Recently released songs / FuWatt

INTERACTION FINALITY IS TO LET DREAMS GO

MY DREAM FOR FUTURE IS WATERING SILENES

AB Playlist 151 The latest songs from these fantastic Artists & Bands.

AB Playlist 151

[UNDER CONSTRUCTION]

Tradacoustic series no. 398

Music, mostly recent, a few days old, a few weeks.

created: 2025/06/23, released early with 4 tracks, max is 20

hk_tradacoustic_398

AB_REPOSTS Playlist 156 The Latest songs from some fantastic
Artist's/Bands and a few of my own.

Playlist 156

Fireworks of Wonder: Thanks for all the playlists and comments on Break Down The Bounce

Synesthesia is main motif for this song, first because of original lyrics, then as I felt like adding it more flavor with female vocals*, & finally when I recently watched some paintings about this matter**.

*Great vocal performance by https://soundcloud.com/maraoldfield is most notorious matter in this piece, where riffing parts toggle with bass-guided proggy ones.

**Due credits to https://soundcloud.com/wouwouandthewormling for ad hoc painting of the song’s artwork.

Letra  /  Lyrics:

QUIERO SABER SI HACE CALOR  /  I WANT TO KNOW IF IT IS HOT

En verano, insoportable,  /  In summer, unbearable,
todo está lleno de ruido.  /  everything is full of noise.
El invierno, silencioso,  /  The winter, silent,
que congela los sonidos.  /  which freezes the sounds.

No quisiera quedarme sorda  /  I don’t want to get deaf
sin saber cuándo hace frío.  /  not  knowing when it’s cold. 
No quisiera quedarme sorda  /  I don’t want to get deaf
para saber si hace frío.  /  so as to know if it’s cold.

Los días soleados  /  Sunny days
acompañan al estío  /  go along with the summer
y cuando llega el invierno  /  and when the winter comes
el cielo está oscurecido.  /  the sky is darkened.

No quisiera quedarme ciega  /  I don’t want to get blind
sin saber cuándo hace frío.  /  not  knowing when it’s cold.
No quisiera quedarme ciega  /  I don’t want to get blind
para saber si hace frío.  /  so as to know if it’s cold.

ER24CH04 ©1995 ®2015

Quiero saber si hace calor (Vocals by Mara​Oldfield)

Pabellon_street

I always wanted to make a sonic companion to the last song Bitzone, Frawstakwa, and I made together, “What Difference Does It Make.” I finally got my chance. This one came together real fast. Bitzone sent me a raw beat, I asked Frawstakwa to kick it off, and then I made some arrangement adjustments and laid down my lyrics and vocals based on Frawstakwa’s. Bitzone then finished it up and bada-boom, gotta move, gotta shake!

Massive thanks to Frawstakwa for bringing the fresh ideas and original verse and chorus vocals. And big thanks to Bitzone for always make the tracks more vivid than I could imagine. 

May there always be at least a little time to bounce in your week! 

Track Credits:
Bitzone: Music, Production, Arrangement, Mix, and Master
https://soundcloud.com/bitzone
https://www.bitzones.net/
Frawstakwa: Verse and Chorus Lyrics and vocals
https://soundcloud.com/frawstakwa
the Couch King: Verse Lyrics, Vocals, and Samples
https://musiciselation.bandcamp.com
Intro: Louis Bloomfield

Lyrics: 

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

Here we are
Coming through
With whatever it takes
Full force
On these fools
All up in your face 
Show and prove
Break it down
To the drum 
And the bass
That good old
One two
Gotta move 
Gotta shake
Bada-boom
Something 
That you can feel
But wait
If you could feel 
Anything at all
Feeling great
Letting it flow
Mind body and soul
On my way
That’s how it goes
So the people them know
See you later

