Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

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March 9 Story

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Ashot Danielyan - March 9 Story

The very first Fivos song I heard on SoundCloud was his beautiful and haunting Nightly Walker.  I asked Fivos to share with me his score so I could at least enjoy playing his Nightly Walker, and at Fivos' urging, I am going to post my version on SC.  

I will not attempt to be Fivos - I could never be as talented as Fivos, and his wonderful songs and playing.  I am just posting this simple and non-improvised version (except the ending) as a tribute to Fivos and as a thank you to all his wonderful music.  He is brilliant and this is just a "junior" version of Nightly Walker that I enjoyed recording.  

Thanks Fivos for the score and for your tremendous talent and music!  Keep on sharing it and we'll keep on listening.  

Bruce 

Piano Remix of Fivos Valachis "Nightly Walker"

Soundtrack to About a man (Short Film) by WASTE | Julien Pietri
Watch the film here: http://vimeo.com/26755601
============================================================================

Credits:
Film Written &amp; Directed by Julien Pietri | another-waste.com
Music Written &amp; Recorded by Sophie Kazandjian | http://soundcloud.com/sophie-kazandjian | sophiesmusic.com


Soundtrack to About A Man (Short Film) by WASTE | Julien Pietri

Pieces of you

Sound Of Sadness

La Mer - Dirk Maassen (piano cover)

original music: luca longobardi

from the upcoming Ep White sky, small leaves, blue hands, out on May 10

Small leaves

VOID

Living in Loops

Ravel composed his vocalise-étude, Pièce en forme de habañera while he was composing his opera L'Heure espagnole in 1907, drawing on an ongoing trend for French composers to write works in a Spanish style.  Being for wordless voice, it lends itself beautifully to the humanesque voice of the cello.
Cello - Deryn Cullen
Piano - Paul Gardiner

Ravel - Piece en Forme de Habanera

Hi all, thank you for playing my music here so much in the last few weeks. 

If you want to hear more, for example my new release, "Simple" head over to my Spotify page, thats the best support you can give me.

https://open.spotify.com/artist/3q1LSNssFkpGMV7qJpO6Tk?si=hhId6TtMS9mpu50tJek9xA

Message For You

Inspiring Tracks composed by Seref Alexander 
Vocals, lyrics and Impros=mainmelodies by Gaby Koss
Different genre styles with different/vaious  vocal styles

Medley - Compositions of Seref Alexander

If you want to get in contact with me please mail me: gabykoss@hotmail.com
As seen with Haggard, Equilibrium, Nota profana and orchestra, Diabulus in Musica, Dominia, Diskelion, Dunkelschön, and many other bands .. on stage and CD. Look at Discographies (CDs/DVDS) on http://www.gabykoss.com/?cat=15 
 
I am a singer and studio vocalist, trained and studied at the University LMU subject: Soprano (high Soprano) but also I have had lessons with for example a black Jazz-Gospel-Pop singer (Roberta Kelly - Lady Bump, Fly Robin Fly) and also I have a lot of studio experience because of many projects and band recordings and also movie and advertisement. I have developed some singing styles and technics to create different "voices" right now I am into singing lessons with my teacher being a Tenorina (female Tenor).

 With my ensemble for old music and celtic I have experienced a lot of Medieval, Renaissance, Barock but also Celtic/folk and sepharidc, Ethno. oriental /jewish songs what I try to interpret with different ethic sounding vocal-technic. 
So very often I got told that my voices do not sound similar when I do different voices like Popstyle or Sopran or Tenor as they have different timbres and colours. As I have a range of 4 Octaves it is also no problem for me singing deep with dark couloured voice, wht is good for choir recordings. 

I was guest and member of a lot of different styled ensembles and bands of different genres on stage, concerts and tours (from Big-Band to Jazz to Rock and Metal, for example orchestral symphonic claissic background bands like Haggard, Equilibrium, Nota Profana (musicans of the famous Simon Bolivar Youth Orchestra with their conducter Gustavo Dudamel - very known in the classical scene) and a lot more bands..) , recordings and also on stage, as well with opera productions and have worked in choirs and orchestras and also in the state opera in Munich. 
Also I have founded a international ensemble of old music and celticfolk what playes all the coulours of the different musicbackgrounds of the pariticipating members. From Medieval to Barock from oriental styled to jewish influences. 
I have allready worked with composers in the past from England, Spain, Germany, Japan and Russia and many more  and I recorded in studios a lot of different musicstyles for projects, bands and ensembles and I paricipated on many CD Productions with my voice. 
If you do not have time: https://soundcloud.com/gabykoss/sets/medley-cinematic  (Epic, ethno, cinematic, soundtrack & trailer examples)

I have my own home recording studio (cubase/Neumann/) but I tend to record in the studio with an educated professional studio technican in the Helionstudios (they have mix/mastered the DVD of the Live concert of Ennio Morricone in Munich). I am manily a singer also with stage/tour experience and not a technical trained recording technican/specialist as they have 20 years of experience. This means no higher prices as I am much slower at home recording then recording in the studio ;-) plus I am always open for nagotiations for different conditions.

My happiest  moments are when people feel touched with my imterpretation and the decided  voice-style and as voice is such a matter of personal taste I can not be expecting that everybody likes what I am doing and for sure I am not perfect.. the more as I am trying to do so many different voice styles in a big range from trying to use also different frequences when I sing in tenorina style to ethnic,-gospel-jazz-sound, to chanson-breast-voice, over to pop-musica-belting, breathy breat or headvoice , to light-strong-without vibrato folk to classical technic. Not concentrating on one style means never to be perfect but I love all styles..:-) but I try my best to give all my feelings also into the necesarry dynamics  :  piano, forte, mezzoforte , crescendos, decrescendos, legatos or staccatos ! :-)