Artiste du son (composition, art sonore, paysage sonore, artvideo)

Daniel Cabanzo (Colombie, né en 1979) est un artiste pluridisciplinaire qui s’intéresse aux différentes formes d’expression d’art, il étudie la musique à l'Université du Valle à Cali - Colombie, puis la composition en France depuis 2006. Il est titulaire d’un master de Musique appliquée aux arts visuels à l'Université de Lyon 2 et d’un master d’Acousmatique et arts sonores à l'université de Marne-la-Vallé et le GRM (Groupe de recherches musicales- INA). En 2013, Il a étudie à la Haute École Musique de Genève en Suisse avec Michael Jarrell, Luis Naon et Eric Daubresse professeurs qui l’ont influencé vers les nouvelles technologies musicales. Il est lauréat du prix de composition de Cergy-Pontoise et du prix Roux et Tronchet de l’Académie des Beaux- Arts en France, aussi lauréat d’une bourse de la SACEM pour étudier dans le Cursus I à l’IRCAM en 2014. Il participe à l’académie Manifeste organisé par l’IRCAM dans le cadre de l’atelier In Vivo Electro 2015, il a collaboré avec Le Fresnoy - Studio National des arts contemporaines pour l’édition de Panorama 2016 et réalise le visuel en temps réel de l’évènement « Piano Remix » en collaboration avec le Conservatoire de région Lille et le design sonore de l'oeuvre Artefact 01 de Mathilde Lavenne. Lauréat du prix Ibermusicas 2018 avec l’institution DME à Portugal. Actuellement il réalise son PhD en musicologie à l’Université Paris-Sorbonne et l’IRCAM (directeur de recherche Mikhail Malt). Il a été joué par plusieurs ensembles comme le Court-Circuit, Ensemble du Bout du Monde, Gardiens de la paix, Awkas, Barcelona Modern Project entre autres.

voice / noise / performance +++
new and old music
improvisor, composer, collaborator

profile photo: Beata Rasitsan and Kristian Fourier 
cover photo: Design Eightie Trois

Doctorant is the beats-based project of experimental composer Beavan Flanagan.
 
contact / enquiries: beavanf@gmail.com

Loon Town is a 4-piece synth-rock/pop/psych outfit that explores themes of transience, loneliness & sustainability. With a dark sense of humour, this music connects the young & old, radio listeners & lonely teenagers, conscientious objectors & agoraphobes. Their debut record Exit Strategy is just around the corner...

Christina Volpini is a composer whose music has been described as “focused intently on the subtle sounds that fall between the cracks” (Ludwig Van Toronto) and “very nuanced, rustling and whispering” (Neomemoire). Informed by the ephemerality and spontaneity of natural sonic environments, her work explores gradual unfolding through time, found objects, sonic spatialization, instrumental textures and liminal spaces. Her music develops through collaborative creative processes with pieces crafted for specific spaces and performers. 

Christina has been commissioned by Esprit Orchestra, Array Ensemble, Continuum Contemporary Music, Caution Tape Music Collective, and Duo AIRS with performances in Toronto, Montréal, Ottawa, Vancouver, Edmonton, New York and throughout the U.S. east coast. She has collaborated with artists including Jumblies Theatre, Echéa Quartet, guitarist Rob MacDonald and Ensemble Bakarlari, among others. Her work has been featured by organizations including the Banff Centre for Arts and Creativity, Soundstreams and The Music Gallery, and supported by the Canada Council for the Arts, Ontario Arts Council, and Social Sciences and Humanities Research Council.

graphic design, visual art & code — while always listening to diverse music

Followers of Future States Improvises