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I’m just your everyday reverie of an emcee
You see
I’m but a memory of the way 
You say it be
On this beat 
You project the street 
On the hit of the kick 
The click 
Boom, respect it’s the fire of the heat 
It’s the sweat dripping from the meat 
You expect flowing from that bass 
That slow tempo that’s got you feeling 
You on the creep, you on the chase
Brace fo the bounce putting you in the some headspace 
Race everyone to hear every ounce so tie up yo shoelace 
And let’s go 
Yo, lettin’ the people know

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

The flow is
Summoned 
On command
Dig deep
Within 
Without a plan
Improvise
And
Ka-blam 
That is called conviction
Can you understand
The definition
What is your religion?
Damn
It takes blind faith
To hope that one can trust
In what is true 
What is real
For real
So what it do?
We are here to
Be seen
Be heard
Be who
We truly are 
Hold up then
Please
Tell us
Who are you?
 
Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I got the feeling the bounce is appealing
Now that the ceiling’s been breaked
We got the unwilling to denounce appearing 
How it is that they never been waked 
Allow the revealing of the fake
Watch out we congealing as we get baked 
Take out that sponge cake, make no mistake 
It got that spring, there’s no remake 
Can feel the earth quake 
The beat is shaking
The bass is rumbling
So deep you feel your belly ache 
What’s at stake 
You gotta know
It’s that flow state 
We on a roll 
So slap on the butter baby
We gravy 
Grab a plate and
Before you go

Bounce
Bounce
To the boogie
The bang
The beat
Box
About
To bring it back
The breakdown
For the block
For my people
I see you
Gimme a pound
Tell me how
Have you been
For now
The breakdown
I’m here for you
Hear me loud 
And clear
We are responsible
For where we’re 
Bound
The breakdown
Heading out
Gotta beat the crowds
To get home
Put my feet up
While I eat on the couch
The breakdown

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

Break Down The Bounce

Bitzone, RS Frawstakwa & the Couch King - Break Down The Bounce

https://soundcloud.com/negative-headphone: many keyboards, drums, percussion, mix, production, artwork.
https://soundcloud.com/ruizzoidman21centurions: original theme, composition, bass, rhythm guitar, drums.

Intimate jam got me this bass theme, which I developed with geometrical tones and fractal rhythmic, and offered to my old friend Negative Headphone. You should know his fabulous response on any musical style, and here is a proof of it. Enjoy!

Fractal Shenanigans (with Negative Headphone)

HELLO FRIENDS AND MUSICAL COMPADRES!  TO BE TRUTHFUL, I HAVENT BEEN VERY MOTIVATED TO CREATE MUSIC, ARRANGEMENTS, SOUNDZZZZZ, OR ANYTHNG MUSICAL REALLY....UNTIL LATELY, I TRY NOT TO MAKE ANYTHING UNLESS I FEEL IM DRAWN TO DO SO, OTHERWISE, IT SEEMS THE END RESULT FUCKING SUCKS MOST TIMES....I AM VERY HAPPY WITH THIS NEW ONE HERE, SO TAKE OFF, BLAST OFF INTO WHEREVER YOUR MIND TAKES YOU....BIGGGGGG LOVE ALWAYZZZZZZ, ROOTS!!!
P.S. IM GOING TO GO THROUGH AND CATCH UP AND TAKE THE NECESSARY TIME TO TRULY ENJOY YOUR PIECES THAT I AM VERY BEHIND ON....I TRULY LOOK FORWARD TO IT !!!!

SAMPLES:  AUDIO/SOUND BYTES FROM 1991"BOYZ IN DA HOOD" FILM BY JOHN SINGLETON 
*I DO NOT OWN THE RIGHTS TO THESE SAMPLES

FINALITY HAS NO DEATH

I did not use generative AI support at any stage in the creation of this work.

When I started composing this piece in December, after buying Spitfire Originals Intimate Strings on sale, I had these thoughts: If this is what the future is going to look like, I didn't sign up for it. Although in my youth I read and watched a lot of SF films presenting both utopia and dystopia, I always preferred the bright future. However, what I see on TV, on YouTube and outside my window is starting to resemble the latter...

