Spacerock #5 (postrock, krautrock etc)

Spacerock #2 (postrock, math rock, krautrock, psychedelic electronica, etc)

misjudged Shakey

Rumbling out of the humid, mountainous plains of Tucson, Arizona is The Myrrors, something of a singular entity in the exploratory psychedelic underground. For over a decade their self-professed “Sonoran trance music” has been inducing states of bewildered paralysis on audiences across the world - when the band are left to their own devices even the most adamant mind will struggle to break free from their enchanting, utterly-mesmeric spell.

With three highly-praised albums behind them and a fourth out soon on Beyond Beyond Is Beyond, London-label Fuzz Club are set to release a new live album from the band as part of their Fuzz Club Session series, which has previously boasted the likes of Night Beats, Heaters, Holy Wave, The Entrance Band and many more. Being long-time favourites of the label – Fuzz Club having released their debut album ‘Burning Circles In The Sky’ – it was only a matter of time until The Myrrors' sprawling, sun-weathered drone found a home in the Fuzz Club Session collection.
The Myrrors' session is comprised of three bewitching tracks that evoke warm images of the sandy plains of the Sonoran desert that they call home, underpinned by a worldly influence of traditional Eastern folk. Complete with meandering violins, shamanic vocals and slow-burning (yet oh-so-expansive) instrumentation, the live recording of the Fuzz Club Session allows the tracks to take on an even more hypnotic form. Though it may have been recorded in The Pool Studio in South East London, if you close your eyes you might just find yourself transported back in time to a ramshackle opium den surrounded by vacant minds and the lingering smell of incense.

The LP is comprised of one track from their 2015 opus Arena Negra ('Juanito Laguna...'), one from a special 45 released back in 2016 ('Semillas Sembradas') and a brand new cut from their forthcoming album, Borderlands, to be released later this year ('Note From The Underground'). The Myrrors’ Fuzz Club Session is due for release July 27th on vinyl with accompanying videos that were filmed on the day.

The Myrrors - Fuzz Club Session

other

New private playlist

Good

Reign Drive by Plastic Crimewave Syndicate (Chicago)

Ancient Echoes- Eternal Tapestry

Listen to this song on drugs. (But don't do drugs)



Listen To This On Drugs (But Don't Do Drugs)

Edited version of a track from the debut album by XAM Duo - the new band formed by Matthew Benn(Hookworms) and Christopher Duffin (Deadwall) - which is released via Sonic Cathedral on November 4, 2016.

Pre-order 'XAM Duo' on double vinyl - http://smarturl.it/xamduovinyl
Pre-order 'XAM Duo' on CD - http://smarturl.it/xamduocd
Pre-order 'XAM Duo' on iTunes - http://smarturl.it/xamduoitunes
Pre-order 'XAM Duo' on Bandcamp - http://smarturl.it/xamduobandcamp

http://www.soniccathedral.co.uk

XAM Duo 'I Extend My Arms' (Edit)

XAM (Matthew Benn from Hookworms) remixes The Early Years' 'Fluxus'. The new albums by XAM Duo and The Early Years are out now: http://soniccathedral.bigcartel.com/

The two bands play live together on the following dates:

November 24 - Leeds, Wharf Chambers - http://www.wegottickets.com/event/373480
November 25 - Manchester, Aatma - http://www.seetickets.com/event/the-early-years-xam/aatma-formerly-kraak-gallery-/1020584
November 26 - Newcastle, Cumberland Arms - http://www.wegottickets.com/event/373660

The Early Years 'Fluxus' (XAM Remix)

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Kodi TV Box

Spacemen, Can You Hear Me?

