Nocturne in E Flat Major, Op. 9 No. 2 (Sheba Blake Edition)

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Composer: L. v. Beethoven (1770-1827)
Piano: Carlos Marquez

Background image by David Burrows
https://www.flickr.com/photos/32491696@N00/

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grapevine_serum-did_everything_just_go_away?

Mister Stichs
Release Date: August 24, 2016
© 2016 Keith Richie

An Original 'N'otion Picture Soundtrack by Keith Richie

When a family moves from the quiet suburbs of Downey, California to a remote farmhouse in Texas, they hope for peace and renewal. What they find instead is something far older and more sinister—an unseen force tethered to the land, festering in the silence, unraveling their sanity one thread at a time.

As unease gives way to full-blown horror, they are pulled into a waking nightmare where perception fractures, trust dissolves, and reality becomes twisted beyond recognition. At the center of it all is a malevolent entity—Mister Stichs—a presence that doesn’t merely haunt but hunts.

This cinematic concept album is a dark ambient descent into psychological terror, merging vintage synth horror with modern sound design. Drawing influence from John Carpenter, Tangerine Dream, and the haunting landscapes of classic suspense scores, Mister Stichs delivers an unsettling, immersive experience built on analog textures, spectral atmospheres, and emotionally resonant melodies.

With chilling ambience, bursts of dread, and fleeting glimpses of fragile beauty, Mister Stichs is not just a soundtrack—it’s a sonic horror story.

Critical Praise:

“A sophisticated and unrelenting journey into darkness.”
— Ben Dugas, ZoneMusicReporter.com

“Mister Stichs is impressively reminiscent of a John Carpenter film score, and it evokes the spirit of Tangerine Dream. With masterful use of vintage and modern synths, and suspenseful, surround-like effects, Keith Richie proves once again that he ranks among today’s finest electronic composers.”
— Candice Michelle, Journeyscapes Radio

The Road from Downey

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

CTHULHU MYTHOS - HATCHERY

V013-Antonio Vivaldi – The Four Seasons Concerto No. 2 In G Minor, RV 315, Summer I. Allegro non molto

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Toccata and Fugue in D minor, BWV 565 (not to be confused with a series of German cars), attributed to Johann Sebastian Bach. This is from around 1700 but sounds timeless to me.

Live video: http://www.youtube.com/watch?v=GGUBreY-6J8

I'm using the Nord Stage 2 sampled church organs and I've added some harpsichord to try to give it a little bit different feel. I only play the beginning and the end of the fugue (the middle part is less fun...) Organ (and harpsichord) are not the most expressive instruments - you can't control the volume of each note - yet this piece works so well and is so overwhelmingly beautiful.

Cute story: I remember attending church every Sunday when I was a kid and naively hoping they'd play this piece!

Video

J.S. Bach - Toccata & Fugue in D minor [organs + harpsichord]

Tribute to 'Sergei Rachmaninoff' 

"Sergei Rachmaninoff - Piano Concerto No. 2 in C minor, Opus 18 (Adagio Sostenuto)" arranged & performed by @rovyghany

Digital Equipments used are:
Ableton Live 10 Suite
Roland ARIA 
Modartt Pianoteq (Fazioli F308)
NI Kontakt
Spectrasonics Trilian
Arturia Brass
Valhalla VintageVerb
Izotope Ozone
Waves Mastering Suite
Ableton Native Plugins

Sergei Rachmaninoff - Piano Concerto No. 2 in C minor, Opus 18 [Performed by Rovy R. Ghani]

https://linktr.ee/gabrielsaban

Gabriel Saban is a multi award-winning French composer and music producer based in Paris. Born in 1985 and raised in the south of France, he studied piano and clarinet before entering the prestigious Conservatoire National Supérieur de Musique et de Danse de Paris, where he trained in music production and orchestration.

Since 2010, he has composed for film, television and visual media. In 2017, he launched Cézame Trailers with the support of Frédéric Leibovitz — a label dedicated to music for movie trailers — then founded Infinity Scores in 2021 to explore a more personal and eclectic vision of cinematic music.

Blending neoclassical emotion with modern sound design, his music features in major trailers (Oppenheimer, Frozen 2, Avengers, Star Wars, Wednesday, One Piece, Knives Out, Mowgli, Don’t Look Up, Goosebumps 2...), global ad campaigns (Apple TV+, Disney+, Dior, Mercedes-Benz, Mc Donald’s, Indeed, Samsung...), and international shows and events (Super Bowl, Olympic Games, NBA, WWE, Money Heist, Venom 2, The Bureau, FIFA World Cup, NHL...).

He has received multiple Mark Awards, Production Music Awards and a Music + Sound Award, highlighting his stylistic versatility — from suspense to Latin, horror or orchestral drama. Recognized for his contribution to trailer music, his emotional impact and sonic precision have helped shape the genre.

Above all, his music is a language — turning inner worlds into soundscapes that resonate with image, memory and imagination.