Despite this, I hope you like the piece at least a little bit

To make this track I used:
Ableton Live 11 Standard
Spitfire Originals Intimate Strings
Spitfire Originals Cinematic Percussion
Spitfire BBC SO Discover (free)
Soundpaint 1928 Vintage Steinway Grand Piano (free)
Arturia Augmented Voices
Arturia Augmented Mallets Play (free)
Strezov Sampling Afflatus Minimalist Violins Legato Freebie (free for Kontakt Player)

Beside plug-ins I used 3 samples:
Two from BBC Sample Library:
- Rioting - Riot in Belfast - with breaking glass, rubber bullets, distant cries and chants
- Chatter - Club atmosphere, busy mixed chatter at mealtime (mid-distance) - 1981 (1C25,reprocessed)
and from Freesample.org
Real War - Marines in Firefight Gunbattle (Raw audio) by qubodup

Picture in cover: Freepik

Future Perfect?

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Merveille fusion entre Hanz et moi,realisé au clavier pas de samples!
drum moi !
mon film preferé et mon compositeur que j'adore(Hans Zimmer)respect
bisous
Et surtout n'oublie pas que Dieu est lumière, il a le pouvoir de distordre les photons neutrons et Protons de les rappeler à lui et de les replacer.Absence de matières délimitées par la matière.
w

Interstellar

Interstellar Fusion🎧🎧🎧

desert dream

Silene - Fleursonseaux
All rights reserved - © Copyright

Silene

Going in deep can result in unexpected encounters.
Track: Clarinet; Clarinet/moog; Tenor saxophones/moog.
Beats c/o Garageband.

Pic. Anglerfish c/o Pinterest.

BLACK WATER

Take Flight (mix #1)
Step into the sonic slipstream with Three Photons as they unveil "Take Flight"—a soul-drenched journey through warm tape hiss, vintage textures, and melodic uplift. This isn’t just a track—it’s a moment suspended in analog air.


Written and Recorded by TJG May 2025
Written in B-flat Major 😉
Trying for a vintage sound jazz composition. Thanks for listening. 
-------------------------------------------------------------------
Technical Details:
Rhythm Guitar: Gibson ES 175
Lead Guitar: Gibson ES 335
Guitar Amplifier: Fender George Benson Hot Rod Deluxe
Fender pedal board: Line 6 delay
Bass Guitar: Fender Squire recorded with API 505 DI
Mics: a pair of Royer r10 ribbons on guitars
Mic: AEA R44 vocals
Mic preamps: API 312
Spatial effects: analog reverb
Mixer: API 32 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

--------------------------------------------------------------------------------------------
Take Flight

Take flight, you’re on your way tonight
Take time, you’re always on my mind
You’re always on my mind

Dark night, we can’t see stars or light
We can’t see stars or light
We can’t see stars or light

Star light, I’m on my way tonight
I’ll be there, at first light
At first light

Star light, I’m on my way tonight
I’ll be there, at first light
At first light

Take flight

THE TIME IS UPON US

Soltás y das

Cuando el viento choca en los cristales
y la luna funde con la piel.
cuando sombras caen como puñales
y las horas van a su merced.
Y a pesar de los días en que dudas en creer.
Soltás, soltás, soltás y das, soltás, para ser.

Cuando la memoria vuelve al frio   
y el invierno espera en el umbral.
cuando llega del miedo y el astío
en silencio miras que hay atrás.
Y a pesar de los días en que dudas ensoñar.
Soltás, soltás, soltás y das, soltás, para ser.

Y a pesar de los días en que dudas en creer.
Soltás, soltás, soltás y das, soltás, para ser.

