Psychedelia,  space rock, stoner,  krautrock,  shoegaze, ambient, dream pop,  psyfolk, trippy dub & loops of spacey synths.                               (play in shuffle)

space rock & psychedelia_part10

Dirty - Psych

space rock & psychedelia - 6

Sorrow Tomorrow' is the second LP from Mexico's Has A Shadow, and the first to be released on Fuzz Club Records, with an official release date of January 18th. Rumbling in on dark storm clouds from Guadalajara, Mexico their new release is an adrenaline-fuelled rush of eerie gothic organs, motorik bass-lines, marching percussion, squalls of chiming, fuzz-ridden guitars and the atonal, ritualistic chants of vocalist Daniel Garciano. Imagine an unholy, dirty mix of Bauhaus, Sisters of Mercy, Suicide and Darklands-era Jesus and Mary Chain - this is a hauntingly good exercise in dark and ritualistic post-punk with an immersive gothic slant. The new album follows a run of EU dates that included an appearance at Liverpool Psych Fest and shows with LSD & The Search for God, TAU and The Jabberwocky Band.

Tracklist: 1 – Sorrow, 2 – Lord Of Flies, 3 – The Flesh, 4 – Attack of the Junkie, 5 – Cul De Sac, 6 – Vampire Kiss, 7 – Horror Will Grow, 8 – Not Even Human, 9 – World Sensation

Available on vinyl and CD from fuzzclub.com

Has A Shadow - Sorrow Tomorrow

Nuestras canciones favoritas del mes de Enero, pueden conocer mas sobre estos artistas en http://latinoamerica-shoegaze.blogspot.com.ar/

#Registros: Canciones de Enero

pink red dawn blood bombs

Has a Shadow - John Lennon (Sky is Hell Black)

02.- Cafe Tacvba - Esta Vez - [En Vivo en Sesiones con Alejandro Franco] HD

Release Date: January 13
bill (at) teamclermont (dot) come

Royal Oakie Tapes & Records
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"Geodesic Dome Piece" is the new album from California's The Blank Tapes. Featuring 12 tracks of stoned-out rock n' roll bliss—ranging from jangly guitar balladry to electric sitar psych-outs, neo-pop nuggets, 70’s rock juggernauts, and heavy fuzz freakouts—this is the first full length record from The Blank Tapes since 2012's breakout release "Vacation". Recorded in San Francisco, this record riffs on the City's rock n' roll legacy and everybody’s favorite emerald herb. Royal Oakie Tapes and Records out of Oakland, CA is excited to be releasing "Geodesic Dome Piece" on vinyl and cassette tape on January 13, 2015.

The Blank Tapes is and always has been the musical project of one Matt Adams. Born and bred on the western shores, Mr. Adams has spent the last 10 years traveling the golden coast —writing songs, playing shows, and putting out release after release of starry-eyed pop jams. He’s been written about in Rolling Stone and Spin; he’s toured with Jonathan Wilson and Allah- Las; he’s huge in Brazil; he’s played every dive bar from Tucson to Timbuktu; soon, he’s coming to a town near you; he’s worked as an artist for Mad Magazine; he’s released dozens of album on cassette tape, cd, and vinyl; now he’s recorded an excellent new album in San Francisco, CA and it will blow your mind.

The Blank Tapes - "Way Too Stoned"

Arranged and performed by New Candys. Music and words by Fernando Nuti. Recorded by Pierluigi Ballarin at T.U.P. Studio (Brescia). Overdubs recorded by Andrea Condotta at Spazio 55 (Treviso). Mixed by John Wills at The Imaginarium (Perth, UK). Mastered by Ruggero Pol at Teatro delle Voci (Treviso). Artwork by Fernando Nuti.

New Candys As Medicine

Song For The Mutant

Edit I did for this mix last year: https://soundcloud.com/darpermusic/all-that-glitters-december-mix

Taken from the amazing Death In Vegas abum Dead Elvis
https://itunes.apple.com/gb/album/dead-elvis/id318379440

Death In Vegas - All That Glitters (Darper Glittering) FREE DOWNLOAD

Futurecent is a collection of doomsday drones, stirring up Blues, Punk and a touch of Desert Rock in a lysergic pot. Echoing some of the wildest chapters of Rock & Roll history, from The Stooges to Brian Jonestown Massacre and early Nebula, the record has a 60s hypnotic flavour, spiced up with hammering drums, organ buzz and fuzzy guitar riffs. 

The album have been mastered by the one and only Pete Kember, funding member of Spacemen 3 and Spectrum. 

