There's something incredibly special about the world renowned Stereobar in Montreal. The sound, the staff, the dancer: it all come together to provide a high quality experience to everyone involved. I had the chance to play and blend music styles for 5 hours that night, and here are the last 3,5 hours. From acid to house to indie to italo to dico to techno, we covered it all. That night still lives in my head as one burst of hedonism fuelled by music, joy and being present in the moment, thanks to the no-phone policy.

With love
g

Gab Rhome - Live At Stereobar [06.24]

We’re still floating on cloud nine, finding it nearly impossible to come back down after such a beautiful and intense experience. Playing on the Mayan Warrior this year surpassed anything we could have imagined—it was pure magic.

Burning Man is a testament to the boundless creativity and adaptability of humanity, where together we push limits and create unforgettable memories. This year, we truly lived a dream, a moment etched in our hearts forever.

We are deeply grateful to the entire Mayan Warrior team: Pablo, Amal, Jesús, Arturo, Linus, Thomas, Carlos, and everyone who made this incredible moment possible. You helped us realize one of our biggest dreams, and for that, we are forever thankful. 

A huge thank you as well to David for all the work since day one and Nico for letting us borrow that incredible synth and a special shout out to our friends who have followed and supported us throughout this journey, you mean the world to us.

With love, awe, and endless gratitude,
Pierre & Tim - Chambord

Chambord (live) - Mayan Warrior - Burning Man 2024

Hello Hot Dogs! I've waited for this day for over 14 years: mix #100 is live. When I released my first mix in 2010, I titled it [001] instead of [01]. Using three digits was aspirational, a quiet promise to myself that I might one day reach triple digits.

These mixes trace the narrative of my adult life. They've been the thread connecting me with so many of you—some I'll never meet, others who've become close friends (and even roommates—hi Dan, hi James).

Back when I released my first mix in 2010, we were still buying mix CDs for our cars. Soundcloud was just emerging, and I committed to monthly releases to this new platform. I may be overreaching here, but I can’t remember any other DJs presenting conceptual mixes, monthly, as packaged works of art: a conceptual title, description, and artwork. That consistency and novelty helped build a following outside of my local scene, and when my 2012 Robot Heart recording came out, things really took off internationally.

By 2015, the momentum led me to leave my software engineering job for full-time DJing—largely thanks to these Soundcloud mixes. I was purely a DJ then with a nascent Manjumasi label formed with Mark Slee, not releasing my first original track “Peculiar Colors” until 2017.

The landscape in 2024 looks different. As Soundcloud rotted to hell and Spotify rose, the value of mixes has sharply declined. With thousands released daily, they've become ubiquitous. The career path for electronic artists now revolves around original productions and social media presence.

This industry evolution pushed me toward producing my own music, opening up new creative paths I'm grateful for. The social media aspect has felt natural, as it's been an integral part of my project from the start. These last few years, the touring schedule, studio time, and home life as a husband and father slowed me down from my monthly cadence, but each mix still feels like a deep-rooted part of my message to the world, (mostly) through other people's music. 

Mix [100] was recorded September 7, 2024, at Public Works in San Francisco, the city that "raised me" as a club kid, where I first learned to DJ. This 5-hour set marked my last show in North America before taking an indefinite mental health break from touring. Playing this set was emotional, to the point of tears in the DJ booth, with support pouring in from both new listeners and those who've been there since the beginning. I couldn’t think of a better way to reach 100.

I've also created http://www.atish100.com to house all my mixes and their 1,400+ tracklists in one place, which I'll keep updating as new mixes go up on Soundcloud and YouTube.

This mix marks a meaningful milestone for me. Thank you for making this journey possible. You, and the 1400+ artists and labels I referenced helped create a life I never imagined.

Tracklist

atish - [100] - Atish All Night (Live in SF, 5 hours)

Record live at Never Sleep Again, Burning Man 2024

Atish | Never Sleep Again | Burning Man 2024

¨My first time at Mayan Warrior playing the sunrise before the legend Carl Cox.
What an honour and what a beautiful morning in the desert.
Thank you to the amazing Mayan crew and to everybody who came to dance with me <3
This will be forever in my heart.¨

SOCIALS: 
https://linktr.ee/madmotormiquel



Madmotormiquel - Mayan Warrior - Burning Man 2024

Let me take you on an eclectic journey of house, indie dance, disco and afro house music directly from a luxurious bathtub in this new instalment of the Beyond Bed & Bath series.


