Bachstro Plutaños Saarigeti was written for Michelle Gott and Emily Levin for the 2023 PRISMS Contemporary Music Festival at Arizona State University. The title of this piece is a portmanteau of the five composers whose music directly influenced this piece: JS Bach, Chris Castro, Sam Pluta, György Ligeti and Kaija Saariaho.

This piece is warmly dedicated to Chris Castro, who showed me some fascinating new discoveries in Bach’s Well Tempered Clavier, which eventually led to this piece. Thanks Chris!

Recording by Kylar Gardner. 

The electronics are entirely controlled and generated by the harps: the max patch detects the pitch, dynamics (amplitude) and brightness (spectral centroid) of the harps' incoming signals, and the electronics react independently in various ways to these parameters.

This work is part of an ongoing research-creation project that explores various approaches to technologically-mediated performance practice.

Bachstro Plutaños Saarigeti

Assistant Professor of Music Composition at Arizona State University. 

gabrielbolanos.com

Chris Castro is a composer, double bassist, theorist, and educator residing in Southern California. He is a recipient of the 2023 Fromm Music Foundation Commission from Harvard University and Chamber Music America's 2021 Classical Commissioning Award. His music has been described as "on par with Varèse" (anonymous CMA juror) and “at once celebratory and solemn” (San Francisco Classical Voice). His music draws from the rich tradition of Western Art Music, from Johannes Ockeghem's Missa Prolationum to John Coltrane's Ascension. As a new music advocate, Chris serves on the artistic advisory board for the Left Coast Chamber Ensemble, New Mexico Contemporary Ensemble, and will be premiering two solo double bass works written for him by Phil Acimovic and Linda Catlin Smith in the fall of 2024. Chris holds degrees from the Juilliard School (double bass and composition) and a PhD from the University of California, Davis in composition and music theory. He lectures for the Los Angeles Philharmonic's Upbeat Live series. He is an Assistant Professor of Composition at Chapman University. 

Website: https://www.chriscastrocomposer.com

Contact: crcastro36@gmail.com

Selected list of works:
Lines II - Missa Sine Nomine for Trombone, Electric Guitar, Accordion, Violin, and Contrabass (2025)
Missa Brevis for Bass Clarinet and Double Bass (2024)
Tumba for Alto Flute, Cello, and Well-Tempered Clavier (2024)
Lines for Flute(s), Percussion, Harp, Viola, & Cello (2024)
Forms & Doubles for Flute(s) and Viola (2024)
Two Partsongs for Treble Voices (2024)
Canções dos Desassossego (Songs of Disquiet) for Soprano and String Quartet (2023)
Á la tienne! for Speaking Pianist (2023)
Eight Pops & A Center Pop for Contralto, Viola, Cello, and Organ (2023)
Snow White & Rose Red for Storyteller and Orchestra (2023)
Two Songs & Two Doubles for Voice and Well-Tempered Clavier (2023)
Miroirs Obscurcis for Well-Tempered Clavier (2023)
1722 for Open Instrumentation (2022)
Fauxbourdon After Ellington for Open Instrumentation (2022)
Two Songs for the OPP (from Brooklyn Narcissus) for Soprano and Chamber Ensemble (2022)
Clock-a-clay for Piano Trio (2021)
Beethausenstro - Castockhoven for Two Pianos (2020)
La for Alto Flute, Bass Clarinet, and Viola (2019)
Brooklyn Narcissus II for Soprano and Chamber Orchestra (2019)
Coyote Goes To The Sky & Birds Of Fortune: Two Stories for Storyteller, Flute, Cello, and Percussion (2019)
Sing High for Violin and Orchestra (2018)
Easy & Sad for Seven players (2018)
Choruses IV for String Quartet (2017)
IV - I for Two Pianos (2017)
Choruses III for Chamber Orchestra (2017)
Music for the short-film 'Postmodern Love' (2017)
A Drinking Song for SATB Choir (2017)
Brooklyn Narcissus I for Solo Soprano (2017)
Sing Low for Trombone and Ensemble (2017)
Choruses II for Violin and Piano (2016)
Ruines for Flute and Chamber Ensemble (2016)
Cavatine for Orchestra (2016)
Nocturne for Flute, Clarinet, Cello (2015)
Scherzo for Flute, Oboe, Clarinet (2015)
Cavatine for Solo Cello (2015)
Variations on an Original Theme for Clarinet, Violin, and Piano (2015)
Choruses I for String Quartet (2015)
Storm Fear for Mezzo-soprano and Piano (2014)
Poseidon's Steeds for Women's Choir and Organ (2014)
Movement for Piano (2014)
Etude for Percussion and Electronics (2013)
Fantasy on a Theme of James Bassi (backwards) for Flute, Clarinet, Violin, Viola, and Cello (2013)
Maw for String Quartet (2012)
Brooklyn Hymn-Variations for Saxophone Ensemble (2012)
Song of Quietness for SATB Chorus (2012)
Hymn and Fuguin' Tune for Cello Duo (2011)
When Jesus Wept (After Billings) for Brass Quintet (2011)
Monolith (A Symphonic Sketch) for Orchestra (2010)
Kyrie for SATB Chorus (2010)
Burn Like Roman Candles for Big Band (2009)
Suite for Double Bass (2008)
Nothing for String Quartet (2008)
Essay for Orchestra (2007)

Bachstro Plutaños Saarigeti

Gabriel Bolaños