Letra y música
Pichy Sotomayor

Soltás y das

Swamp Interactions

God knows you

NIN Setlist 


Right where it belongs
Ruiner
Piggy
Wish
March of the pigs
The Frail
The Wretched
Reptile
Copy of A
Gave Up 🥳
Vessel
Parasite
Came Back Haunted
Mr Self Desteuct
Heresy
Closer
Afraid of Americans 😃 (the smile is because it's a David Bowie song 🙏🏽 It actually felt a little bit weird not hearing his voice but was still epic)

the hand that feeds
Head like a hole
Hurt


https://www.rollingstone.com/music/music-news/nine-inch-nails-perform-live-rarities-tour-kickoff-dublin-1235365343/

Love

Open Flesh Wound : Catheter Strangulation

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. 
Thank you for listening :)

Original Photography by https://www.pexels.com/de-de/@anna-nekrashevich/

Lost In Dreams

TIMELINE / Open collaboration from IPG1
IPG: Vocals and Verses
https://soundcloud.com/ipg1/timeline-vocals-97-bpm
Backing Track : Paploviante
https://soundcloud.com/paploviante-and-friends/enigmatic-paploviante-open-collaboration-offer
Lillithe: Arrangement and Production

Timeline   Open Collab from IPG1 with Paploviante

Turn of Time / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 100
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!


Turn of Time / Open Collab Offer

Defend & Protect

The Lotion, All soaked in—let’s get a little wild. Ready for the next level?  -/- 
/
Behind the Madness - The System Unveiled, Pt. 1 // Double Disco Mix
/
story, lyrics written and narrated by fictionalive / 
the song 'Double Disco' is written, produced, and provided by mobygratis, licensed / arranged, mixed by fictionalive / 
artwork by fictionalive /

/ 
fusion of it all – 
fictionalive with the popoems series and the hyper media reports / 

fair use only / 
dropped 
July 2st, 2025 04:59 am central european hot summer time //
/
/

Behind the Madness - The System Unveiled, Pt. 1 // Double Disco Mix

Cast of characters:
Jack Karasek — beats and seed idea
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation
Llanpsych–@llanpsych –Tez– electric guitar
Tea R. Sea @tea_are_sea -- Terry – Synthesizer
TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production
This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.
  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.
  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 
  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 
  We hope you enjoy listening to this as much as we enjoyed making it. 
  Oh, and just a side note for all of our friends who follow along with us, we won't be releasing a song this coming Friday, the 4th, but will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us!

Throwing Rocks (Eclectic Collective)

Joy Swirl - AfterHours

Matrix

Spending summer by the lake in the forest


Forest Lakeside

Lyrics by Tony Harris that inspired Glen are listed below.
Vocals, Music and Mix by Glen Granthem

BACK IN NINETEEN SIXTY EIGHT
HE JOINED A RECORD CLUB
RECEIVED AN ALBUM EACH MONTH
WAS UPSET WHEN LATE

HE PLAYED HIS NEW ALBUM'S
ON AN OLD CONSOLE STERIO
THE DAY HE RECEIVED THEM
COULDN'T WAIT..DON'T YOU KNOW?

(CHORUS)
HE HAS SOME GREAT MEMORIES
FROM THAT RECORD CLUB
NOTHING WAS BETTER
THAN LISTENING TO HIS RECORDS
ON THAT OLD RECORD PLAYER

(INSTRUMENTAL SOLO OPTIONAL)

HE STILL HAS THOSE ALBUM'S
CAUSE THEY'RE SPECIAL TO HIM
BRIAN WILSON AND THE BEACH BOYS
WAS A FAVORITE..REST IN PEACE BRIAN

RECEIVING A TRANSISTOR RADIO
AT A VERY YOUNG AGE 
AND LISTENING WHILE ON THE GO 
MADE HIM FALL IN LOVE WITH MUSIC

(REPOST CHORUS 2 TIMES OPTIONAL)

2025 © Lyrics by Tony Harris

Record Club - Lyrics by Tony Harris - Featuring Glen Granthem - Original

Be a light
In a world dimmed by heartbreak, rain-soaked mornings, and fading promises, Be a Light is a torch song for the soul. Three Photons returns with a raw, analog-driven anthem that blends indie rock melancholy with cinematic warmth and blues grit.

