◘ Studio
◘ Record Label
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▬Artists Roster▬
ROSZI ~ https://soundcloud.com/p_roszi
DA ROOTS ~ https://soundcloud.com/darootspromos
LAPAZ ~ https://soundcloud.com/Lapaz
BRUNO KONE  ~ https://soundcloud.com/brunokone


Hi, we are Da Roots and we're here to stay.
Making music circa 2005, Da Roots it's a duo who has released 2 EPs on Homemade Records.
Quality and not quantity is our favourite quote.

Some words about our debut release from De:Bug Magazine (Germany):
"Very nice melodic groove on "Track 1" which is changing into a big souled sounding and pushing it into a monsterhousetrack.
The deep filtered "Track 2" rocks extreme on its own way". Bleed


ΔΔΔ DISCOGRAPHY ΔΔΔ

Da Roots "Bunker Tracks" [Homemade Records] (2010)
Include remixes by: 
Boris Hotton, Plus One aka Baldo & Miguel Colmenares and D.Soul.

Da Roots "Deep Souls" [Homemade Records] (2011)
Include remixes by:
Carlo, Seb Steimel and D.Soul





Δ

Back in 2009, Italian DJ and producer Luca Mortellaro - better known simply as Lucy - established the Stroboscopic Artefacts label. And over the last 14 years, the imprint has nurtured a reputation for its line-blurring electronic abstraction and dancefloor experimentation, releasing influential material by artists like Speedy J, Kangding Ray, Donato Dozzy, Paula Temple, Rrose, Ben Klock, Wanton Witch, and of course Lucy themselves. Naturally following the label's ten year threshold, the pandemic pause and Mortellaro's subsequent artistic re-evaluation, OTHER FACTS emerges as a fresh entity, fully unplugged from Stroboscopic Artefacts' dancefloor mainframe, with its gaze pointed on widescreen cinematic sound design and audio-visual art.

As the name states Live at Robert Johnson is the associated label of the respected venue in Offenbach and incorporates what the club stands for. The imprint has been establishing a solid ground for the new Frankfurt sound since 2009. By featuring internationally acclaimed artists LARJ has been providing DJs and audiences with essential tunes in an extensive range of high-quality house music. Laid-back dance-floor awareness with a sense for particularity in sound is what might describe best most of the releases and artists.

Die Orakel is a Frankfurt based music platform run by Oliver Hafenbauer.

Die Orakel (Engl. the oracles) might not know it all but has the capacity to observe and sense it: Oliver Hafenbauer's imprint operates as an experimental field for electronic music on the playfully indecisive end where it exceeds genre-specificity to focus on tunes that function beyond. This is not to say that there are no four-to-the-floor productions. The Frankfurt-based label features contributions by artists like Reptant, Poly Chain, Edward, Roman Flügel, upsammy or O-Wells, all known as dance floor doyens. The releases yet encompass what can slip the attention on a traditional dance label. Uplifting and downtempo appear here as two categories that do not exclude each other. The visual representation of the venture is undertaken by Stefan Haag and label boss Oliver Hafenbauer himself, who have a clear approach to communicating Die Orakel’s standards.

TREMOR - THE NEW ALBUM - OUT NOW

https://danielavery.ffm.to/tremor

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.


With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Tremor will be released by Avery’s new home of Domino on 31st October.

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