I wanted to put together some different voice and music styles I did to show variousity.

Medley - cinematic

During the recordings for the US series i did funny very german songs - of course I did not know lyrics - but I my technican recorded without knowing of me and did this funny track... now he wants to record Twist in my sobrity and Zigeunerjunge, as well as songs from Zarah Leander and Nina Hagen...

During recording making fun...

Music composed by Hendric Bünck ! :-) 
Demos -One take Improvisations on this track 1: Soprano breathy head voice in the back and mix of Tenorina and Popvoice  rough mixed in the front !
 I just sang what came into my mind, no cutting/editing - I left all the bad and good  - did have not time yet to sort out and do a professional medley - just bounced the 2 takes  ..  self stand up/improvised/made up language ..

one take impros-1-high+low-styles

Epic track composed by Hendric Bünck - thank you for kindly offer me the track !
Kind of  Ethno-Tenorina voice style (not real tenorian as this would sound more opera like and I will do an tenor aria soon) doing ethno improvisations - one take . 
Spoken voice also by Gaby : self stand up/improvised/made up language ..

One take impro 2- Ethno tenorina voice+whispers

Hendric Büncks great composing plus my one take improvisations - here the soprano voice is in the front and the low Breast mix in the background. Soon there will follow the Mezzovoice and the Pop Ethno Improvisation...

One take impro-1-light-soprano+ethno backing vocals

5 layers of one take improvisations for a track for a composer. Just bounced the impros and of course the track is still secret plus also the vocal melodys I did for the track.. so you now only can hear the impros.. ;-) voice styles : Sopran , pop, mezzo and Tenorinavoice 

Improvisation-various-voicestyles

All vocals ,lyrics and voices by Gaby Koss except for low low OHM bass vocals. The bass and flute, bagpipe and low whistle was done by Albert Dannenman of Blackmores Night and Cantus Lunaris . Guitars by Tommy Wozniak. I did this vocals and lyrics for a composition of Michael Maas. As he could not use all of them on his own track I was allowed to take them and make my own version of it for promotion and presentation  :-) Thank you Michael. 

Intro - all voices by Gaby

the 3rd version. The composer Hendric Bünck gave me this track to be able to record my different voice styles. Today I post the style with the classical Mezzovoice and in the background Popvoice in the back. those are all one takes fully improvised through the track. The words are fantasy language.

One take Impro 3 of Popvoice+Mezzo

I am trying to get more into childreens voices for my second try I was reflecting my work with childreen and singing , childreen in the early years normally do not hit the tones, not really in tune (that is quite a challange when you acutally always try to sing in tune ;-) )  and they are not in tune mostly so childreens choirs there are a lot of secondo frictions. Also there are the little boys and girls what can sing high and vey angelic. This will be my next try..

Trying more childrens voices

Trying the high childreens voice  - One take recording- Cover of a famous soundtrack with the Live orchestra recording  of a concert with the master himself... hope you like it :-)Mix and Master of the Live Orchestra recording by Helionstudios.

Child Voice Miserere with Live Orchestra

Cover of a great song using my Pop/Breastvoice :-) Piano by Guillermo Salgado - One take recording :-)

Popvoice-Piano-Cover

One take Impro 3 of Mezzo+Popvoice

For licensing, please contact: info@colossaltrailermusic.com

FORGOTTEN from Colossal Trailer Music’s album SUBMERSIVE (CTM003)

Composed by MikroMatique.

Featuring Gaby Koss.

“Eerie and haunting vocal piece with an intense out of worldly vocal performance that takes the listener on a journey deep below the surface of the vast ocean of misery and misconceptions. Pain and suffering will cease and only bliss lies ahead”

Website: http://www.colossaltrailermusic.com
Facebook: http://www.facebook.com/colossaltrailermusic
Twitter: http://www.twitter.com/ColossalTM
Youtube: http://www.youtube.com/c/ColossalTrailerMusic

© 2014 All rights reserved. Colossal Trailer Music is a registered trademark of SPM Music Group, LLC.

Forgotten (feat. Gaby Koss)

For licensing, please contact: info@colossaltrailermusic.com

SHINING HOPE from Colossal Trailer Music’s album WEIGHTED GROUND (CTM007)

Composed by MikroMatique.

Featuring Gaby Koss.

“Sparse and eerie orchestral opening with melancholy vocal strokes, building into an epic fanfare with a subtle and ethereal ending”

Album Cover Art by Koke Núñez Gómez.

Website: http://www.colossaltrailermusic.com
Facebook: http://www.facebook.com/colossaltrailermusic
Twitter: http://www.twitter.com/ColossalTM
Youtube: http://www.youtube.com/c/ColossalTrailerMusic

© 2015 All rights reserved. Colossal Trailer Music is a registered trademark of SPM Music Group, LLC.

Shining Hope (feat. Gaby Koss)

For licensing, please contact: info@colossaltrailermusic.com

TEARS OF WAR from Colossal Trailer Music’s album WEIGHTED GROUND (CTM007)

Composed by Max Legend.

Featuring Gaby Koss.

