Rock Pop 24

Post Punk Junk

Spacerock #2 (postrock, math rock, krautrock, psychedelic electronica, etc)

This compilation is by Andrew Weatherall for Faber Social as part of his tenure as Artist in Residence. For more information on Weatherall's residency at Faber Social go to www.fabersocial.co.uk

The Night of the Phantom by the Larry and the Bluenotes

Party Boys - I Love You (Los Angeles - 1986)

No Smoking - Człowiek, który przemawiał do tłumu (Poland ~ 1984)

Palais Des Bauzards persued an industrial and electronic variant of the sound that swept into vogue during the first half of the '80s. Initially the group was formed in 1983 in the Belgian city of Louvain by Danny Jacobs, Dirk Van Regenmortel, Chris Serré (+2006), Frank De Wit and Rudy Stuyckens. In 1983 they released two tracks on the Mask Live LP together with Front 242. In the three following years many of their home recorded tracks were published on various cassette tape labels: Wij Zijn België (ZZZ), X-Mas compilation (Riot tapes), Cabbage part one (Cauchy Productions), Tape-O-Matix (the Cassette Factory), Mad In Belgium (3Rio tapes), Flanders on the Rocks (the Cassette Factory), International Audio Compilation (3 Rio tapes). In 1984, new artwork "Going under", "In the grassfield", "Knowing too much" was recorded and produced by Ludo Camberlin at the Anything But Productions studio.

Since the beginning of the 21st century, many of their original material can be found on playlists around Europe and the USA. Many songs will be reissued on LP in the near future. About 4 LP-projects are about to be completed in 2014.

NATIVE TONGUE

Danny Jacobs (vocals)
Chris Serré (bas)
Dirk Van Regenmortel (synths and electronic drums)

October 1983

Palais Des Bauzards - native tongue

Artist : Hiiragi Fukuda
Title : Me And My Marshall Amp
Label : Selection (SR 004) 
Format : Vinyl, 7", 33 ⅓ RPM

Hiiragi Fukuda - Me And My Marshall Amp

link-wray--hidden-charms

Ancient Echoes- Eternal Tapestry

Spacemen, Can You Hear Me?

Tin Huey - The 59th St. Desert Clowns (demo 1973)

The Monks' "Hamburg Recordings 1967" is available on 12" vinyl and CD here: 
The Monks – a strange, rare group with a story that sounds like a drunk friend’s generous hyperbole. A group of American G.I.s stationed in Germany on the precipice of Western cultural revolution starts playing music loosely connected to the rock n’ roll craze, contrastingly incorporating a critical and often offensive avant-garde edge. Nothing was off limits — screeching vocals, dark aesthetics, staccato-strummed banjo, sardonic lyricism, critiques of the Vietnam War and full monk costuming down to the tonsure. When viewed on the whole, it seems like an art school student’s senior thesis on what the craze means and its future possibilities. Due in large part to original Polydor vinyl collectability and years in the word-of-mouth hype machine, their legend and cult status has steadily blossomed since their last shows in 1967.

Fast forward to 2017, the crew at Third Man, already huge fans, are presented with an honest-to-God treasure trove of original Monks photos, newspaper clippings, business cards, letterhead, contracts, postcards and, yes, analog tapes, containing trailblazing, wild compositions completely unheard by public ears.

“I’m Watching You” would have been recorded on February 28th, 1967 at the same sessions that would produce the Monks’ final single “Love Can Tame the Wild” b/w “He Went Down to the Sea.” The remaining four songs were recorded after hours in the Top Ten Club later that year, just prior to the break-up of the band.

These songs have been unreleased for 50 years and are quite possibly the last music left to be heard by this legendary band.

