Dubsons represents a romanian project that have started making an own sound with influences from minimal,house & techno

With already releases on NG Trax, Bodyparts, All Inn Black, Project London,Inwave just to name a few , Dubsons will definitely catch your attention after first  time you listen them live.

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South America tour [ 2024 December ]@ Fam Bookings
Roster Fam Bookings
Alexi Delano
BRYZ
Alex Font
Octave
Jamahr
https://www.facebook.com/octave92
22.02 Timisoara Resonance Showcase with BRYZ, Paul Coman b2b Octave & more
https://www.facebook.com/events/543385192082962
Cities played in -Santiago/ La Serenea / Concepcion [ Chile ] Moreila [ Mexico ] Medellin,  Montreal, Ibiza, Paris , London,Lausanne, Istanbul, Amsterdam ,Rotterdam,  Lille, Leeds, Basel , Lucerne, Manchester, Casablanca, Zagreb,Petrinja, Gothenburg, Bucharest, Cluj , Iasi , Hunedoara , Bacau, Piatra Neamt, Tg.Mures, Busteni, Brasov, Tuluz, Vama Veche , Targu-neamt,Ploiesti, Satu-Mare, Suceava, Botosani, Sibiu, Craiova, TImisoara, Constanta, Navodari
Locations played in - Nui Ibiza, Cafe Barge, Mercat, E1 London, Lion & Lamb, Studio 80 , Club Eden , Inside-Bar, Spatiu Tehnic, Gradina Monteoru, Skin Summer Lounge, Gramps Hamak, Cluj Arena,Tete a Tete, Club 88
fam_bookings [ SA Bookings ] ggarcia.ferrer@gmail.com 
@ng-trax [ Europe Bookings ]
https://ngtrax.com/bookings

SCI+TEC [ Dubfire's Label ] Release Nima Gorji & Octave - When The Sun Goes Down https://dubfire.bandcamp.com/track/when-the-sun-goes-down

https://www.instagram.com/p/CZFYWoAAaIm/ Meoko Support [ Videos ]
NFT releases
https://pianity.com/nima-gorji/goodbye-feat-octave
https://pianity.com/christian-burkhardt/sand-feat-octave

Need For Sound / Resonance / NGTrax
https://soundcloud.com/needforsound1
https://soundcloud.com/reso-nancemusicc
https://soundcloud.com/ng-trax

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

For contact please use my direct Facebook Profile : https://www.facebook.com/lucian.rotaru.3

Libe (Lucian Rotaru), is the older brother in the dynamic duo Bratias and the main influence in both their musical styles. He’s been around the scene for as long as he can remember mixing music in old clubs from Iasi which few people had the luck of visiting. Since then he developed into a DJ and Producer who can show his resume to pretty much anyone without being ashamed. His path was not the short and easy one, bouncing around from style to style, artist to artist until he found his little nook in the ever-changing electronic music scene. He’s played music with names like  Priku, Cezar, Dan Andrei, Suciu, Mauss, Matei Tulbure and many more. As a producer, groovy, moving bass lines, delayed wooden percussions and atmospheric musical themes make his sound the ideal 2 a.m., middle of the crowd, intoxicated, clubbing experience. But expect anything from slicing hi-hats to break-beat snares which always somehow have his own unique signature sound stamped on them. Maybe it’s the hours put into producing each sound or maybe it’s just his overall musical taste. What’s certain is you have to lean your ear over to Libe’s sounds.

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