FUZZ CLUB
Fuzz Club is an independent record label, online store and production company that focuses on experimental rock and roll, influenced by shoegaze, electronica, noise, garage, blues, folk and psychedelia.
Based in East London, Fuzz Club has gained a reputation for surfacing the best emerging talent from Europe and beyond, and releasing them on high end, limited edition vinyl pressings, alongside a roster of the best known names in the underground scene including Anton Newcombe, Goat, Alan Vega, The Black Angels, Dead Skeletons, A Place to Bury Strangers, The Telescopes, Sonic Jesus and The Underground Youth.
Established in rural Norway during the 24 hour darkness of the Arctic winter, Fuzz Club entered the scene in 2012 with their compilation The Reverb Conspiracy – made in collaboration with Austin Psych Fest – a now annual release capturing the essence of the underground scene as it is today.
Today Fuzz Club has around 20 artists and over 40 releases.

The Orange Revival - Lying In The Sand

A guitar heavy post industrial remix of the Astral Skulls track The day that never comes by Scattered Order.


Astral Skulls - The day that never comes - Scattered Order remix

“Never In My Mind” starts off like a call to arms full of violence and energy, and continues its rampage pace like an adrenaline shot to the heart. The marching snare drum is overlaid with fuzz-heavy guitars and dark distorted vocals to produce a sound that is distinctly Sonic Jesus.

Released on 7" and digital 20th November 2015.   

“Never In My Mind” is the B side to the band's Locomotive EP. Side A features a remix of “Locomotive” by Sonic Boom aka Pete Kember from Spacemen 3 and Spectrum. Sonic Boom's remix maintains the track’s beautiful abstract vocals which evoke some kind of religious ritual or perhaps a lonely lament. The song is then propelled into the heavens as the band crashes in and Sonic Boom’s psychedelic treatment takes effect.  

FUZZ CLUB RECORDS

Fuzz Club Records is an independent label, online store and production company that focuses on raw, experimental rock and roll, influenced by psychedelia, shoegaze, noise, garage, blues, folk and experimentation.
 
Established in rural Norway during the 24 hour darkness of the Arctic winter, Fuzz Club entered the scene in 2012 with their compilation The Reverb Conspiracy – made in collaboration with Austin Psych Fest – a now annual release capturing the essence of the underground scene as it is today.
 
Today Fuzz Club has around 20 artists and over 40 releases featuring names like Anton Newcombe, Goat, Alan Vega, The Black Angels, Dead Skeletons, A Place to Bury Strangers and The Underground Youth.

Sonic Jesus - Never In My Mind

DEAD SKELETONS - Gods DMT 13 (2015)

Sorrow Tomorrow

Has A Shadow - Cul De Sac

Has A Shadow - Attack Of The Junkie

Has A Shadow - The Flesh

Has A Shadow - Lord Of Flies

Has A Shadow - Sorrow

The Underground Youth - A Dirty Piece Of Love For Us To Share

Hearts

Travelling Wave ft The Mugris

título: Delenda Est 

single - Jan. 2017

The Mugris - Talcahuano/Chile
https://soundcloud.com/themugris

Delenda Est ft. The Mugris

Fallen   (W/ Filipe from Duelectrum)

The Second Line

The 2nd Line

Dr. G

Jefre Cantu-Ledesma - Echoing Green

sesh.link/noredeemingqualities
PROD. BY JONNY TELAFONE ( https://soundcloud.com/jonnytelafone )

NoRedeemingQualities

Bones - Drown (feat. Jonny Telafone)

My Eye on You (To Reinvision)

My Eye on You (feat. Gavin Clark)

It Came Without Warning (Alexander Palmestål Rework)

Wand cover Brian Eno's "Here Come The Warm Jets"

Wand- "Here Come The Warm Jets"

Funkadelic -  "Mommy, What's A Funkadelic?"

PREORDER: http://nightschoolrecords.bigcartel.com/product/distro-apostille-wrong-the-road-to-war-7

Comfortable On A Tightrope present the debut vinyl release from Apostille - aka Night School's Michael Kasparis' fractured pop utterances. Kaleidoscopic instrumentation and cracked synths frame two bona fide degraded  pop songs centred around a lurking sense of misanthropy, albeit a misanthropy tempered with ecstatic tendencies.  'Wrong' is the mid paced groover for self-erasing western consciousness, possessing a chorus hook so insidious and fun it diverts from the content. 'The Road To War' takes a sisters of mercy in hypnagogia approach to anthems and produces a sing-a-long both unintelligible and seductively drenched in fervour and sweat.