Recently released songs / FuWatt

SUMMERTIME BLENDS OUR CLEAR AURAS

CROSSROAD IS PRESSURED BECAUSE OF PROGRAMMATION

SUMMER CALLS FROM SUCH PEOPLE

End of Summer Thanks: Gratitude for your playlists and comments on I Like To Sample Old Drums pt 1

Liknande spår: ZEMANDAN - The Swedish Paradox

Eyes On Me

Babe I'm a Pirate

Made for fun — Electro Pop at 115-120 bpm that hopefully makes you want to dance 💃🕺💃💃🕺🕺 A light-hearted fun song because Atlanta (A-Town) is fun, y’all — hot and humid 🥵 — but never dull. 

Composed digitally MIDI to DAW via VST instruments, all original, no AI, made by a human 

Available to download (.wav) if anyone feels inspired to collaborate for a remix, adding vocals or whatever. DM me if you prefer MP3.
……………
Home to sports legend Hank Aaron and Braves baseball, southern cooking, tons of historical landmarks — from Centennial Olympic Park to the King Memorial Center — and history-makers, MLK, John Lewis, Jimmy and Rosalyn Carter to name a few, A-Town has neighborhoods of talented minds from all over the world. 

As the American South’s “Ellis Island”, our melting pot of metro neighborhoods makes us ATL strong and welcoming. As home to dozens of colleges and universities, Atlanta acts as a hub for higher education.

Night clubs? And hip hop? Oh yeah, we got that! A-Town is also a huge urban center for LGBTQ folks, so if you’re straight but not narrow, come, dine, and party with us!
..……….…
115/120 bpm

Written in 2022, I ordinarily don’t compose above 100 bpm but A-Town needed a 2025 refresh — the beats fit ATL.

DAW Apple Logic Pro X
MIDI Akai Professional Keyboard 

E-INSTRUMENTS
Concert Grand 
SoCal Ballad Piano 
Classical Acoustic Guitar 
Flamenco Echoes 
Plucked Bass Arp
Deep Round Synth Bass 
Analog Phaser Pulse
Film Memories synth
Chordal Chimes
Classic Pad 
SoCal Ballad Piano
Ambient Lead
Indian Sitar
Chinese Guzheng Zither
Modern TR-727 Timbales High
Persian Santoor

E-PERCUSSION 
Atlanta Drum Kit 
Beat Machine 
Hip Hop Kit 
2-Step Remix
Pawn Shop 808 Maracas 
Castanets

COVER ART is original CGI by SUNNYBECK using a composite derived from AI-generated images rendered as original CGI, then retouched and designed in Photoshop.

2023 Copyright SUNNYBECK 
All rights reserved 2025
..……….…
.

Summertime in A-Town

I was honored when https://soundcloud.com/graphicsontelevisions asked me to remake ‘Tattlesnakes’ from their fantastic album ‘Pun’. Maybe it’s the wildest one, unpredictable but coherent, it inspired me immediately !!

I've remixed to my taste their original studio stems (drums & keyboards), adding my own vocals, guitars & more... hard recommendation of headphones again !!

Lyrics are from another of my ancient poems, where I played with oxytone & eproparoxytone rhymes (translated below but with lost effect in English).

Full versions album here: https://soundcloud.com/graphicsontelevisions/sets/another-pun-a-brand-new
Downloadable: https://graphicsontelevisions.bandcamp.com/album/another-pun
I suggest checking out the original tracks too: @https://graphicsontelevisions.bandcamp.com/album/pun !!!

Letra  /  Lyrics:

Claro que ya no soy plástico,  /  Clearly I’m not plastic anymore,
ni estoy falto de razón,  /  nor lacking of reason,
puesto que, siendo simpático,  /  since, being friendly,
de sangre es mi corazón.  /  of blood is my heart.

Claro que soy esporádico  /  Clearly I am sporadic
en locos cantos espléndidos.  /  in splendid crazy singings.

Gritos de loco dolor,  /  Screams of insane pain,
llenos de mudo amargor,  /  full of mute bitterness,
claro que ya no son gélidos.  /  clearly are not icy anymore.

Claro que ya soy simpático  /  Clearly I’m yet friendly
y estoy falto de amargor,  /  and lacking of bitterness,
puesto que mi corazón,  /  since my heart,
siendo de sangre, no es plástico.  /  being of blood, is not plastic.

