Dirty - Psych

Fuzz Club Store

Las Cobras - Temporal

Psychedelic Shoegazer Sounds XXIX

Spacerock #2 (postrock, math rock, krautrock, psychedelic electronica, etc)

Has a Shadow - John Lennon (Sky is Hell Black)

Arranged and performed by New Candys. Music and words by Fernando Nuti. Recorded by Pierluigi Ballarin at T.U.P. Studio (Brescia). Overdubs recorded by Andrea Condotta at Spazio 55 (Treviso). Mixed by John Wills at The Imaginarium (Perth, UK). Mastered by Ruggero Pol at Teatro delle Voci (Treviso). Artwork by Fernando Nuti.

New Candys As Medicine

Song For The Mutant

Ancient Echoes- Eternal Tapestry

Futurecent is a collection of doomsday drones, stirring up Blues, Punk and a touch of Desert Rock in a lysergic pot. Echoing some of the wildest chapters of Rock & Roll history, from The Stooges to Brian Jonestown Massacre and early Nebula, the record has a 60s hypnotic flavour, spiced up with hammering drums, organ buzz and fuzzy guitar riffs. 

The album have been mastered by the one and only Pete Kember, funding member of Spacemen 3 and Spectrum. 

FUZZ CLUB
Fuzz Club is an independent record label, online store and production company that focuses on experimental rock and roll, influenced by shoegaze, electronica, noise, garage, blues, folk and psychedelia.
Based in East London, Fuzz Club has gained a reputation for surfacing the best emerging talent from Europe and beyond, and releasing them on high end, limited edition vinyl pressings, alongside a roster of the best known names in the underground scene including Anton Newcombe, Goat, Alan Vega, The Black Angels, Dead Skeletons, A Place to Bury Strangers, The Telescopes, Sonic Jesus and The Underground Youth.
Established in rural Norway during the 24 hour darkness of the Arctic winter, Fuzz Club entered the scene in 2012 with their compilation The Reverb Conspiracy – made in collaboration with Austin Psych Fest – a now annual release capturing the essence of the underground scene as it is today.
Today Fuzz Club has around 20 artists and over 40 releases.

The Orange Revival - Lying In The Sand

“Never In My Mind” starts off like a call to arms full of violence and energy, and continues its rampage pace like an adrenaline shot to the heart. The marching snare drum is overlaid with fuzz-heavy guitars and dark distorted vocals to produce a sound that is distinctly Sonic Jesus.

Released on 7" and digital 20th November 2015.   

“Never In My Mind” is the B side to the band's Locomotive EP. Side A features a remix of “Locomotive” by Sonic Boom aka Pete Kember from Spacemen 3 and Spectrum. Sonic Boom's remix maintains the track’s beautiful abstract vocals which evoke some kind of religious ritual or perhaps a lonely lament. The song is then propelled into the heavens as the band crashes in and Sonic Boom’s psychedelic treatment takes effect.  

FUZZ CLUB RECORDS

Fuzz Club Records is an independent label, online store and production company that focuses on raw, experimental rock and roll, influenced by psychedelia, shoegaze, noise, garage, blues, folk and experimentation.
 
Established in rural Norway during the 24 hour darkness of the Arctic winter, Fuzz Club entered the scene in 2012 with their compilation The Reverb Conspiracy – made in collaboration with Austin Psych Fest – a now annual release capturing the essence of the underground scene as it is today.
 
Today Fuzz Club has around 20 artists and over 40 releases featuring names like Anton Newcombe, Goat, Alan Vega, The Black Angels, Dead Skeletons, A Place to Bury Strangers and The Underground Youth.

Sonic Jesus - Never In My Mind

DEAD SKELETONS - Gods DMT 13 (2015)

First single from the forthcoming album "Mind of the Swarm". 
Album release date: 10 February 2017.
Available on vinyl through Kozmik Artifactz (UK/Europe) and Cobra Snake Necktie Records (Australia). 
Digital release via Apple Music, iTunes, Spotify and bandcamp.
http://buriedfeather.bandcamp.com/
http://kozmik-artifactz.com/
http://cobrasnakenecktierecords.com/

Dust

Spacemen, Can You Hear Me?

