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Heavy Psychedelic & Noise Rock

KRAUTIGT

The Reverb Conspiracy: Volume 5

Spacerock #4 (Krautrock, postrock, psychedelic electronica, etc.)

An When

Black Country

http://lunargrave.bandcamp.com/album/kt-1

Krarut

St. Vincent - 'Cruel'

The Gallows Pole: Original Score

Goat – Let It Burn

The fifteen outfits taking part to the third volume – including Goat, Lola Colt and Singapore Sling – are representative of the impressive diversity and quality of a scene that is much broader than its definition. While all of them are certainly inspired by Psychedelia, each one of them incorporates different elements of Blues, Folk, Rock & Roll, Stoner, Kraut Rock, Electronica, Noise, Ambient and more. All is impeccably delivered in a pure and honest DIY approach that is reminiscent of the early days of the Punk era.

For the third time, the cover was created by iconic Icelandic artist and band member of Dead Skeletons, Jon Saemundur, aka Nonni Dead.

FUZZ CLUB

Fuzz Club is an independent record label, online store and production company that focuses on experimental rock and roll, influenced by shoegaze, electronica, noise, garage, blues, folk and psychedelia.
Based in East London, Fuzz Club has gained a reputation for surfacing the best emerging talent from Europe and beyond, and releasing them on high end, limited edition vinyl pressings, alongside a roster of the best known names in the underground scene including Anton Newcombe, Goat, Alan Vega, The Black Angels, Dead Skeletons, A Place to Bury Strangers, The Telescopes, Sonic Jesus and The Underground Youth.
Established in rural Norway during the 24 hour darkness of the Arctic winter, Fuzz Club entered the scene in 2012 with their compilation The Reverb Conspiracy – made in collaboration with Austin Psych Fest – a now annual release capturing the essence of the underground scene as it is today.
Today Fuzz Club has around 20 artists and over 40 releases.

A1 The Oscillation - No Place To Go

Throw Down Bones

Bones

Blood Drums

blood-drums machine

Throw Down Bones debut album will be out 1st December. Those who saw them at Liverpool Psych Fest will know these guys have a unique electronica sound laden with guitars and rhythm that gets the party people moving.

Throw Down Bones' debut self titled album will be released on vinyl including deluxe edition, CD, cassette and digital. 

Available for pre-order here : http://fuzzclub.com/collections/fuzz-club-releases/products/throw-down-bones-s-t-album

Throw Down Bones - It's All Around Us

Kosmischen Benommenheit available here: https://tonen.bandcamp.com/album/kosmischen-benommenheit

Doppelsternsystem

Moth to the Flame

Scissor Sisters

Take Your Mama

VERCD032 : Zombie Zombie - Slow Futur

Tracklisting

01 - Hyperespace
02 - Slow Futur
03 - Blue Screen
04 - Extra Life

Sortie en vinyl & CD Avril 2016, sortie digitale Mai 2016

Musique originale du spectacle « SLOW FUTUR » d’Elsa Guérin et Martin Palisse jouée et composée par ZOMBIE ZOMBIE ( Cosmic Neman, Etienne Jaumet,  Dr Schonberg), présentée ici séparément du spectacle. SLOW FUTUR met en scène deux jongleurs (Elsa Guérin & Martin Palisse) sur un tapis roulant (8 x 2m) qui les emporte le long d’une installation lumineuse aux néons qui délimite l’espace chorégraphique comme une sorte de tunnel espace-temps « l’hyperespace ». Leur pratique minimaliste du jonglage avec 3 balles blanches chacun, joue sur des mouvements opposés comme l’accélaration/immobilité, synchronisation/transformation progressive, et évoque ainsi une manière de faire corps face à l’avancée inexorable du temps. La musique, répétitive et plannante de ZOMBIE ZOMBIE, vecteur de la mécanique chorégraphique, mèle sons électroniques analogiques et rythmes acoustiques qui montent en intensité afin d’emporter les deux jongleurs dans une course effrénée et hypnotique, où le tapis roulant  soumet leur corps à un mouvement indépendant de leur volonté, et devient alors une machine infernale. Entre abstraction et représentation de la réalité, SLOW FUTUR questionne les rapports entre êtres humains, où l’individualisme dû au monde moderne rend la solitude telle qu’elle réduit la condition humaine à une simple machine dont les mouvements robotiques sont alors dénués d’émotion. Elsa Guérin et Martin Palisse renouvellent ainsi l’image du cirque d’aujourd’hui en  poursuivant leur recherche sur le potentiel chorégraphique, dramatique et poétique du jonglage.