Y en mis cantos esporádicos,  /  And in my sporadic singings,
claro que ya no soy gélido.  /  clearly I’m not icy anymore.

Gritos de loca razón,  /  Screams of mad reason,
ya no gritos de dolor,  /  not screams of pain anymore,
claro que ya son espléndidos!  /  clearly are yet splendid!

ER00EC11

Tardigrade & Tattlesnakes (with Graphics on Televisions)

Like the Track? Click the [Repost] 🔁 button so more people can hear it!

Lyrics : Famous Bush'isms of the one and only retard that is George W Bush. 

I just know I don't know

I think we agree the past is over
I know that human being and fish can coexist peacefully

I just know what I've been told
It's not much but I believe it

I just want you to know that 
When we talk about war
We're really talking about peace
We must stop the terror
I call upon all nations 
To do everything they can
To stop these terrorist killers
Thank you 
Now watch this drive 

I just want you to know 
I just want you to know that 
When we talk about war
We're really talking about peace ✌️

Now watch this drive

https://soundcloud.com/negative-headphone: many keyboards, drums, percussion, mix, production, artwork.
https://soundcloud.com/ruizzoidman21centurions: original theme, composition, bass, rhythm guitar, drums.

Intimate jam got me this bass theme, which I developed with geometrical tones and fractal rhythmic, and offered to my old friend Negative Headphone. You should know his fabulous response on any musical style, and here is a proof of it. Enjoy!

Fractal Shenanigans (with Negative Headphone)

Slow paced cinematic electro-dub-fusion | Now Remastered
Like the Track? Click the [Repost] 🔁 button so more people can hear it!

Vocals: Astrid Solvrid

Lyrics:

How the little piggies will grunt
 when they hear 
how the old boar suffered

The future is open
  Trust in the Cross

Yes I have made mistakes
  Life didn't come with instructions

Don't waste your life looking back
  You are not going that way

We fight that's how we win
  And that is how we die

How the little piggies will grunt
  when they hear how the old boar suffered

Little Piggies | Remastered

This instrumental track, performed by GOLTZ (Gunther Benedict-drums, Christoph Musil-bass, Mario Palaschke-keyboards), is the result of a nightly improvisation that started out in search of some musical idea but quickly developed a desire for swing.

Claire

Spending summer by the lake in the forest


Forest Lakeside

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

hot hot summer

Vocals https://soundcloud.com/couch-king-presents

Production https://soundcloud.com/rizlix


Here's a collab with the soundcloud legend https://soundcloud.com/couch-king-presents


You can hear his original work here;

https://soundcloud.com/couch-king-presents/i-like-to-sample-old-drums




Couch King Presents x RiZLiX - This One Goes

People disapprove. 1369 ( 1993 ) Margareta Theorin ( Margareta )

Originally called: A Tree Savor Of The World, which was written in 2013.  This is my single, Come Back To Me (Pleiades). This is an original song, that is written, produced, recorded and engineered by Calyx Kre/Astral Realm Beats and DVLP Academy. 

This song shows a spiritual initiation — a moment when your higher self is integrating into your physical reality.
	•	Release mental tension (Ace of Swords reversed)
	•	Lead with heart and intuition (Pisces + Libra + “Listen to Your Heart”)
	•	Trust your divine path (Aquarius + “Surrender to the Divine”)
	•	Step into your role as a peaceful spiritual leader (Cosmic Ruby, Law of Grace, Divine Potential).

Come Back To Me (Pleiades) ft. Drew Duggan (DVLP Academy)

Brand New track on the Rocks! Summer 2025 and let it roll with my brand new track called "I Keep Protecting my Soul".

Purchase it digitally via #bandcamp: https://shockthealgorithm.bandcamp.com/track/i-keep-protecting-my-soul

(p) & (c) 2025, STA.

lyrics:
I keep protecting my soul
There's nothing more sacred than my soul
I keep protecting my soul
The body dies, it's eternal the soul

Clear is conscience, i am free i am alive
Sleeping in peace not with fear with opened one eye
I never harmed anyone, don't owe a dime
i am keep paving with gold this road so up high.

