Philosophy's Path

Fast Travel w/ Zeze Wakamatsu - 27/09/2022

https://vertical-music.bandcamp.com/album/radura

Sonic research in two residual places linking poetry, soundscape and architecture. ‘Femminile Plurale’ takes us through a former greenhouse, an irrigation tank and a bunker in Liguria. ‘RADURA’ rewrites the space of an urban clearing in Berlin through a participative performance. 

Vittoria Assembri is an architectural and sound researcher. Her practice explores the territories considered marginal, from an architectural and sound point of view. She focuses her research on the regeneration of urban spaces as the recovery of building heritage that pursues sustainable sociability and social diversity. She deepens on the notion of Third Landscape, as an oblique and unconventional condition, of abandoned spaces invested by spontaneous forms of other species. 
www.vittoriaassembri.com 

Gaia Ginevra Giorgi is a poet, sound artist, performer and researcher. She published “Manovre segrete” (Interno Poesia, 2017) and “L’animale nella fossa” (Miraggi Edizioni, 2021). Her research is oriented towards the generative possibilities of intercode poetry: she experiments with vocal soundscapes, and studies the relationships between text, voice, new electronic devices and architectural space, creating site-specific projects. 
www.instagram.com/gaiaginevragiorgi/ 

They are co-curators of 'Walk So Silently That the Bottoms of Your Feet Become Ears' (on Fango Radio), a collection of sound materials by artists who work with a site-specific approach. Archives of sound landscapes reflect on the theme of liminal enviroment, of waste, of residue: field recordings, interviews, vocal soundscapes, poems, sound installations, then in close relationship with the architectural space and its crossings (human and non-human). 
www.fangoradio.com/shows/158

Vittoria Assembri & Gaia Ginevra Giorgi: RADURA (Excerpt)

Luc Belet
Romain Desport
Gaël Bouket
Production : Joan Prevost

Failles d'un souterrain

Slow guitar impro with a little help by supercollider and flucoma

no point

Little study on something like "Frequency Modulated Feedback Granular Synthesis". At least if you want it this way.

Latin Word + Index Number

mudra : desmotrope ; "π = 1.2" final

https://joaoalegriapecurto.bandcamp.com/album/x-3

João Alegria - I (2013)

DEUTSCHER TEXT FOLGT

Acousmatic composition, February 2024

Gesang der Sterne was premiered on September 7th 2024 at the Supersonique Festival in Marseille, France - with a large acousmonium with 36 loudspeakers.
Performance and interpretation: Sarah Ouazzani

Published by Musique moléculaire label on the Album "Lautgedicht", August 2024

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Program Note
Stars have had their sights set on me for quite some time. 
In 1989, I set to music the poem Crazy without you by the American poet Anne Waldman in which a whole series of stars are described in their various colours. In 2006, L1014 for percussion was created, inspired by Reginald Smith-Brindle's percussion composition Orion M42, and in 2022, the electro-acoustic work Albireo, which was inspired by the vastness of space. The piano composition Beta Lyrae (2023) and the electro-acoustic composition Jezero (2024) - named after a Martian crater - both received their astral titles in retrospect. And now Gesang der Sterne (Song of the Stars)! 
Since 2020, a NASA team has been working on making space tangible with the help of music. In what is known as data sonification, elements of an image are assigned pitches and volumes. Whether this process does accurately reflect the actual sound of the Milky Way can only be guessed. In space, there is nothing that can carry sound. There is absolute silence there.
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Akusmatische Komposition, Februar 2024

Gesang der Sterne wurde am 7. September 2024 beim Supersonique Festival in Marseille uraufgeführt - mit einem grossen Akusmonium mit 36 Lautsprechern
Aufführung und Interpretation: Sarah Ouazzani

Veröffentlicht vom Label Musique moléculaire auf der Album "Lautgedicht", August 2024

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Programmnotiz
Sterne haben es schon seit längerem auf mich abgesehen. 
1989 vertonte ich das Gedicht Crazy without you der amerikanischen Poetin Anne Waldman, in dem eine ganze Reihe von Sternen in ihren vielfältigen Farben geschildert werden. 2006 entstand L1014 für Schlagwerk, das von Reginald Smith Brindles Schlagzeugkomposition Orion M42 inspiriert ist, und 2022 das elektroakustische Werk Albireo, bei dem die Weiten des Alls als Anregung dienten. Die Klavierkomposition Beta Lyrae (2023) und die elektroakustische Komposition Jezero (2024) - benannt nach einem Marskrater - erhielten beide ihre astralen Titel erst im Nachhinein. Und nun Gesang der Sterne! 
Ein Team der NASA arbeitet seit 2020 daran, das All mit Hilfe von Musik erfahrbar zu machen. Bei der sogenannen Datensonifikation werden Elementen eines Bildes Tonhöhen und Lautstärken zugewiesen. Ob dieses Verfahren dem tatsächlichen Klang der Milchstraße gerecht wird, lässt sich nur vermuten. Im Weltraum gibt es nichts, das den Schall tragen könnte. Dort herrscht absolute Stille.

Gesang der Sterne

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Track List
1. Broken Shoulder - Got an Arrow in Me Head
2. Gaapiiiii - Small pause of thinking 
3. km: - font
4. Minoru Sato-m/s & ASUNA - 3on3 Loops 
5. Jogging House - Shivers
6. Ned Milligan & John Atkinson - Wooly
7. blochemy - ange
8. morimoto naoki - a day
9. Minamo & Asuna - Purkinje Fluctuations
10. H. Takahashi - Despair
11. Asuna & Opitope - The Water Molecule
12. テニスコーツ - オーロラ・カーテンズ (Tenniscoats - Aurora Curtains)
13. omoidemaigo - Summer
14. daisuke miyatani - endless summer
15. 貝つぶ - 河岸03 (Kaitsubu - the other side of the river 03)
16. Melodía - La luz de la tarde (en Bruselas, Bélgica)
17. Endurance - Etherized

Possibility Of A Certain Island

Gaapiiiii