My tracks for the game Polyball, available on Steam here:   http://store.steampowered.com/app/368180/

Polyball

Humankind (Main Title)

Sergio Valentino - Drive Forever [Medieval Bardcore Version]
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Mine own fantasy orchestra presents Drive Forever for the enjoyment of knights, ladies and fine fellows of the realm.

Sigma Male Grindset (Medieval Cover)

Immigrant Song Cover in Old Norse 700 A.D - 1500 A.D (Bardcore or Skäldcore?)

David Levy+Koma  Shady Hayden DOOM Eternal TAG P1  Extended Gamerip

War Thunder 2.0 Original Soundtrack - Ground Track 8

Tavern Of Many Talents (Singy)

Inspired by Doom: Eternal level 6, ARC Complex. 

Tried for a strong groove and plenty of cinematic extras. Obviously nothing will ever hit as hard as TOTTFIY, but I tried my best to write a theme befitting a Marauder fight.

False Idol

Play the game: https://store.steampowered.com/app/1406780/Viscerafest/
Buy OST on Bandcamp: https://geoffplaysguitar.bandcamp.com/album/viscerafest-chapter-2-original-game-soundtrack
Listen on Spotify: https://open.spotify.com/album/7e5LRkTyIHFz5yCs855MJ8
Listen on Apple Music: https://music.apple.com/us/album/viscerafest-chapter-2-original-game-soundtrack/1651748831

Rok Nen Xil-Vok. Dream no more.

In the conclusion of chapter 1, our protagonist Caroline has followed Dr. Mortice from his space station to his sprawling science facility in Japan. She continues her chase in Chapter 2, blasting through residential areas, USC labs, cultist encampments, and even another dimension of reality. When Caroline finally does finally face Dr. Mortice in battle, she learns that her true target Cromune may be setting something in motion that makes the stakes far greater than imagined. Inside Caroline, something is waking up…

Music written, performed, and produced by Geoffrey Day & Markie.
Vocal chants provided by Eiríkur Eiríksson and Sergey Pupko.
Viscerafest is a part of the Fulqrum Publishing family of games.

C2L4 - Something Nears

Remix of War from P-2. Honest to god could not find a way to make the transition into the final section sound good while still retaining the original arrangement, the time signature and key change just kinda come out of nowhere.

Main Menu

Gabe Castro

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