“Beautiful, eerie and bone-chilling piece with a sparse opening building into an epic orchestral finale with a sad and melancholy feel”

Album Cover Art by Koke Núñez Gómez.

Website: http://www.colossaltrailermusic.com
Facebook: http://www.facebook.com/colossaltrailermusic
Twitter: http://www.twitter.com/ColossalTM
Youtube: http://www.youtube.com/c/ColossalTrailerMusic

© 2015 All rights reserved. Colossal Trailer Music is a registered trademark of SPM Music Group, LLC.

Tears of War (feat. Gaby Koss)

I am happy to release my new track "The secret book" featuring Gaby Koss Cantus Lunaris. It was a pleasure working with her! 

The Secret Book (feat. Gaby Koss)

A sorrowful mourning of a haunted and broken women ...
Music by Sandro B. Mikromatique , One take-stand up - Impros by Gaby Koss

Out Of Mind

Widar  Intro -Outro - Epic track - CD Recording , It is about Widar a son of Odin, far behind the mountains, where his kingdom lays, the enless woods, and the holy Hein, and what you find there are , the knights of the woods who guard Widars Halls.. 

Widar  Intro -Outro - Epic track

Cover of the famous piece from a famous composer... ;-) 

Ethno - Cinematic

Robert Schumann - Ich will meine Seele tauchen - Kunstlied

 just a fun - tirst take Improvisation  without editing - I could do better but to get something from the studio is better then nothing  ;-) lol  This song will be produced for the new Cantus Lunaris CD  in a single version of 15 minutes with improvisations and modulations of a lot of instruments...

Por-que-llorax - First take Improvisation - no cut-  direct bounce - rough

If you want to get in contact with me please mail me: gabykoss@hotmail.com
As seen with Haggard, Equilibrium, Nota profana and orchestra, Diabulus in Musica, Dominia, Diskelion, Dunkelschön, and many other bands .. on stage and CD. Look at Discographies (CDs/DVDS) on http://www.gabykoss.com/?cat=15 
 
I am a singer and studio vocalist, trained and studied at the University LMU subject: Soprano (high Soprano) but also I have had lessons with for example a black Jazz-Gospel-Pop singer (Roberta Kelly - Lady Bump, Fly Robin Fly) and also I have a lot of studio experience because of many projects and band recordings and also movie and advertisement. I have developed some singing styles and technics to create different "voices" right now I am into singing lessons with my teacher being a Tenorina (female Tenor).

 With my ensemble for old music and celtic I have experienced a lot of Medieval, Renaissance, Barock but also Celtic/folk and sepharidc, Ethno. oriental /jewish songs what I try to interpret with different ethic sounding vocal-technic. 
So very often I got told that my voices do not sound similar when I do different voices like Popstyle or Sopran or Tenor as they have different timbres and colours. As I have a range of 4 Octaves it is also no problem for me singing deep with dark couloured voice, wht is good for choir recordings. 

I was guest and member of a lot of different styled ensembles and bands of different genres on stage, concerts and tours (from Big-Band to Jazz to Rock and Metal, for example orchestral symphonic claissic background bands like Haggard, Equilibrium, Nota Profana (musicans of the famous Simon Bolivar Youth Orchestra with their conducter Gustavo Dudamel - very known in the classical scene) and a lot more bands..) , recordings and also on stage, as well with opera productions and have worked in choirs and orchestras and also in the state opera in Munich. 
Also I have founded a international ensemble of old music and celticfolk what playes all the coulours of the different musicbackgrounds of the pariticipating members. From Medieval to Barock from oriental styled to jewish influences. 
I have allready worked with composers in the past from England, Spain, Germany, Japan and Russia and many more  and I recorded in studios a lot of different musicstyles for projects, bands and ensembles and I paricipated on many CD Productions with my voice. 
If you do not have time: https://soundcloud.com/gabykoss/sets/medley-cinematic  (Epic, ethno, cinematic, soundtrack & trailer examples)

I have my own home recording studio (cubase/Neumann/) but I tend to record in the studio with an educated professional studio technican in the Helionstudios (they have mix/mastered the DVD of the Live concert of Ennio Morricone in Munich). I am manily a singer also with stage/tour experience and not a technical trained recording technican/specialist as they have 20 years of experience. This means no higher prices as I am much slower at home recording then recording in the studio ;-) plus I am always open for nagotiations for different conditions.

My happiest  moments are when people feel touched with my imterpretation and the decided  voice-style and as voice is such a matter of personal taste I can not be expecting that everybody likes what I am doing and for sure I am not perfect.. the more as I am trying to do so many different voice styles in a big range from trying to use also different frequences when I sing in tenorina style to ethnic,-gospel-jazz-sound, to chanson-breast-voice, over to pop-musica-belting, breathy breat or headvoice , to light-strong-without vibrato folk to classical technic. Not concentrating on one style means never to be perfect but I love all styles..:-) but I try my best to give all my feelings also into the necesarry dynamics  :  piano, forte, mezzoforte , crescendos, decrescendos, legatos or staccatos ! :-)