He collaborated with the latter to release, After Rai, an album made into a whole genre, where "N'touma" was born.
Enjoy Khemir's beautiful reconstruction of this Sufi Rai treasure available now exclusively on bandcamp!

Eddisco DJ Friendly Edits #2 

Buy on Bandcamp

Malik Adouane - N'touma (Khemir Edit)

DJs, record label, promoters, enthusiasts & dancers....
For bookings & label showcases:  alberto@orchid-am.com

Joe90 - 4ED Mix

Futureboogie

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