https://www.instagram.com/p/CVdi3vbFzBp/
https://www.youtube.com/watch?v=6KlAKzIXNEU

I Fucking Hate These Fucking Emoticons (and Yet I Use Them!)

AethelBridd (pronounced /ˈæː.θel,bridd/)

ᏖᏂᏋ ᏉᎧᎥፈᏋ ᎧᎦ ᏖᏂᏋ ᎦᏒᎧᎶ ᎥᏕ ᏖᏂᏋ ᎶᏝᎧᏒᎩ ᎧᎦ ᏖᏂᏋ ᎷᏗᏒᏕᏂ ᏇᏗᏖᏋᏒᏕ.

SUPA SAUSAGE DOG is the new Electro-Psyche-Acid band from MKN Rekordz

BZZZB is an  4 Members Experimental Kollektiv Noise Band 
From MKN/U.P.A and with MKN Vidz
All the recordings are live matter and one shot events
BZZZB is:
BzzzB N°1: One String Mysterious Machine/Effects
BzzzB N°2: Vibrator/Radio Sheet/Keyboards/Samples
BzzzB N°3: Noise box/Effects/Loops
BzzzB N°4: Oil can drum/Guitar/Flute/Basse/Loops

The RAGNAGNA'S 
Are cumin' back....
And they are Angry!!!
Drumz : Ivan Ragnagna
Bass/Keys : Hélène Ragnagna
Guitz/Theremin/Vocals : Denise Ragnagna

Tout Va Bien 
is a live cover project...
Sometimes  that's a Band
And sometimes it's a One Man Band
Of course Tout Va Bien 
is part of the MKN REKORDS Team

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Songs from the edge of somewhere. A place that doesn’t announce itself. You step in and can’t tell if you’ve walked into a protest, a party, or the end of something.

Conil’s music comes from the blues and from the life that followed it. A voice marked by the places it’s been.

People heard it early.
Danny Thompson said, “You don’t sound like anyone else.”
Tchad Blake still plays Strange Part of the Country.
Peter Green walked into the studio one afternoon and cut a track.

The record didn’t arrive with noise. It surfaced—four stars in Q Magazine, a Blues Matters cover, a single reaching number three on the U.S. Alternative Radio Chart.

The early years were England. Then came New Orleans, New York, Berlin, the Himalayas, Kilimanjaro.

The second album is close now. Marc Ribot on guitar. Danny Thompson’s final sessions. Tchad Blake in Wales.

Some things reveal themselves only at the end.

Never forget to go on
MKN RADIO
https://soundcloud.com/mknradio
and send your songs for repost

I Fucking Hate These Fucking Emoticons (and Yet I Use Them!)

H'nZ pRvTn und krank'd Fzzbx 49 (fri do'loading)