Affascinato dal suono analogico e ricercatore di vinili.
Possiede una collezione di oltre 3000 dischi.
I suoi set sono caratterizzati principalmente dallo stile inconfondibile dell’House Music, attraverso sonorità Afro, Latin, Funky e Disco, miscelati in modo energico ed eclettico, con giradischi o con cdj.
Durante il set sorprende con sound elettronico, dalla Chicago alla Techno Detroit, con cui ama spesso concluderli.
Attualmente resident in Puglia per Groovy Club.

Fascinated by analogue sound and vinyl researcher.
He has a collection of over 3000 records.
His sets are mainly characterized by the unmistakable style of House Music, through Afro, Latin, Funky and Disco sounds, mixed in an energetic and eclectic way, with turntables or CDJs.
During the set he surprises with electronic sounds, from Chicago to Techno Detroit, which he often loves to end them with.
Currently resident in Puglia for Groovy Club.

walking along noisy paths, sound experiments with hard- and software, hands-on-live-recordings, artificial soundscapes as well as dance floor based puzzle pieces, something between noise and ambient, drone and idm

On the one side noise canteen means an open musical concept. It deals with the genre of noise music, but includes a wide range of musical styles and creative, sound-based practices. On the other side it refers to the real spatial situation. The initiators of noise canteen are architects. They use the strong spatiotemporal character of sounds for their so called ‘live sound building’.
It influences the spatial situation with particular properties in a very straight way. With techniques of failure, indeterminacy and improvisation they turn a location into another one. It means: noise canteen could be everywhere.

"Un progetto musico-letterario con il quale  i Balzi del Mulo rivestono di un setoso abito musicale, 
dalle scarne ed acustiche trame folk, una selezione di poesie facenti capo all'opera omonima.[..]
Balzi, vortici, tempeste, e dolci ritorni a casa, per un viaggio da farsi a mente dannatamente sgombra."

Extra Music Magazine – Marco Poggio 
recensione di  "Scintille", primo album dei Balzi del Mulo


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