I Keep Protecting my Soul

SUCH IS LIFE
Written, Performed & Produced
by Andrew Borderick Copyright 2025 AB Music

V1
IT'S ANOTHER ECLIPSE OF THE CITY
SOUNDS LIKE YOU'VE BEEN AWAY
S S SAILING AWAY
WHEN I FLOTE INTO YOUR EYE'S
LOOK'S LIKE YOUR FAR AWAY
THERE TO STAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
V2
WE ALL LIVE IN THE CRIME OF THE FUTURE
FEELS LIKE THE END OF TIME
REALING AWAY
NOW YOU'VE SLID INTO THIS STYLE
IT'S NOT THAT YOU HAD TO STAY
I'M HERE TO SAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
(BREAK)
(CHORUS)
END

SUCH IS LIFE

Angel Aura Dust

(Intro)
Gotta cut it up, gotta cut it up—-yeah!
Just because, just because
Gotta cut it up, gotta cut it up—-yeah!
Just because, just because

(Chorus)
Play my beats loud, rock and move the crowd 
Just because, just because
make it real, keep it real, underground feel
Just because, just because


Just because, just because

Just because, just because

(Verse1)
Sometimes, cold as ice, twice is nice
Gotta cut it up, added some flavor to the slice—
Honed and crafted, chop and dice
Fire and heat,— free—-, no price
Gotta cut it up, added flavor to the slice
Price been paid, rampage and raid
Just because, just because
Since back in the day, yo I got it made
flat tops and fades
Now I’m rockin braids,
Basement, rooftop, outdoors more
Just because, just because

(Verse2)
So here I am again, memory
Like finding a long lost friend
A focused pattern, that never seems to really end
That loops and repeats, 
Over and over again
Over and over again,

Time passes, old and new trends,
It’s simply not an option, so how can I pretend?
Just enough rope, to run to the end
Before the same Pattern, pulls me back again
before the same pattern, pulls me back again
pulls me back again

(Chorus)

(Verse3)
If the world feels heavy, let the music lift, 
To ease every burden, let the rhythms shift
party through the night, no worries relief
hip-hop strength, brings a melody of peace

Just Because

Computer Data Discharge

Blending into the coral reef

ΠΙΕΣΤΟ

Original title: I like to sample old drums

Open collaborations have always triggered me and they have to be cooked, when they are still hot. So when I listened to the new track of Marquis I knew immediately what I wanted to do and created a remix in a few hours. My approach is, that I have replaced the warm and organic sounding drum-loops with cold and sterile sounding synth-sounds. Though I am far from being a Hip hop-producer I tried to apply a polished and modern attitude. I painstakingly recreated the groove of the original loops, shifting sounds exactly to the same place. All sounds are made with the Zebra-synth and mixed in Logic. I used two raps and tried to create a smooth transition between them.

Open Collab original: https://soundcloud.com/couch-king-presents/i-like-to-sample-old-drums

Lyrics 
Take The Max Down To Hillsboro  
Hey maybe when were done collabing  
You should  
Take the max down to hillsboro  
Kickback and relax 
We could have fun 
Eat some cake at Decadent Creations  
Chill and bake in the sun, then Run to the Bagley park pavilion 
When the rain has begun 
We don’t use none umbrellas here 
Just jackets from Columbia  
I could buy you one cause there Is no sales tax,  
I don’t lie, just facts 
We all like to try to put bike racks on our Subarus  
What chus got to loose  
Boos is only sold  
At the liquor store I got one near me called 
Wholesale Liquor store 
Yo what more  
Do you want to know From the Portland Airport  
You can go  
Take the max down to Hillsboro It’ll cost around 4 to 6 bucks  
And take about an hour and 45 minutes 

This One Goes  
This one goes out to Portland breweries even though I don’t drink keep making them brews 
This one goes out to Washington Park for the oldest west of the Mississippi zoo 
This one goes out to Beaverton Nike workers cause you know we keep wearing them shoes 
This one goes out to Hillsboro  
This one goes out to Cornelius, every day I go to work I’m just passing through 
This one goes out to Forest Grove Pacific University keep collecting them dues  
Fuck going into debt for school



Heartscore and The Couch King - I like to program new drums

CROSSROAD.

======================


November 2024.

This is a more electronic composition with a small piano touch at the end.

I try to capture in music the decisions we must constantly make in life to follow our path. I've made some wrong decisions in my life... who hasn't? But at least I can say that I made them on my own and they weren't induced, even the wrong ones. That allows me to overcome, for the time being, any regret or frustration they may cause. I believe most are irreversible because they can cause unforeseen damage, even to other people, if you backtrack and choose another path.

