"Physical Emotions" (LIARS REMIX)

breathe 1.2 70 bpm gt take 1 62925

paris 1 94 bpm take 1 13025

crooked smile 8 110 bpm take 1 5225

We are very happy to announce Dead Skeletons Live In Berlin. The album captures a performance at Berlin's iconic SO36 club in 2013.
Available on vinyl, CD, cassette, silk screened poster, and an exclusive collection of merch featuring Dead Skeletons logos by Nonni Dead. More details on the album will be released very soon! Albums will be shipped mid March.

Dead Skeletons - Dead Mantra

NEVER BE THE SAME WHEN THE DAY GOES AWAY
WHEN YOU'RE ALL BY YOUR SELF
NOW ALL YOUR BIG IDEAS GO TO WASTE
'CAUSE THE TIME SPIRALS OUT

MAKE NO MISTAKE
ANTICIPATE
THERE WILL COME A DAY
WHEN IT ALL FADES AWAY


WHEN THE MONEY'S GONE & THE LIGHTS GONE AWAY
THEY'LL BE LOOKING FAR AWAY
TO THE NEXT STAGE OR THE FAD OF THE DAY
WHEN IT'S ON SOMEONE ELSE

HERE FOR TODAY
THINK IT WILL STAY
YOU'VE GOT IT MADE
UNTIL IT ALL FALLS AWAY

NOWADAYS IT SEEMS LIKE THE SQUARES RUN THE SHOW
BUT IN TIME WE'LL COME TO KNOW
TAKES MORE THAN FAME & SOME DIAMONDS ON YOUR CHAIN
TO MAKE OUR SPIRITS SHOW

WHAT'S COOL TODAY
ALL THAT YOU HATE
SOON GONNA CHANGE SO
DON'T THINK THAT YOU KNOW
WHAT'S COOL TODAY
ALL THAT YOU HATE
SOON GONNA CHANGE BECAUSE

EVERYONE KNOWS

released June 25, 2018
Words & Music by Jeffertitti Moon
-Recorded at Frog Sound & The Mother-Hit Connection; Echo Park, CA
February 9th-20th 2017
-Vocals, Guitars, Drums, Bass, Synth, Casio, Percussion, Harmz, Violin, Field Recordings, Engineering & Production: Jeffertitti Moon
-Mellotron, Synth, Engineering & Production: Adam Rasmussen
-Flutes & Production: Chris Lynch
-Bass: Wade Ryff
-Mixing & Mastering: Benjamin Tierney
-Album Art: Natalie Bergman

Everyone Knows (The Kool Kidz Club Just Ain't Cool No More)

Steeple Remove - Oval Strii  (Laurent Garnier Remix)

Ghost Rider

Shiny Shiny

French three-piece Servo deals in the kind of dark, psychedelic noise-rock that storms with ease between gloomy, hypnotic moments and bouts of powerful, unrelenting noise. With a string of singles, EPs and their 2016 debut ‘The Lair of Gods’ behind them, the Rouen-based band signing to London-based label Fuzz Club for their second album, ‘Alien’.

Alien

Servo - I

Track is taken from the upcoming album 'All' (out November 6, 2020)

+++++

It has been nine years since Urlaub in Polen announced they were disbanding with the release of their fifth album Boldstriker. However, drummer Jan Philipp Janzen and multi-instrumentalist and singer Georg Brenner have always made up one of those rare and highly unlikely bands who, despite market laws to the contrary, have put the context of their own work above fads and opportunity without ever denying that they inhabit a particular historical moment. On All, their unexpected sixth album, it becomes immediately clear that the term »reunion«, at least in the sense we’ve gotten used to, does not do justice to this particular ocurance. All is light years away from offering a lukewarm rehashing of ancient recipes for success - the album is highly ambitious and sounds fresh in its concentrated performance—not unlike a debut. This is because the considerable advantages of a long-term musical relationship are at display throughout the record. Not only with regards to the tightness of performance, which was and is every bit as unbelievable as everyone says, particularly those who have been privy to their ecstatic live performances, but also regarding a level of musical familiarity withone another; a rare feat that has always carried the band’s musical explorations, and which balances the dynamics and structures of All as a whole. This interplay is accentuated by the record’s production, for which Janzen (among others a founding member part of Von Spar, current drummer of Die Sterne and producer of Die Sterne, The Field, PTTRNS, Albrecht Schrader etc.) and Brenner are also responsible.

Urlaub in Polen have also always been a band that defies categorization. All is probably their most formally coherent album so far, but it is nevertheless anything but a work of genre: What the songs on All have in common is an architecture evoking Krautrock, developing sprawling synthesizer and guitar workouts on the foundations of finely woven rhythm arrangements. The echoes of West Coast Pop (the harmonies and the bass!), of Rhineland Tech House and of early Dire Straits (the vocals and the guitar production!) make All a characteristically versatile and international affair. The album shares with their previous efforts the interest and attention for sonic textures and contrasts, but showcases more constraint and focus. In place of noise, details and the enormous joy of playing between Brenner and Janzen come to the fore, equally in the stoic Desert Kraut hits »Impulse Response« and »THDT,« the polyrhythmic »Overall«, or the discoid »Proxy Music.« All as a musical statement thus bears witness to the fact that Urlaub in Polen’s artistic vision is not centred by musical niche or content, but by formal considerations and the ever new presence of playing together: All, in this sense, stands for nothing more and nothing less than the latest expansion of their oeuvre.

+++++

https://www.tapeterecords.de/artists/urlaub-in-polen/

Dead Skeletons - Dead Mantra

Fuzz Club Records