Nocturne in E Flat Major, Op. 9 No. 2 (Sheba Blake Edition)

Amazon

Kneeling Before Giants

Swan Lake (Pyotr Ilyich Tchaikovsky)

Pyotr Ilyich Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14a, Pas de deux.
Album:  Times and Styles by Gulan (aka Andrei Gulaikin)

Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14a, Pas de deux

Czardas (Vittorio Monti)

✝️▫️Slowed Version by 420daysfreetrial▫️✝️

Loneliness (Slowed)

Reaching Outer Space

we don't know what botanica is, so we're on the last page (w/@bvrszt)

~to my grandmother

~.~•.» 𝔱𝔥𝔢 𝔩𝔞𝔰𝔱 𝔭𝔞𝔤𝔢 . •.~:.₊

1ère Gymnopédie.

Live video: http://www.youtube.com/watch?v=zZd4BYOzXBo

Lent et douloureux.
Slow and sorrowful.

"Oblique et coupant l'ombre un torrent éclatant; Ruisselait en flots d'or sur la dalle polie; Où les atomes d'ambre au feu se miroitant; Mêlaient leur sarabande à la gymnopédie."

"Slanting and shadow-cutting a flickering eddy
Trickled in gusts of gold to the shiny flagstone
Where the atoms of amber in the fire mirroring themselves
Mingled their sarabande to the gymnopaedia"

- Contamine de Latour

The instrument is a Clavia Nord Stage 2 using a sampled Yamaha C7 with a generous amount of reverb and phaser, and a thin layer of strings.

Video

Erik Satie - Gymnopédie No. 1 [phaser]

Vivaldi Four Saesons and Other Classical Music Favorites - Best Relaxing Classical Music Online

Antonio Vivaldi The Four Seasons - Winter

https://linktr.ee/gabrielsaban

Gabriel Saban is a multi award-winning French composer and music producer based in Paris. Born in 1985 and raised in the south of France, he studied piano and clarinet before entering the prestigious Conservatoire National Supérieur de Musique et de Danse de Paris, where he trained in music production and orchestration.

Since 2010, he has composed for film, television and visual media. In 2017, he launched Cézame Trailers with the support of Frédéric Leibovitz — a label dedicated to music for movie trailers — then founded Infinity Scores in 2021 to explore a more personal and eclectic vision of cinematic music.

Blending neoclassical emotion with modern sound design, his music features in major trailers (Oppenheimer, Frozen 2, Avengers, Star Wars, Wednesday, One Piece, Knives Out, Mowgli, Don’t Look Up, Goosebumps 2...), global ad campaigns (Apple TV+, Disney+, Dior, Mercedes-Benz, Mc Donald’s, Indeed, Samsung...), and international shows and events (Super Bowl, Olympic Games, NBA, WWE, Money Heist, Venom 2, The Bureau, FIFA World Cup, NHL...).

He has received multiple Mark Awards, Production Music Awards and a Music + Sound Award, highlighting his stylistic versatility — from suspense to Latin, horror or orchestral drama. Recognized for his contribution to trailer music, his emotional impact and sonic precision have helped shape the genre.

Above all, his music is a language — turning inner worlds into soundscapes that resonate with image, memory and imagination.