Happy summer, everyone.



Cover art by Vilkasss (Pixabay)

Hardware. iPad 
DAW Music Studio 2
Mix…. Yes…yes… my car 🚘

24 Tracks MS2 and Old Forum Xewton
1 Track XPad
2 Tracks flowtones
2 Tracks Sunrizer
1 Track FM player


Next….First eclipse on mars.

Crossroad

Photo from left to right: JJ, Josh, and Ken
Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion
Mistermark-- @user-432503709 -- Mark –- VST Chinese gong and VST cello
J.J. Terrell– @j-j-terrell – light VST Latin percussion, synth, and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, chant vocals at the end 
TexMex Shaman– @texmex-shaman –Stephen — ebow, production, mix, and mastering

 This song is the fourth Carl has written and composed with a member of Eclectic Collective in mind. This time JJ is being honored, and we all agree that he deserves it, too. Carl is a wonderful singer, songwriter, composer, and musician, and we're all grateful that he's joined our collective. 
  Here's what Carl had to say about it. "The music for this was a personal song written to myself which I never really released as I was trying to say goodbye to my own ego in the song. From that point of view I have always seen the piece as a great bit of personal therapy for me. None of the original lyrics survived and JJ gets painted by the new words .. But I thought it would be nice to reuse the composition for this. There was no big reason for it only when I decided to start a 60bpm song for JJ on piano .. I started playing Goodbye Ego and the rest is history..."
  We tackled this song like we would any other, though. Mark was first up on this, adding his VST magic in the form of a Chinese gong, as well as the cello you hear throughout. The subject of our adulation came next, with JJ adding not only his hot, yet minimal Latin percussion and essential piano, but moody synth, as well. Ken added his spicy drums after that, and once they were down, Josh jumped in with his four string fretless bass to complete the rhythm section. Josh also added the vocal chant at the end.
  All that was left was for Stephen to mix it all down for us, which he did in his always pro manner. But before he did, he also added some subtle, yet stirring ebow on his guitar. 
  As stated above, this is a continuation of our songs about us. Hope no one thinks it's arrogant. When Carl presents us with these little treasures, it's hard not to run with them, though. Always a ton of fun to make music together. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark:

Praying hands
Whatever cause
Once our greater good not lost
Bored children create their fun
We shelve French horn for this fine one
"Nice one lads" We read it all!
Vacation taken
To JJ calls
Neighbour to good Mickey Moore
Find Michigan piano pure

JJ calls
Just for us
Love lit up
Just for us

Down the road city of cars
To Howell front deck
Dad and Guitars
We jam that love then tell the world
Love and service human highway knurled
Good bi-product of happiness sought
With Croatian fun to cloud we court

Terrell Terminator in Jungle
Predator for good
Keys like Mr Bungle
Faith in more like we could
He Thanks you
It's lifestyle
Built from a porch
Good collective friend
Keep lighting that torch

Some moments sealed, marked and moulded
Pure intention
Dark blindfolded
Howl from human to Howell good soul
Keyed keystone as collective role

JJ calls
Darkness falls
Love lit up
Just for us
Love lit up
Just for us
Love lit up
Just for us
JJ calls

JJ calls
Just for us

JJ Calls (Eclectic Collective)

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Can't Get Bayou (But I Can't Get By Without You Either)

A euphoric New Age EDM journey into the outer body experience — floating beyond time, dissolving into light, and awakening in infinite sound. Pulsing synths, cosmic pads, and an ethereal female vocal take you higher into the astral plane.

For euphoric and cosmic journeys — great fit for Astral Beats, Dreamstate, Uplifting Trance, and Galactic EDM.

Astral

To test a sound from the Gradient synthesizer (Native.Instrument), I improvise  and in general I start from that to compose  but this time   I'm sharing it with you as is, just because I like the sound. I just added some percussion.
Pour essayer un son du synthé Gradient (Native.Instrument) j'ai improvisé et en général je part de cela pour composer mais finalement je vous livre ce titre tel quel  juste parce que j'aime bien ce son.  J'ai  simplement ajouté des percussions.

Dreaming Piano (Improvisation)


A slow, hypnotic and heavy dubstep track blending cinematism and subtle psytrance influences. Massive sub-bass, glitchy industrial FX. A monstrous hypnotic and immersive 2025 electronic beast of a track.