Instruments : synthétiseurs modulaires Buchla & Synthesizers.com, Synare 3, Six-Trak Sequencial, Roland TR 808, OP1 Teenage Engineering, oscillateurs, batteries Gretsch & Ludwig, percussions LP, rototoms, vibraphone, Korg and Boss Vocoder, délais Oto Bim & Ibanez UE 305, sax alto Selmer...

Enregistré en avril 2015 à MIDILIVE STUDIOS (anciens studios VOGUE), Villetaneuse et mixé en juin 2015 par Angy Laperdrix à SOLARIS STUDIO, Paris. Masterisé par Stuart Hawkes à METROPOLIS, Londres. Concept de la Pochette : www.laboca.co.uk
-----------------------------------------------------------------------------------
Original music of the "Slow Futur" show by Elsa Guérin and Martin Palisse, played and composed by Zombie Zombie (Cosmic Neman, Etienne Jaumet, Dr Schonberg), here presented separately from the show.

Slow Futur features two jugglers (Elsa Guérin and Martin Palisse) on a treadmill (8 x 2m) which carries them along a neon light installation which delimits the choreographic space as a kind of space-time tunnel: "the hyperspace". Their minimalist juggling practice - with 3 white balls each - plays with opposite movements like acceleration/immobility, synchronization/progressive transformation, and thus evokes a way of making the body face the inexorable passing of time. The music of Zombie Zombie, repetitive and floating, as a vector of the choreographic mechanic, mixes analog electronic sounds and acoustic rhythms that rise in intensity in order to bring the two jugglers into a frantic and hypnotic rush, whereas the treadmill submits their bodies to a movement independent of their will, so becoming an infernal machine. Between abstraction and representation of reality, Slow Futur questions the relationships between human beings, where the individualism caused by the modern world  leads to loneliness, as the human condition is reduced to a simple machine which robotic movements are devoid of emotion. Elsa Guérin and Martin Palisse are not only renewing the image of today’s circus but also continuing their research on the choreographic, dramatic and poetic potential of juggling.

Buy Vinyl CD Digital

Zombie Zombie - Hyperespace - Slow Futur VERCD032

Electric

Memorium

GNOD
 
JUST SAY NO TO THE PSYCHO RIGHT-WING CAPITALIST FASCIST INDUSTRIAL DEATH MACHINE

As we embark on a new year more characterised by fear and uncertainty than hope and optimism, a chronic shortage of dissent can be detected in the artistic community amidst a harrowing socio-political climate. Yet  the Salford-based collective Gnod have wasted little time in kicking against the doom and disquiet with everything at their disposal. 

“It seems like we are heading towards even more unsettling times in the near future than we are in at present.” reckons Chris Haslam of Gnod. “2016 is just the beginning of what I see as the establishment’s systematic destruction of liberalism and equality as a reaction to the general public’s loss of faith in their system”

Charged by this outlook, Gnod's new album, ' Just Say No To The Psycho Right-Wing Capitalist Fascist Industrial Death Machine’ represents a hitherto uncharted level of antagonism and adversarial force for the band - an artistic statement as righteous, fervent and direct as its title. which far from being an echo of an anarcho spirit of yore, denotes a record firmly entrenched in the psychic terrain of 2017. 

