KOMONAZMUK + BIG KUNTRY / FEAR THE HEY
CHIMPO + WISE INTELLIGENT / CHAMPAIN
WILEY + MERCSTON & SCORCHER / FLYBOY
STARKEY / PINS / ATKI2 ARCHITECT MIX
TRIM / IN THE GHETTO
DROP THE LIME + BLAQSTARR & SANTOGOLD / COME 2 LIFE 2 THE GROUND
WILEY / BOW E3
CLOUDS / MIGHTY EYEBALL RAYS
AKIRA KITESHI + AESOP ROCK / ALL PINBALL IN ALL
VIRGO + NASTY CREW + NO LAY / NASTY TIME / SD EDIT
THE BUG + FLOWDAN / WARNING
6BLOCC / KONG / SD JIGGA EDIT
SKREAM / WOBBLE THAT GUT
DZ / JUST ROLLIN / AKIRA KITESHI RMX
MAGNETIC MAN / ALRIGHT
FOREIGN BEGGARS VS ROUGE A LEVRES / HIT THAT GASH / RUCKSPIN HANGIN HAM MIX
DVA + BADNESS, RIKO, FLOWDAN & KILLA P / BULLET A GO FLY
MIA / BOYZ / TACTIC RMX
STARKEY + DURRTY GOODZ / GUTTER MUSIC
DZ / OOOH
16BIT / TOXIC

SUPER DEADLY - FJORD ESCAPE

Get The Carrier EP:  http://thecarrier.dirtwire.net

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Shoutout to http://brinlevinson.com for the bee-utyful art!

Damn Rooster

Impression

Everything You Know

Cole Slaw

The Ridges

W.T.C. PRODUCTIONS is proud to present SHAARIMOTH's long-awaited second album, Temple of the Adversarial Fire. Ever aptly titled, Temple of the Adversarial Fire is a bold and brazen reinvention for this Norwegian trio, fully in line with the band's spiritual beliefs. More than the cliché "phoenix rising from the flames," SHAARIMOTH have stripped down their aesthetic to its barest essentials, and then rebuilt them into an incendiary, black-smoke-billowing monolith of blackened death metal majesty. Rarely in the nowadays metal underground will one hear a death metal record this pure and reverential in its intent whilst being so suffused with the blackest of blood. A glorious new epoch has arrived, and SHAARIMOTH are ushering it in with Temple of the Adversarial Fire.
 
Formed in 2004 but tracing its origins back to 1998, SHAARIMOTH emerged from the then-barren Norwegian death metal underground, and along with it, so did new incantations of darkness, death, and destruction. Both dark and ecstatic, furious and violent, defying genres, but at the same time paying tribute to its predecessors of the black arts, SHAARIMOTH's goals were firm from the very beginning.
 
Building upon its unique take of technical Morbid Angel-esque death metal with dark ambient interludes and occult lyrical content, SHAARIMOTH is not music; it is ritual. A sonic vehicle of occult propaganda, created to manifest dark currents by the means of music, the trio worked in earnest on their first public recording. That record, the debut album named Current 11, was released in 2005 via Carnal Records, and dealt primarily with Chao-Gnosticism as approached through the prism of ancient Sumerian tradition. The album immediately became an underground cult, and the status was undoubtedly reinforced through years of worship.
 
Following the album's release, SHAARIMOTH withdrew from the public eye for many years, only to break the silence now. Hereby, the band announce its inexorable return and rebirth with Temple of Adversarial Fire! 

Indeed, Temple of Adversarial Fire is a monument: 11 songs in 47 minutes that feel far more vast and expansive than this concise running time suggests. Over that psychic/sonic terrain, the trio canvass a frightening, feral landscape that bridges the terrestrial and the Beyond. It is the blackest of death metal, rendered with the ceremony of a Roman Empire procession, cloaked in sulfur and reeking of brimstone. It is a vision that's limitless, and yet demanding the steeliest fortitude to behold. Are you prepared to bear witness? For SHAARIMOTH is the truth that will burn your world to the ground. Forged in fire and shaped by The Master, SHAARIMOTH is the sound of a thousand raging hearts, the Devil's music manifest.

http://www.shaarimoth.com
http://www.facebook.com/Shaarimoth

Temple of the Adversarial Fire

Shaarimoth - Faceless Queen Of Bloodstained Dreams [Track Premiere]

INVICTUS PRODUCTIONS is proud to present APOSTATE VIATICUM's highly anticipated debut album, Before the Gates of Gomorrah. One of the most exciting new bands INVICTUS has come across lately, APOSTATE VIATICUM feature in their ranks a number of Irish metal veterans, largely evolving out of the band Morphosis, whose roots stretch back to the early '90s. Indeed, ancient times inform much of Before the Gates of Gomorrah: the foundation of late '80s deathrash is firm here, with the pioneering old works of Sadus, Pestilence, Master, and Sepultura setting forth the signposts by which APOSTATE VIATICUM take flight and subsequently destroy.

And yet, it's what the band do with these influences which makes Before the Gates of Gomorrah so fresh. Bolstered by absolutely blistering production, APOSTATE VIATICUM conjure slowly evolving whirlwinds of maniacal Metal of Death magick, simmering with patience and slithering in a most serpentine manner, all before exploding into rabid, red-eyed bestiality or striking with iron-fisted doom-trudge, in between moving with martial grace and malevolent ease. Indeed, one could easily qualify Before the Gates of Gomorrah as "martial" metal par excellence, exhibiting as it does a unique 'n' elusive stridency that slots itself well alongside INVICTUS brethren DIOCLETIAN, BÖLZER, and ZOM whilst exhibiting a comparably righteous rivetheadedness of GOSPEL OF THE HORNS, VOMITOR, and THROAAT. Altogether, it's ever-singular EXTREME METAL, and it's merely the dawn of greatness for APOSTATE VIATICUM.

Apostate Viaticum - In The Shadow Of The Monolith

Preview track from our upcoming EP, "Libations of Omnipotence": Hiraeth Exile

Guest Vocals by Pieter Pieterse from The Fallen Prophets

Mixed & Mastered by Llewellyn Kapp from World's End Studios

The Ridges

zzz

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