Industrial/Experimental/Original music
Also check out Omicron - here: https://soundcloud.app.goo.gl/C7QGH9xjHNSzedvV9

Matthew Charles Weiss is a proud member of The Delian Society which is an international community of composers, performers, scholars, recording engineers, music publishers, and amateurs dedicated to the revitalization of the great tonal traditions in art music. Matt has composed over 30 works of various genres, many of which are currently under revision and will be available on this website in the future.

Matt is a strong supporter of the Suzuki Method, especially for young violinists wishing to develop all the skills they need to become successful musicians, students, and well-rounded human beings. Dr. Suzuki's method is based on the development of a deep love of classical music from a very early age. Children exposed to the Suzuki Method live and breathe great music absorbing it like a sponge in the same way that they learn their original spoken language or "Mother Tongue".

Along with being a fine composer, Matt is also a solo, orchestral, and chamber violinist of the highest caliber. He began playing the violin at age 4 and composed his first classical composition in his teens while studying music theory at the Northwest School of the Arts, Humanities, and Environment. Later, he spent 2 years at the Evergreen State College where he studied Western Literature and Computer Science. Following this he transferred to the University of Washington School of Music and in 1991 earned a degree in Violin Performance while studying with the internationally renowned soliost, teacher, orchestral and chamber musician Steven Staryk. He previously studied with violinists Walter Schwede, Gwen Thompson, Mara Dvonch, Emanuel Zetlin, Denes Zsigmondy, Mari Nakamura, and Dr. Shinichi Suzuki, founder of the Suzuki Method. Matt studied music theory and composition with Ken Benshoof, Diane Thome, and James Beale at the University of Washington and privately with William McGreal and James William Clarke who also coaches him in piano, voice, and conducting.Matthew Charles Weiss is a proud member of The Delian Society which is an international community of composers, performers, scholars, recording engineers, music publishers, and amateurs dedicated to the revitalization of the great tonal traditions in art music. Matt has composed over 30 works of various genres, many of which are currently under revision and will be available on this website in the future.

Matt is a strong supporter of the Suzuki Method, especially for young violinists wishing to develop all the skills they need to become successful musicians, students, and well-rounded human beings. Dr. Suzuki's method is based on the development of a deep love of classical music from a very early age. Children exposed to the Suzuki Method live and breathe great music absorbing it like a sponge in the same way that they learn their original spoken language or "Mother Tongue".

Along with being a fine composer, Matt is also a solo, orchestral, and chamber violinist of the highest caliber. He began playing the violin at age 4 and composed his first classical composition in his teens while studying music theory at the Northwest School of the Arts, Humanities, and Environment. Later, he spent 2 years at the Evergreen State College where he studied Western Literature and Computer Science. Following this he transferred to the University of Washington School of Music and in 1991 earned a degree in Violin Performance while studying with the internationally renowned soliost, teacher, orchestral and chamber musician Steven Staryk. He previously studied with violinists Walter Schwede, Gwen Thompson, Mara Dvonch, Emanuel Zetlin, Denes Zsigmondy, Mari Nakamura, and Dr. Shinichi Suzuki, founder of the Suzuki Method. Matt studied music theory and composition with Ken Benshoof, Diane Thome, and James Beale at the University of Washington and privately with William McGreal and James William Clarke who also coaches him in piano and conducting. Matt currently takes voice lessons from Jeffrey Moidel.

KRISTA HARTMAN BIOGRAPHY:

Magic is everywhere. Transcend, Krista Hartman’s new album, proves that the genuine quest to uncover it, is worth the authentic pursuit.

With the restless soul of a storytelling traveller, as soon as she graduated high school, Krista Hartman left her town of Peace River, Alberta, and spent the first few years of her music career busking on the streets of Indonesia, Australia, and New Zealand. 

After teaching English in South Korea, she returned to Alberta, Canada, for University, where she further developed her gifts, studying English and Theatre by day, recording and performing songs she wrote by night, making friends and building a loyal following.

The inspiration collected from her travels led to her first rustic self-produced Canadiana record, Passport which was recognized in Edmonton’s Vue Weekly Magazine as one of the top ten records of the year. When it was time to tour, she moved to New York, started bartending and toured across several American states. 

By 2008, Krista relocated to Toronto and began recording her second record, Nostalgia (a record that chronicled the characters she met while touring through the US). She was joined on the first single, “Broken in Two” by Juno Award winning songwriter, Ron Sexsmith. The highlight of her year was performing a bilingual version of The Canadian National Anthem Canada’s Prime Minister at a Gala hosted by The Canada India Foundation. By 2015, she had lived in St. Lucia and Chicago with her young family and ventured to Toronto to record her third record, Constellations- a catalogue of songs devoted to the power of optimism. 

Since Constellations, Hartman has been busy uncovering the gems that make her craft truly meaningful and aligned. The songs she has written on this record were created shortly after a songwriters retreat on Bowen Island, British Columbia. “Having a balanced mind, body and spirit is the key to a fulfilling creative path” she is convinced.

“Music is magic” she says candidly. “That said, there are many times I could have convinced myself to quit had I failed to have gone inward. I’m so glad in retrospect that I have created my 4th record with Jordon Zadarozny,” Pembroke based producer also known as Blinker the Star. Hartman’s personal life hints that she is a chameleon: a mother, an artist, a teacher and a devout traveller who is dedicated to her path as a musician. 

Krista is known for her desire to genuinely connect with others through her heartfelt music. Her latest record, Transcend contemplates themes of existentialism and the supernatural world. It was produced by Jordon Zadorozny who has co-written songs with Courtney Love. 

At this point in her adventures, one can find Krista Hartman in Ottawa, Canada writing songs near a quiet sunny window.

“Krista’s Story telling style is classic in the sense of 60’s folk and folk rock tunes. She is able to touch that era and yet twist and turn the songs into a friendly modern feel while illuminating her life experiences. Those picturesque lyrics are the brush strokes that the listener follows to see the picture painted before their ears. Recommended if you like: Lee Hazlewood, Nancy Sinatra, Dar Williams, Cat Power”- Tiny Elvis Review, U.S

Showcasing the best up and coming artists from around the internet.<br>
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I'm just a regular old guy who loves prog rock, jazz fusion, jazz, funk and classical and anything that grabs me . I also love making music with friends. All these pieces are written by me unless otherwise specified or reposted from others'.I am also featuring some tracks from our band, PRoPoRTIoNS.
All recordings mixed at Board Potato Studio.
My instruments:
Roland Fantom X8
Korg 01/W Pro
Warwick Corvette 5 string bass
1976 Kramer Bass
Various plugins and virtual instruments

Hamerzya (hammer+z+eye+uh) is the work of drummer/keyboardist Michael J. Peña. The music of Hamerzya, sub-genred as “Alt-Tronic” or Alternative-Electronic, is heavy, pulsing, synth-driven electronic music with blends of Rock, New Wave, Euro-Industrial and Ambient with a futuristic, mystic and innovative sound.

Members: Michael J. Peña - synthesizers & bass pedals ■ Lisa Perkins - vocals ■ Shawn Alvear - drums

Influence: 70's/80's Synth ■ Soundtracks

Californian by way of Alaska - Science Fiction and music enthusiast - Computer guy - Synthesist - Post-modern Gen-X Hippie - Quixotic and optimistic

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