My audiobook samples, collected. Please see the individual file listings for further details and relevant tags. 

I record in a sound-treated home studio on an Aston Origin Black LDC, and perform all of my own audio editing and mastering. I am happy to be contacted regarding opportunities and bookings.

Audiobook Narration Samples (Q3 2023)

A quiet night in, after an upsetting night out. A few too many beers. One person's unhealthy curiosity; the other's over-honest self-reflection. Perilous, poisonous digging at the buried heart of darkness.

from [Stephen King -- Pet Sematary]

(THIRD, MODERN HORROR) VOCAL AGES -- MAINE & MIDWESTERN ACCENTS -- PERVASIVE DREAD

A fifteen-year-old English lad on the spectrum explains just a few of the reasons he struggles to understand and connect with people. His down-the-line attitude and delivery, and sharp insights, lend his characterisation charm, sparkle, and humour. 

from [Mark Haddon -- The Curious Incident of the Dog in the Nighttime]

(FIRST, YA FICTION) YOUTHFUL NARRATOR -- COMIC TIMING

Stumbling in the dark, dwelling on the unseen, and worrying your choices will come back and bite you. Until they do.

from [Stephen King -- Pet Sematary]

(THIRD, MODERN HORROR) OMINOUS SCENE-SETTING

A beautiful reminder that to have, but not to appreciate and share, is a meaningless burden on the soul.

from [Oscar Wilde -- "The Selfish Giant"]

(THIRD, CHILDREN'S FICTION) STORYTELLER NARRATION

A rose-tinted memory of a scene. She knows their relationship will be as transient as the pleasant afternoon. He has yet to comprehend his own motivations.

from [Iain M. Banks -- Consider Phlebas]

(THIRD, SCI-FI) POIGNANT MALE/FEMALE DIALOGUE

He's got places to go, and this irritating shuttle-brain is standing in his way. There's only one thing for it. A humorous scene, character-revealing for our protagonist.

from [Iain M. Banks -- Consider Phlebas]

(THIRD, SCI-FI) -- BLACK COMEDY -- NON-HUMAN CHARACTERISATION

Glenn's an up-and-coming audiobook narrator and voice actor. Give him strong characters and a good story and he'll make them shine, genre be damned. His voice is a rich, warm baritone, on the softer side of dark, engaging in a wide range of genres. His accent is notably trans-Atlantic, blending American midwest with Oxford academia.

Glenn records in his sound-treated home studio on an Aston Origin Black LDC, and edits and masters his own audio.

(THIRD, MODERN HORROR) OMINOUS SCENE-SETTING

G. C. Romanko