FOR WORLDWIDE BOOKINGS: booking@bassgefluester.com

Marko Meingast, better known as Mark Dekoda was born 1987 in Munich, Germany. He started to produce music late 2006 and switched up from underground trance progressive music to minimal-techno music in 2009. Mark is humble about his position as an artist in the crazy. He promotes taking time to make quality tracks as opposed to pushing out remix after remix like a lot of Mainstream Electric artists. His previous releases are speaking for themselves, hitting the Beatport minimal charts in a couple of time. Tracks like "Snow White" "Ghost" "Crackin" and "Cold Cuz" where included in the top 5 as well. His tracks are getting more and more dynamic from every release until now. It seems to be working well for him, same as in his live performances all around the world. So stay tuned and watch out.

Find the Mixes under: https://hearthis.at/dee-bunk
Bandcamp: https://dee-bunk.bandcamp.com
https://www.youtube.com/channel/UCFewiRTi13kO4rPPvIRDdvA
https://www.facebook.com/djdeebunk

for the love of house and eurodance 💫

Management: Ruben@kcagency.com
Worldwide Bookings: tim@wesodifferent.com

BOOKINGS:
11-04-25: Zilstival (Veldhoven)
18-04-25: Paaspop (Schijndel)
19-04-25: Paaspop (Schijndel)
25-04-25: Code Nassau 2025 (Sittard)
26-04-25: Smèrrig ('s-Hertogenbosch)
03-05-25: UDNZ Festival (Uden)
10-05-25: Fairytale Festival (Kaatsheuvel)
10-05-25: Elsom Open Air (Reusel)
10-05-25: Fairytale Festival (Kaatsheuvel)
16-05-25: ASM Student Festival (Arnhem)
17-05-25: Lakedance (Best)
17-05-25: Meadow Events (Rijkevoort)
24-05-25: Emporium (Wijchen)
29-05-25: Hemelsfeestje 2025 (Doetinchem)
05-06-25: Club Smederij (Tilburg)
06-06-25: IJLAND (Amsterdam)
14-06-25: Lustrum NSA (Amsterdam)
19-06-25: 't Lempke (Eindhoven)
27-06-25: Wing goes Wet (Nijmegen)
28-06-25: Parkcity Live (Heerlen)
04-07-25: Stereo Sunday  (Venlo)
05-07-25: Dreamfields (Lathum)
13-07-25: Club Air (Chersonissos)
15-07-25: Kelfkensbos Festival (Nijmegen)
18-07-25: Matrixx at the Park 2025 (Nijmegen)
19-07-25: City of Dance 2025 (Middelburg)
20-07-25: Club Air (Chersonissos)
27-07-25: Club Air (Chersonissos)
01-08-25: Dicky Woodstock (Steenwijkerwold)
02-08-25: Beatz & Bandz Festival (Lottum)
10-08-25: Club Air (Chersonissos)
16-08-25: Voldaan Festival  Grubbenvorst)
16-08-25: Kermis Oss (Oss)
17-08-25: Club Air (Chersonissos)
06-09-25: Out Of The Box Festival (Langenboom)
25-09-25: DS Festival (Dordrecht)
27-09-25: Kermis Horssen (Horssen)

Demos:
demo@hofnarmusic.com

OUT NOW
Alan Fitzpatrick - Don't Stop [APX031]
orcd.co/apx031

Tour Dates & Music: https://alanfitzpatrick.komi.io

Labels
@wearethebraveofficial
@apexfaction

Management - Electric Ibiza 
Neil Evans 
neil@electricibiza.com
Lisa Barraclough
lisa@electricibiza.com

WATB/Apex Label Manager
Graham Sahara
graham.sahara@electricibiza.com

Socials - Tom Aves
digital@avesie.com
 
Bookings - UK, Europe, Asia & ROW
NGE Bookings
will@nge-booking.com

Bookings - North & South America
Emma Hoser
Liaison Artists
emma@liaisonartists.com

A man who needs little introduction, Southampton born techno legend Alan Fitzpatrick has spent the last decade carving out his musical niche and holding rank in the upper echelons of the underground electronic world. Few artists can claim to have headlined Berghain and also had a hit on daytime BBC Radio 1, but then there aren’t many artists like Alan Fitzpatrick. 