“On the surface it could almost seem like there's no political art movement out there to oppose what's happening, but there is -  we know there is” adds the band’s Paddy Shine. “Maybe that movement is struggling to find its voice as a cohesive whole right now but that will change. It has to change.”

Fuelled by their militant drive and unyielding ardour, ‘Just Say No…’ refracts Gnod’s harsh and repetitive riff-driven rancour through a psychotropic haze of dubbed-out abstraction, with Paddy’s incendiary vocal delivery to the fore. ,‘Just Say No…sounds like a record only Gnod could make - a band fiercely independent, never comfortable in one place artistically for any duration of time, always with their co-ordinates set on uncharted territory and the next challenge ahead, and delivering a monument of ire and iconoclasm.

Just Say No To The Psycho Right-Wing Capitalist Fascist Industrial Death Machine

JUST SAY NO TO THE PSYCHO RIGHT-WING CAPITALIST FASCIST INDUSTRIAL DEATH MACHINE

GNOD - Bodies For Money

Pulsar

Skying

Still Life

Helicon - The Bold Yin

Various Artists

Dead Vibrations - Swirl

JuJu - Bring 'Em War

Dreamweapon - Monte da Virgem

10,000 Russos - ISM

Mother of Mars is the latest evolution of @vitodruzzi, two New Yorkers who first came to fame as the rhythmic backbone of '00s disco-punk pioneers The Rapture. We're very happy to be releasing their new record "Seed 2 Sky" - a pair of ten-minute stargazing kosmische epics that have been receiving support from Andrew Weatherall, Nick Höppner and Trevor Jackson.

It's finally out tomorrow, and what's more, we're following it up at the end of the month with a remix EP that features contributions from the likes of Justin Robertson, Ess O Ess and C.A.R.

Now you can finally listen to the beatless odyssey that is 'Seed 2 Sky'. Shake off your tether and drift into the unknown with us.

Seed 2 Sky

Buy Here

Mother of Mars - Seed 2 Sky

Weatherall's unfailing 'fingerspitzengefuhle' in picking artists for the festival gets repeated yet again and if you for some unexplainable reason fail to make it to Carcassonne this year, the magic from the old castle still can reach your senses with the help from this compilation! 'Convenanza 2018' contains Berlin based Die Wilde Jagd, whose sound can be defined as some sort of post punk where strong chorus drenched basslines float upon a smooth electronic soundscape with both live drums and drum machines as the back bone to the beat. 

"Gleiß K" was produced in a Live recording session overseen by Andrea Noce (Eva Geist, As Longitude) at Popschutz Studio in late 2016. The recording was part of a series of projects conducted during the advanced training for Sound Designers at Datenklang, Wiesenweg 5-9, Berlin. 

Recorded by Andrea Noce at Popschutz Studio, Berlin
Guitar & Synths: Sebastian Lee Philipp
Drums: Nico Rommel 
Mix by Hannes Brandt
Additional mixing by Ralf Beck at Uhrwald Orange

EP TRACKLIST:
The Woodleigh Research Facility - Heilige Seidhr
Komodo Kolektif - Daratan Ceremony
The Limiñanas - Witches Valley (feat. Anton Newcombe)
Die Wilde Jagd - Gleiß K
Wild Women & The Savages - Faith, Hope and Charity

Pre-order here!

PRÈMIÉRE: Die Wilde Jagd - Gleiß K [Höga Nord]

Palmar

Palmar (En Directo Desde El Desierto)

New digital EP, available November 22nd

Info: http://www.aplacetoburystrangers.com

A Place To Bury Strangers - I Lived My Life To Stand In The Shadow Of Your Heart

¡Es Que No Hay Manera!

Al Amanecer

Hecho a Mano

Suin Romanticon

Otra Era

I Never Learn. Out Now...  
CD/LP: smarturl.it/lykkeli-onlinestore
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Wounded Rhymes

I Follow Rivers

Dreamweapon - Monte da Virgem

Fuzz Club Records