Gab Rhome - Beyond bed & bath EP.2

I am beyond excited to present to you the recording of my 5.5 closing sunrise DJ set for the Calling All Magical People (@camp-festival) 2025 set. 

This was a meaningful, special one, celebrating the 4th of July in a time of the utmost turmoil in America and in the world. I knew my commentary about America in the 4th of July had to be bold this year, and I risked killing a dance floor in making a statement about waking up to salvage democracy in the face of the rising and nascent facism taking root in the USA.

I hope you enjoy this journey, and I thank the dancers for being patience with me as I walk off stage due to technical difficulties, it took us amount to get started but we got there. 

Special thanks to @thezoharportal for collaborating with me in reading Mary Oliver’s poem “The Journey” for the intro track to acknowledge the collective grieving of relationships ending, and for the beautiful messaging that I was able to sprinkle with her poetic, mystical voice through the set.

My heartfelt thank you to the CAMP team and Therapy sound for believing in my vision and to Mick and Michael Z for setting up the tarp and the flag and everything else as we were battling the rains and broken CDJ’s - this truly was a collective odyssey into the new day of a new America. 

Much love, keep fighting for democracy!

illich Mujica Live - @ CAMP 2025 Closing Fairy Forest Sunrise Set

Carla Bruni remix - Believe, Super Flu - Close_Your_Eyes_-_PP_Remix VULNNYOFFICIAL

Listen on YouTube - https://youtube.com/playlist?list=OLAK5uy_mlWayeAyxfdiO1UGjpyJWCrcic9swX7zs&si=_nCrVTy7XzSW7T1O

Steam on Spotify - https://open.spotify.com/album/0rEfKOz5AffRu9FR4Tg7QZ?si=CTf1k1WnR8G0gANTETDhcw

Shadow Play

Chloé has, without a doubt, led an entire generation to her electronic music playground – one that goes beyond strictly club and techno.
Chloé is a composer, meaning she gives life to an artistic idea. And working with electronic means allows for the possibilities to be expanded tenfold. 
The challenge is to keep a kind of certainty in spite of the doubts that arise throughout the creative process. It is precisely this inner questioning, this contradiction (and the decisions that provide solutions to it,) that
nourish and motivate Chloé's work.
As much a film music enthusiast as an accomplished guitar player, she stumbled into the electronic scene early on, developing an unwavering curiosity for sound machines. 
Her appetite for vinyl would substantiate a DJ career full of subtle explorations. 
Since her first EP, Erosoft (2002), Chloé, not satisfied with merely stringing together purely functional tracks, has been telling stories.
Many EPs and remixes would follow, on labels such as BPitch Control, Live at Robert Johnson, Kill the DJ, My Favorite Robot, or Throne of Blood, and would open her up to headlining gigs at clubs around the world, having built a reputation for sets that thrill by the sense of coherence with which she reconciles eclectic styles.
An obsessive seeker of new sounds, she assembles and blends together unlikely tracks, creating subtle contrasts that come together into singular mixes. Her two LPs fit within this narrative continuum: The Waiting Room (2007) and the Victoires-nominated One In Other (2011), with their deft handling of aesthetics, have stood the test of time.
This desire to eschew readymade formulas, and her constant research into musical and human matters, gave her the impetus to start her own label, Lumière Noire.

Also, watch the full set on Vimeo:
https://vimeo.com/293655887

Follow Chloé:  https://www.residentadvisor.net/dj/chloe/biography
https://soundcloud.com/chloe-dj-producer
https://www.facebook.com/listentochloe/
https://www.instagram.com/listentochloe/
http://www.listentochloe.com/

Cover Photo by  Shayan Gaeni

Cover Design by  Esteban Armendariz

Mayan Warrior  
mayanwarrior.mx
facebook.com/MayanWarriorBurningman 
@mayanwarriorofficial

Chloé - Mayan Warrior - Burning Man 2018

Hoj's 2012 post-sunrise set atop the Robot Heart at Burning Man has become one of his most popular. What many people don't know is Lee Burridge joined him after his set for an epic back-to-back session that went on into the afternoon. Hoj and Lee found the recording on an old hard drive, and wanted to share.