Luís Ribeiro, Prémio Menção Honrosa - Oeiras Piano Competition
AUDITÓRIO MUNICIPAL RUY DE CARVALHO - 26 de Junho 2022

Prelude In G Minor Op. 23 No. 5

Sergei Rachmaninoff Prelude In G Minor Op. 23 No.5

Kneeling Before Giants

The Sorcerer's Apprentice (Paul Dukas)

Classical Spa Music

Dolly Suite, Op. 56: I. Berceuse (Transcr. for Piano by Alfred Cortot)

SOUND TRACK Vol.1

Concerto for Strings in G major, RV 151 (Vivaldi, Antonio)

Slavonic Dances, Op.72 (Dvořák, Antonín) (Arr. Sun Kim)

COD Round 4

shout out mareux 

All you are to me is a bleak obsession
I am the mark intent on burning the street
How many times can I ask you?
How many days can I go without you?

But you tear me in half

Tear me in half


But you tear me in half


Tear me in half


The distance is a killer
The fire in my eyes
The heat of imposition
How many days can I go without you?

But you tear me in half


Tear me in half


But you tear me in half


Tear me in half

KILLER (cover) SLOWED

Chamber Choir of the Berlin University of the Arts
Christian Grube, conductor

Live recorded by Tobias Hoff
Choral Concert, St. Mary's Church, Gransee, Brandenburg | May 30, 2010

Morten Lauridsen — O magnum mysterium

Johannes Brahms - Hungarian Dance Nº 1 In G Minor

Artur Pizarro performs Francis Poulenc’s Piano Concerto with Bamberger Symphoniker directed by Thomas Rösner, alongside Poulenc’s Sinfonietta and two rare, glittering gems from Charles Koechlin. This release is a coproduction with Bayerischer Rundfunk.

Following the success of Artur Pizarro’s recordings of Rachmaninoff’s Complete Piano Music on Odradek, hailed in Gramophone as “courageous and poetic” and praised by BBC Music Magazine for his “dazzling finger dexterity”, the “poet amongst pianists” returns with Poulenc’s Piano Concerto. The last of Poulenc’s concertos, this work is jaunty and playful whilst exuding an irresistible Romanticism. Poulenc’s Sinfonietta is a full-scale symphony in all but name, its self-deprecating title a reflection of the composer’s sense of humour and the work’s colourful, urbane character. 

Charles Koechlin is best known for his vast orchestral Jungle Book cycle, but was a prolific composer of tone poems on an array of themes. Both Vers la voûte étoilée, Op. 129 and Sur les flots lointains, Op. 130 date from 1933, and both were published posthumously in 1996. Vers la voûte étoilée (‘Towards the vault of stars’) creates a sense of awe and mystery, reflecting Koechlin’s early ambition to become an astronomer. In the elegiac Sur les flots lointains (’On the distant waves’), Koechlin makes use of a melody composed by American composer, Catherine Murphy Urner.

The Bamberger Symphoniker has caught the world’s attention as an orchestra of depth and imagination, its BBC Proms 2019 performance praised in The Times as “stunning… idiomatic, impassioned, blazing with energy and power… virtuosically played, and enthrallingly pictorial.” The orchestra is directed on this album by the prolific and versatile Viennese conductor, Thomas Rösner.

05 - Francis Poulenc Piano Concerto In C - Sharp Minor FP 146 - 1. Allegretto

https://linktr.ee/gabrielsaban

Gabriel Saban is a multi award-winning French composer and music producer based in Paris. Born in 1985 and raised in the south of France, he studied piano and clarinet before entering the prestigious Conservatoire National Supérieur de Musique et de Danse de Paris, where he trained in music production and orchestration.

Since 2010, he has composed for film, television and visual media. In 2017, he launched Cézame Trailers with the support of Frédéric Leibovitz — a label dedicated to music for movie trailers — then founded Infinity Scores in 2021 to explore a more personal and eclectic vision of cinematic music.

Blending neoclassical emotion with modern sound design, his music features in major trailers (Oppenheimer, Frozen 2, Avengers, Star Wars, Wednesday, One Piece, Knives Out, Mowgli, Don’t Look Up, Goosebumps 2...), global ad campaigns (Apple TV+, Disney+, Dior, Mercedes-Benz, Mc Donald’s, Indeed, Samsung...), and international shows and events (Super Bowl, Olympic Games, NBA, WWE, Money Heist, Venom 2, The Bureau, FIFA World Cup, NHL...).

He has received multiple Mark Awards, Production Music Awards and a Music + Sound Award, highlighting his stylistic versatility — from suspense to Latin, horror or orchestral drama. Recognized for his contribution to trailer music, his emotional impact and sonic precision have helped shape the genre.

Above all, his music is a language — turning inner worlds into soundscapes that resonate with image, memory and imagination.

The Sorcerer's Apprentice (Paul Dukas)

Gabriel Saban

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