Hamburg Recordings 1967

THE MONKS Hamburg Recordings 1967

The Monks - I'm Watching You

Dedicated to Colin Molter

Limited Cassette "DORONCO GUMO - MANSTAR" Nov 22th 2017 On Sale

by Selection(SR021) & Spacecase Records(SCR020)
http://www.selectionrecords.com/
http://www.spacecaserecords.com/

DORONCO GUMO - 俺達のまわり (SideA3)

06 -The Belles - Melvin

With the deep love of early electronic music, Muhamad Fahri a.k.a Gonzo chooses to take a step closer to what Terry Riley, Ash Ra Temple, Klaus Schulze, Popol Vuh and other experimental music pioneers had experienced in the 20th century; the power of handling sound machines that is capable of creating limitless possibilities of sonic experimentation. 

Very much inspired by the beauty of the underwater world, Duck Dive organize a mixture of analog keyboard synthesizers, sequencer, and effects, to create live compositions of electronic music with a full layer of melodies, rhythm, and sound, mimicking a unique meditative atmosphere given by the life of the deep, blue ocean.

Duck Dive - Inner Projections

Rites of Lunacy

Rites of lunacy

Taken from new album "Tiden" which is available at the Bureau B online shop:
http://shop.tapeterecords.com/records/bureaub/roedelius-schneider-tiden.html

-------------------------

ROEDELIUS SCHNEIDER - TIDEN (release date: June 28th 2013)

Not long after Hans-Joachim Roedelius (Cluster, Harmonia) and Stefan Schneider (To Rococo Rot, Kreidler, Mapstation) had released their first album "Stunden", accompanied by a few live shows in 2011, Eric Satie and Brian Eno were quoted as the great inspiration for their musical collaboration. Fine references no doubt, one having invented musique d'ameublement, and the other having refined it into ambient music 80 years later. Yet "Tiden" does not sit easily in either camp. This is neither tasteful decor (à la Satie), nor is it electronic-auditory space filler (à la Eno), gazing towards infinity. The short duration of the 13 pieces is enough to discount either genre. Better to consider these as concentrated, inspired études, carefully thought through and in no way random or sketchy.

With cheerful gravitas, the two artists create absolute music – music which desires only to be itself, without ulterior effects and with the declared intent of involving the listener in his emotional, inventive game. Perhaps Franz Schubert's moments musicaux would be a more suitable citation. The lightness and atmospheric intimacy of this music reveal Roedelius (grand piano, synthesizer) and the decades younger Schneider (Elektronik) as musicians who understand how to listen to one another and improvise on each other's ideas immediately. The result is a lively, relentless interplay of great composure, more surprising than any tide could be, as precise calendars exist for tidal flows.

Roedelius can already look back on a adventuresome career in music. Schneider has also prospered through exciting decades in contemporary pop. This is the second time their paths have crossed. "Tiden" keeps the promise which their first album made, genial contemporary music from two artists who are as one in heart and soul. And when Roedelius steps on the pedal of his grand piano, well it squeaks a little. (Asmus Tietchens)


About the musicians:

The electronic pioneer Hans-Joachim Roedelius lives in Baden near Wien (Austria) and is a legendary figure in popular music. He founded the seminal bands Cluster and Harmonia, which also included Dieter Moebius and Michael Rother. He produced the albums "Zuckerzeit" (1974) and "Deluxe" (1975), which are considered blueprints for today's electronica and were recently successfully reissued. And in the late 70s he worked with the great Brian Eno – the albums "Cluster & Eno" (1977), "After The Heat" (1978) and "Tracks & Traces" (1997) document the cooperation between the Bowie and U2 producer and the sound researcher who was then living in a creative commune in Forst.

Roedelius began releasing solo albums in 1978. He was already exploring the interplay between piano and electronics on his second LP, "Jardin au Fou" (1979). This synthesis is also the core of "Stunden". The Düsseldorf based Stefan Schneider was a founding member of Kreidler (1994â€“99) and is part of the trio To Rococo Rot. He has released several albums under the name Mapstation.

http://bureau-b.de/roedeliusschneider.php

Roedelius Schneider - Hohner Omen

tokyo based music team "fuyusoubi" in 2008-2017.