Las Cobras - The Time Has Come

Las Cobras - Our Love Will Grow

Las Cobras - Dark Waves

Las Cobras - Beating Hard

Las Cobras - Al Más Allá

Canned Howl

Canning A Howl

Cover by the British Freakbeat/Psych band from London "The Open Mind"

Magnifier

Magic Potion

John Treanor - guitar/keyboards/vocals
Josh Drew - guitar
Mike Mason - bass/guitar
Stephen Striegel - drums (Fear, Separate, Always There)
Michael Sanger - drums (I Want To Fly, Another Day)
James Cooper - synth, electronic drums (Separate), musical guidance
Larry Salzman - percussion
Paul Roessler - keyboards

Produced by Paul Roessler and John Treanor
Recorded by Paul Roessler at Kitten Robot Studios
Mastered by Alex DeYoung
Front Cover Art by Darren Grealish
Cover Design by Steve Gerdes

Send Me Your Head Records - SND 005

Fear

I Want To Fly

With the deep love of early electronic music, Muhamad Fahri a.k.a Gonzo chooses to take a step closer to what Terry Riley, Ash Ra Temple, Klaus Schulze, Popol Vuh and other experimental music pioneers had experienced in the 20th century; the power of handling sound machines that is capable of creating limitless possibilities of sonic experimentation. 

Very much inspired by the beauty of the underwater world, Duck Dive organize a mixture of analog keyboard synthesizers, sequencer, and effects, to create live compositions of electronic music with a full layer of melodies, rhythm, and sound, mimicking a unique meditative atmosphere given by the life of the deep, blue ocean.

Duck Dive - Inner Projections

Taken from new album "Tiden" which is available at the Bureau B online shop:
http://shop.tapeterecords.com/records/bureaub/roedelius-schneider-tiden.html

-------------------------

ROEDELIUS SCHNEIDER - TIDEN (release date: June 28th 2013)

Not long after Hans-Joachim Roedelius (Cluster, Harmonia) and Stefan Schneider (To Rococo Rot, Kreidler, Mapstation) had released their first album "Stunden", accompanied by a few live shows in 2011, Eric Satie and Brian Eno were quoted as the great inspiration for their musical collaboration. Fine references no doubt, one having invented musique d'ameublement, and the other having refined it into ambient music 80 years later. Yet "Tiden" does not sit easily in either camp. This is neither tasteful decor (à la Satie), nor is it electronic-auditory space filler (à la Eno), gazing towards infinity. The short duration of the 13 pieces is enough to discount either genre. Better to consider these as concentrated, inspired études, carefully thought through and in no way random or sketchy.

With cheerful gravitas, the two artists create absolute music – music which desires only to be itself, without ulterior effects and with the declared intent of involving the listener in his emotional, inventive game. Perhaps Franz Schubert's moments musicaux would be a more suitable citation. The lightness and atmospheric intimacy of this music reveal Roedelius (grand piano, synthesizer) and the decades younger Schneider (Elektronik) as musicians who understand how to listen to one another and improvise on each other's ideas immediately. The result is a lively, relentless interplay of great composure, more surprising than any tide could be, as precise calendars exist for tidal flows.

Roedelius can already look back on a adventuresome career in music. Schneider has also prospered through exciting decades in contemporary pop. This is the second time their paths have crossed. "Tiden" keeps the promise which their first album made, genial contemporary music from two artists who are as one in heart and soul. And when Roedelius steps on the pedal of his grand piano, well it squeaks a little. (Asmus Tietchens)


About the musicians:

The electronic pioneer Hans-Joachim Roedelius lives in Baden near Wien (Austria) and is a legendary figure in popular music. He founded the seminal bands Cluster and Harmonia, which also included Dieter Moebius and Michael Rother. He produced the albums "Zuckerzeit" (1974) and "Deluxe" (1975), which are considered blueprints for today's electronica and were recently successfully reissued. And in the late 70s he worked with the great Brian Eno – the albums "Cluster & Eno" (1977), "After The Heat" (1978) and "Tracks & Traces" (1997) document the cooperation between the Bowie and U2 producer and the sound researcher who was then living in a creative commune in Forst.

Roedelius began releasing solo albums in 1978. He was already exploring the interplay between piano and electronics on his second LP, "Jardin au Fou" (1979). This synthesis is also the core of "Stunden". The Düsseldorf based Stefan Schneider was a founding member of Kreidler (1994â€“99) and is part of the trio To Rococo Rot. He has released several albums under the name Mapstation.

http://bureau-b.de/roedeliusschneider.php