Lyrically, it’s a journey through loss, longing, and political disillusionment—until the final line flips the script: “Sometimes in your life you need to be the light…” It’s not just a lyric—it’s a call to action.




Written and Recorded by TJG August 2025
A paired down recording – a few sparse tracks and just a few takes….hope you enjoy the vibe. 

-------------------------------------------------------------------
Technical Details:
Rhythm Guitar: Gibson ES 175
Lead Guitar: Gibson ES 335
Guitar Amplifier: Fender George Benson Hot Rod Deluxe on Rhythm; VOX AC15 on lead guitar
Fender pedal board: Line 6 delay

Mics: a pair of Royer r10 ribbons on guitars
Mic: AEA R44 vocals
Mic preamps: API 312
Spatial effects: analog spring reverb
Mixer: API 32 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.
--------------------------------------------------------------------------------------------
Be a light

Why won’t the sun shine down on me?
Why won’t the sun shine down on me?

Wake up in the morning and it’s dark as night
Wake up in the evening and its just rain, rain, rain, 
Rain, rain, rain, Rain on me!

Why won’t my luv be good to me?
Why won’t my luv be good to me?
Why won’t my luv be good to me?

Wake up in the morning and her bags are gone
Wake up in the evening, it’s just a sad sad sad song, 
sad sad song, that’s in my head!

Why won’t the Prez be good to me?
Why won’t the Prez be good to me?
Wake up in the morning and my neighbor’s gone
All I can think, in my mind, is Alcatraz 
It’s in my mind

He’s so far gone, He’s so far gone!!!

Why won’t the sun shine down on me?
Why won’t the sun shine down on me?
Why won’t the sun shine down on me?

Sometimes in your life you need to be the light…….

Be a light

Blending into the coral reef

Prologue to a fantasy adventure

The trials of a fantasy adventure

Epilogue to a fantasy adventure

DOWN BY THE SEA - Re-Mastered Aug 2020
Written, Performed & Produced by Andrew Borderick
Copyright 2019 AB Music All righte reserved.
Mastered by Soundcloud Aug 2020

IF I WAS A BIRD
I COULD FLY THE WORLD
OR LIVE DOWN BY THE SEA
WHERE THE WIND IS FREE

I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
WE'LL FIND A TREE
LIVE UP THERE AND SEE
THE WORLD BELOW

IF I WAS A FISH
I COULD SWIM THE SEA
I WOULD DIVE SO DEEP
SO NO ONE CATCH'S ME

I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
WE'LL FIND A PLACE
AND LIVE OUR LIVE'S AWAY
FROM WHAT'S UP THERE
(break)
IF I WAS A CAT
I WOULD CLIMB THE TREE
OR CATCH YOU BY THE SEA
IT'S JUST A PART OF ME

I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
DOWN BY THE SEA
A PLACE FOR YOU AND ME
WE LIVE BETWEEN,
I'LL TAKE YOU THERE
I'LL MESS YOUR HAIR
DOWN BY THE SEA
A PLACE FOR YOU AND ME
WE LIVE BETWEEN

2018 PRO TOOLS

Down by the Sea

DOWN BY THE SEA

ANOTHER WORLD
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2015/2020
Re-Mastered by Andrew Borderick OCT 2020

I'VE HIT THE ROAD, TO FAR TO SEE
WITH ALL THE LONELINESS, IN FRONT OF ME
IT'S GREAT TO SAY, I AM YOU
AND TAKE MY LOVING TO, ANOTHER WORLD
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD

OUR LIVES ROLL BYE, WHERE ARE YOU
I'D TAKE THE CHANCE ON YOU'D, FALL OVER SOON
WILL TIME LET GO, THIS PART IN ME
I GUESS THE BAR MAN, WILL REMEMBER ME
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD
to take the loneliness to another world / to another world x2
(break)
(chorus)
I HOPE YOU'LL BE COMING BACK
I'D DANCE WITH YOU
TO TAKE THE LONELINESS TO ANOTHER WORLD
to take the loneliness to another world / to another world x4