AA Side to forthcoming split 7" with Xam Duo. Edition of 100 via Polytechnic Youth/Horror Pop Sounds

Lutteur Francais (French Wrestler) by The Au Fait

Thunderbolt of Flaming Wisdom 
by 
Plastic Crimewave Syndicate 

1.  Ghost of Dread Reaction 
2. Future to the Ancients 
3. Wasted All the Time 
4. Vast Beyond
5. No Place

Recorded November 2016 
Recorded, Engineered & Mixed by Mark Yoshi 

Plastic Crimewave Syndicate is...
Plastic Crimewave (Steve Krakow) - voice / lyrics / guitar / effects
Cosmik Jru - bass guitar  
Jose "The Beast" Bernal - drums & cymbals

Special Guests 
Bruce Lamont - saxophone 
William Vermett - synthesizers 
Whitney Johnson - viola

PCWS premaster refs 062017    

Ghost of Dread Reaction

'Person To Person' is taken from Virginia Wing / Xam Duo's new album ‘Tomorrow’s Gift’ out December 1st 2017

Among slowly unravelling coils of oscillations and intermittent fragments of semi-formed loops, instruments both electronic and acoustic resonate gently against each other over an ever-evolving soundbed of textures. A meeting of minds and those exciting first sparks of inspiration soundtracked by celestial, otherworldly tones and free-flowing spoken word.

This was how Virginia Wing and XAM Duo spent two cold days at the start of January 2017. A weekend escape in the frozen industrial district of Bradford became an archive of improvisations that were later sculpted into an all-encompassing full length.

Within minutes of the four playing together for the very first time their ideas quickly grew into one single-minded theory; that of free-thinking, acting on instinct and each having the patience to allow even the smallest of initial ideas to grow organically into fully-formed pieces of music.
Condensed from 48 hours down to 48 intense minutes the group’s recordings create an all-encompassing new universe of sound with references from the mutated world percussion of Holger Czukay, the transportive saxophone of Pharoah Sanders, and the devotional music of Alice Coltrane.

Over the course of the album’s wide-eyed exploration, the group’s first ever steps of creative collaboration unfold in unexpected ways, whether it be on the inhibition-free wonderment of lengthy opener ‘Birch Polygon’, or the hopeful, throbbing ambience of ‘Good Roads Fair Weather’, with its minimalist piano and vapour trails of saxophone.

This overflow of collective creativity was captured live via half a dozen haphazardly placed microphones before being mixed dutifully and beautifully by close and trusted companion of the band, Misha Hering, who’s one-take, effect-laden sonic portraits were very much in keeping with the free-improvisation of the original session. With a few choice overdubs placed in and amongst to add further texture, the result is nothing short of stunning; meditative and warmly fluorescent, like a half-recalled melody teetering on the edge of a pre-cognitive memory. A spiritual record, perfect for a late-night diversion set to heal the souls of those willing to take it into their hearts.

Pre-order link:
https://virginiawingmusic.bandcamp.com/album/tomorrows-gift

Virginia Wing / Xam Duo - Person To Person

Artist: Exitmusic
Album: The Recognitions 
Track: I'll Never Know
Label: felte

https://www.facebook.com/weareEXITMUSIC  
https://www.instagram.com/exitmusic_official   
https://twitter.com/weareexitmusic

The Recognitions

Exitmusic - I'll Never Know

Artist: Exitmusch
Album: The Recognitions 
Label: felte
Release Date: April 20, 2018

Exitmusic - Trumpets Fade

Exitmusic - Gold Coast

Artist: Exitmusic
Album: The Recognitions 
Label: felte
Release Date: April 20, 2018

Exitmusic - Iowa

This is the first track off my new album, 'opening up.'  I really love this raga and all its possibilities.  You can listen through the whole album for free on Bandcamp, where you can also purchase the CD ($15 w/ shipping) or digital download ($7).  Just click the 'Buy' link above. Thanks for listening!

opening up

Raag Rageshree

Die Tomorrow

From N+B 001

Eponymously named for Chameleon, a member of the Legion of Superheros, this hazy and shoegazey psych jam by Chicago legend Plastic Crimewave is the b-side to the inaugural 45 which was released in mid-July via newcomers Notes and Bolts Records and Tapes. Grab a copy on limited to 100 green or good ol' black at www.notesandbolts.net

Plastic Crimewave Sound - Tears For Reep Daggle

Fuzz Club Session

The Myrrors - Note From The Underground

The Myrrors - Semillas Sembradas

The Myrrors - Juanito Laguna Duerme Con Los Grillos

Chochma Sefir Ritual

for Wenus

Bo każdy z Nas jest Kroplą Oceanu BOGA.
Światłem w działaniu...
kochaj...
33

You Are Light

Otwórz swoje serce
i bądź jak dziecko...
Jak syn człowieczy...