The Swedish Paradox

Song written, sung, produced and engineered by Chris Scheri.
Instrumentation by Chris, Mark, David, Brendan

COULD HAVE STOPPED THIS

(Intro. Instrumental theme )
Walking in the park on a hot Summer night.
Make the best of this - he wants to help.
Walking in the park on a hot Summer's night.
Make the best of this - and help yourself.

But you know
You could have stopped this
could have stopped this
could have stopped this (repeat chorus)

(repeat instrumental theme)
Walking in the park on a hot Summer night
Where's the rest of this? Where are you now?
I'm walking in the park on a hot Summer night
What's the best of this? I need to know the rest of this.
Because I know
I could have stopped this
could have stopped this
could have stopped this
I could have stopped this

Over and Over. It keeps me awake at night.
“Could have stopped this” (background vocals)

Guitar solo.

M8 Just when you think, “Everything's alright.”
Just when you think, “We're under control.”
You trip on a thought and slip into “If Only”
If only I'd known, I would have been there!

There – on a hot Summer night
Your thoughts are everywhere.
Can I still help you?
Walking in the park on a hot Summer night,
You're the best of this!
Oh can you tell me, is there anything
I can still do for YOU?

(Choruses repeat till the end, joined by lead guitar on the
third repeat)
YOU COULD HAVE STOPPED THIS

Could Have Stopped This

You Could Have Stopped This

Korg Gaget track on ipad. 
I mixed this on the internal ipad pro speakers..
This is kindof like an electronic music rhapsody ;)

Deep Dive

👑 GlitchTune VaporMight UltraTech Bro 👑
The Hannibal Directive is a high-energy psy-odyssey blending dark house, psytrance, and dubstep into a relentless, hypnotic groove. An electrifying, immersive experience. This track delivers a seductive, edgy vibe perfect for workouts, late-night drives, or getting lost in Zemandan’s futuristic sound world.

The Hannibal Directive

🚀 Stellar Frenzy – A cinematic EDM festival dominator. Zemandan’s signature sound meets with a chest-thumping sub-bass wobble and crystalline arpeggiators that’ll leave you in a frenzy. Ready to ignite the dancefloor! #EDM2025 #ProgressiveHouse #Euphoric #Zemandan #FestivalAnthem

ZEMANDAN - Stellar Frenzy

☠️ Babe I’m a Pirate – A rebellious EDM anthem that sails the high seas of sound. Thunderous supersaws, glitchy cannon-fire FX, and afro-house beats collide in a euphoric, festival-dominating drop. Zemandan fuses cinematic energy with pirate swagger for a dancefloor takeover. Hoist the sails, drop the bass! #EDM2025 #ProgressiveHouse #Euphoric #Zemandan #FestivalAnthem

EDM / Dark Electronic 
Eyes on Me is a hypnotic slow-groove dark EDM track from Zemandan. Pulsating basslines, falsetto-driven toxic vocals in bed with hypnotic club energy.

Prologue to a fantasy adventure

The trials of a fantasy adventure

Epilogue to a fantasy adventure

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Five steps (each one with two parts) progressing along 3 minutes thru different styles: rock, psycho, pop, hard..., and finally back to the psychopoppy ones.

Letra / Lyrics:

No siempre he estado aquí (soy imperfecto) / I have not always been here (I am imperfect)

Cuando tengo frío, o tengo calor, / When I feel cold, or I feel hot,
cuando tropiezo, me quemo, o siento dolor… / when I stumble, I burn myself, or feel pain …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

Me siento extraño / I feel strange
donde tendría que estar a gusto, / where I should to be comfortable,
y me reconforto / and I feel better
cuando me relaciono bien con el mundo. / when I relate well to the world.

Empiezo a pensar en el tránsito; / I start to think about the passage;
que no siempre he estado ni estaré aquí; / that I have not always been nor will be here;
que mi vida es un entretenimiento / about my life being an entertainment
en el viaje a otro sitio. / along the trip to another place.

Y descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
si la meta de todo lo que hago / if the goal of everything I do
es comer y respirar, / is to eat and breathe,
¿qué clase de razón tengo en la cabeza? / what kind of reason do I have in my head?
¿qué soy yo dentro de este juego? / what am I within this game?

 descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
y me pongo a pensar, / and I start thinking,
y empiezo a pensar… / and I start to think …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

Image: "Rocky sprout", photo by Ruizzoidman