One of the most popular techno DJs in the world, he has rubbed shoulders with the likes of Carl Cox and Adam Beyer for the best part of a decade, performing at the world’s biggest clubs and festivals. Known primarily for his raw hard-edged sound, Alan has developed into one of dance music’s most versatile producers, equally at home putting out techno bangers on Drumcode as he is making disco-infused house anthems, or experimental electronica under his 3STRANGE alias, not to mention his impressive range of collaborations (including CamelPhat, Skream, Sasha, Rebūke and Jamie Jones). 

The We Are The Brave and Apex Faction label don adopts a no nonsense approach to A&R and in 5 short years Alan has welcomed some of Techno’s finest producers to his fold. The Englishman champions the musical output of both established artists and breakthrough alike, accumulating over 50 million Spotify Streams on We Are The Brave records since its inception in 2016. Fast-forward to 2021 and the southern powerhouse shows no sign of slowing down, his passion for music permeating all aspects of his career. The WATB frontman is renowned for curating an evening of exceptional magnitude, having already showcased his roster’s talent at The Warehouse Project, Shine Belfast, SWG3 Glasgow and the infamous Fabric nightclub in London.

High-Tech Minimal
be serious!

In 2024, the single "Gravity" went gold in Mexico.

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Formally known as Ganar, I've now moved on to a better, less stressful challenge. As @DJSusumu i'll be producing what I feel. By that it means, I'll produce Hardcore yeah, but the next track could be Bounce or Hardstyle or whatever I feel. 

If you want to join me on that journey then please check out my Susumu Soundcloud & Facebook pages :) 
Bookings; respekteventz@gmail.com

Attention to miniscule details, translating intense emotions into sound and striving for the highest standard have been lifelong values that Hardstyle pioneer Ran-D possesses. As one of the most thorough, yet down-to-Earth figures in the Hard Dance industry, Randy Wieland’s knowledge extends into all aspects of production as his enthusiasm and drive shines throughout all of his creations. 

A unique fighting force since 2006, Ran-D is easily identified by his signature style; a sound that balances robust toughness and dance-floor vibes with emotional, time-transcendent storylines. With his forte in creating knockout beats, early on in his career Ran-D’s discography was filling up with top-tier tracks, including “Survivors” with Digital Punk, “Struggle For Existence” with Adaro, “Feel My Fire” and of course, his legendary 2009 release “Living For The Moment.” 

In recent years, Ran-D’s musical spirit has reached its pinnacle. The upshot of his devotion has shined to epitomise eminent festivals such as Defqon.1 with his anthem “No Guts, No Glory” feat. Skits Vicious, Intents Festival with “The Hunt” feat. E-Life and of course, Decibel Outdoor 2016, where he dropped the monstrous track “United” feat. LXCPR. 

Considered to be one of Hardstyle’s most steadfast and focussed producers, Ran-D also takes this dedication to the wheels of steel, where he’s captivated crowds of thousands at Defqon.1 (The Netherlands, Australia & Chile), Decibel Outdoor, Intents Festival, Mysteryland, Q-BASE, Reverze, Qlimax, EDC Las Vegas, Tomorrowland and many more. Furthermore, Ran-D has recently welcomed in 2017 by taking centre stage at his very own X-Qlusive, a night that revolved around his steadfast loyalty and wholesome passion in Hardstyle. 

Now ready to continue kicking goals, Ran-D has proudly unveiled his next mission in the works! Titled “We Rule The Night,” this forthcoming musical project is set to change the face of Hardstyle, as this pioneer is prepared to overhaul and enhance the genre.   

THIS IS OUR WORLD, WE RULE THE NIGHT!

Back in the depths of 2011, two like-minded musical connoisseurs united, with the sole mission to represent the shadowy underground of raw hardstyle… Armed and ready, this cutting-edge duo has conquered and revolutionised the game in more ways than one, and guess what? There’s absolutely no stopping them on their quest for domination! 

Merch store: http://www.gunzforhire-store.com

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