TIFERET Open Your Heart And Be Like Child

Od emocji zależy siła i skuteczność czaru,,,

Energy in motion is EMOTION

Opossom - 'Why Why'

Taken from the album 'Electric Hawaii' - Out now
http://www.firerecords.com/site/index.php?page=artists&artistid=00000000970


Opossom - Why Why

With the deep love of early electronic music, Muhamad Fahri a.k.a Gonzo chooses to take a step closer to what Terry Riley, Ash Ra Temple, Klaus Schulze, Popol Vuh and other experimental music pioneers had experienced in the 20th century; the power of handling sound machines that is capable of creating limitless possibilities of sonic experimentation. 

Very much inspired by the beauty of the underwater world, Duck Dive organize a mixture of analog keyboard synthesizers, sequencer, and effects, to create live compositions of electronic music with a full layer of melodies, rhythm, and sound, mimicking a unique meditative atmosphere given by the life of the deep, blue ocean.

Duck Dive - Inner Projections

Taken from new album "Tiden" which is available at the Bureau B online shop:
http://shop.tapeterecords.com/records/bureaub/roedelius-schneider-tiden.html

-------------------------

ROEDELIUS SCHNEIDER - TIDEN (release date: June 28th 2013)

Not long after Hans-Joachim Roedelius (Cluster, Harmonia) and Stefan Schneider (To Rococo Rot, Kreidler, Mapstation) had released their first album "Stunden", accompanied by a few live shows in 2011, Eric Satie and Brian Eno were quoted as the great inspiration for their musical collaboration. Fine references no doubt, one having invented musique d'ameublement, and the other having refined it into ambient music 80 years later. Yet "Tiden" does not sit easily in either camp. This is neither tasteful decor (à la Satie), nor is it electronic-auditory space filler (à la Eno), gazing towards infinity. The short duration of the 13 pieces is enough to discount either genre. Better to consider these as concentrated, inspired études, carefully thought through and in no way random or sketchy.

With cheerful gravitas, the two artists create absolute music – music which desires only to be itself, without ulterior effects and with the declared intent of involving the listener in his emotional, inventive game. Perhaps Franz Schubert's moments musicaux would be a more suitable citation. The lightness and atmospheric intimacy of this music reveal Roedelius (grand piano, synthesizer) and the decades younger Schneider (Elektronik) as musicians who understand how to listen to one another and improvise on each other's ideas immediately. The result is a lively, relentless interplay of great composure, more surprising than any tide could be, as precise calendars exist for tidal flows.

Roedelius can already look back on a adventuresome career in music. Schneider has also prospered through exciting decades in contemporary pop. This is the second time their paths have crossed. "Tiden" keeps the promise which their first album made, genial contemporary music from two artists who are as one in heart and soul. And when Roedelius steps on the pedal of his grand piano, well it squeaks a little. (Asmus Tietchens)


About the musicians:

The electronic pioneer Hans-Joachim Roedelius lives in Baden near Wien (Austria) and is a legendary figure in popular music. He founded the seminal bands Cluster and Harmonia, which also included Dieter Moebius and Michael Rother. He produced the albums "Zuckerzeit" (1974) and "Deluxe" (1975), which are considered blueprints for today's electronica and were recently successfully reissued. And in the late 70s he worked with the great Brian Eno – the albums "Cluster & Eno" (1977), "After The Heat" (1978) and "Tracks & Traces" (1997) document the cooperation between the Bowie and U2 producer and the sound researcher who was then living in a creative commune in Forst.

Roedelius began releasing solo albums in 1978. He was already exploring the interplay between piano and electronics on his second LP, "Jardin au Fou" (1979). This synthesis is also the core of "Stunden". The Düsseldorf based Stefan Schneider was a founding member of Kreidler (1994â€“99) and is part of the trio To Rococo Rot. He has released several albums under the name Mapstation.

http://bureau-b.de/roedeliusschneider.php

The Myrrors - Semillas Sembradas

Fuzz Club Records