Pianoforte: Giuseppe Greco
Teatro Massimo di Cagliari, ottobre 2021

Emerge tu recuerdo de la noche en que estoy... (2021) - per pianoforte ed elettronica

Orchestra d'Archi Arrigoni
Pasquale Corrado, conductor

Premiered in November 2022 at Teatro Sociale in San Vito al Tagliamento (IT)
San Vito Musica Contemporanea

Recording and editing by Maurilio Cacciatore

In muti istanti | for two spatialized string trios (2022)

Apprendere dal fango, d'après Volodine 

Acousmatic, stereo version

Apprendere dal fango

Ossido, for ensemble and electronics.
Performed by Divertimento Ensemble.
Live recorded in Milan, 24 April 2024.

Ossido, for ensemble and electronics (2023-24)

A new track from the New album....https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you     
Daiphanousness features the following artists

Adam Meredith - Voice/Ford XD with XF front mods
Ariad Music - Piano
Axel Weiß - Synth
Banalytic - Hybrid Modular, Digital, Analogue Sounds
Belial Pelgrim - Digital Strings
Chicago Word Brigade - Electronica
Dane Renshaw - Cymbals
Dani Kirby - Voice
Frank Wilke - French Horn
Glenn Ward - Electric Guitar
Loop(c)y - Electric Guitar
Oily - Meows/Squeaky Toy
Paul Miller - Phat Electro Bass/Keyboards
Raul Mainer - Drum Programming
Rosin Dust - Violin
Scratch Kelly - Beats

Mat Ward - Arrangement/Digital Orchestration

Diaphanousness

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025. The intro features the Nocefresca Choir - an impromptu group formed of artist residents I met in Sardinia in 2024. The group (none of us singers) were asked to vocalise in an ancient roman antechamber on a field trip by Sardinian Composer Gaia Aloisi. I recorded it on my zoom for hopeful future use - and here it is making up the intro to this 'song of praise' to the goddess of fog, mystery and chaos. 
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area (pictured). The speakers were tuned quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways  - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : ) 
Big thanks to everyone involved!!
Official press release below. 
Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video. 

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Featuring:
Amber Koroluk-Stephenson
Nadège Phillipe Janon
Joshua Santospirito
Rosie Hastie
Mat Ward
Ursula Woods

When The Fog Clears is curated by Loren Kronemyer and Produced by Constance ARI

This project is supported by Arts Tasmania and presented in partnership with Ten Days on the Island.

Caligo Paean (Intro)

As part of the Ten Days On The Island Festival, Tasmania in April 2025 The Intonarumori Trio got asked to perfrom at The opening of "When The Fog Clears" ( in which I had a sound installation exhibited). This little snipper is from the warm up rehearsal, recorded in a vast open room  with concrete floor and ceiling the sound played and bounced around. We haven't played togather for a bit over a year so it great to shake off the dust here before hitting the festival - and that bang at the end is the sound of an Intonarumori snapping a string !! Some live recordings of Ten Days On The Island will be be uploaded in the coming weeks. VivA Russolo : )

Intonarumori Trio - Prelude To A Festival

Gaia Aloisi is a composer from Cagliari, Sardinia (IT). After undertaking her first musical studies in her home town, she devoted herself both to voice and composition obtaining a Bachelor of Arts at the Haute École de Musique in Geneva (HEM) and a Master of Advanced Studies in Contemporary Music Performance and Interpretation at the Conservatorio della Svizzera italiana. She then obtained her Master’s Degree in Composition at the Conservatorio “G. Verdi” in Milan with Alessandro Solbiati and a High Specialisation Diploma at the Accademia di Santa Cecilia in Rome with Ivan Fedele. She is currently completing a Postgraduate Course with Clara Iannotta at the MDW – University of Music and Performing Arts in Vienna.

As well as having been awarded in several international composition competitions, her original works have been commissioned and performed on the occasion of festivals and events and all around the world, including the Wettbewerb für zeitgenössische Musik in Zurich, LuganoMusica 2023 in Lugano, CEME 2022 by Meitar Ensemble in Tel Aviv, Festival Pontino di Musica in Sermoneta (IT), Mixtur Festival 2022 and Barcelona Modern Festival 2023 in Barcelona, Rondò Festival by Divertimento Ensemble in Milan, Festival SpazioMusica in Cagliari (IT), Migros Kulturprozent Music Competition (2020) in Zurich, Società del Quartetto di Milano, Festival 5 Giornate in Milan, Musikiin Aika in Viitasaari (FI), Festival Expresiones Contemporáneas in Morelia (MEX), Milano Piano City, Institut für zeitgenössische Musik (IzM) in Frankfurt, Accademia Nazionale di Santa Cecilia in Rome, Syntax Ensemble’s concert season in Milan and many others.

She has collaborated with various artists and ensembles of different nationalities, including Riot Ensemble, Mdi Ensemble, Ensemble Dal Niente, Divertimento Ensemble, Syntax Ensemble, AltreVoci Ensemble, Aulos Flute Ensemble, Spheres Ensemble, Ensemble Novecento of the Accademia Nazionale di Santa Cecilia, Eccetera Saxophone Quartet, Amat Saxophone Quartet, Orchestra d’Archi Arrigoni, Marina Boselli, Lise Baudouin, Maria Grazia Bellocchio, Elio Marchesini, Nicolò Cafaro, Maria Eleonora Caminada, Marco Ignoti, Elisa Prosperi and many others. Her music has been lead by several conductors, and she has a solid collaboration with Pasquale Corrado. 

She has also received commissions from various institutions: in the 2023, her work “En corps, matière” for flute orchestra was commissioned by the Musik-Akademie in Basel and premiered in the prestigious Kulturkirche Paulus. In 2020, her work “Dialogues” for viola and cello was commissioned and premiered on the occasion of the École d'hiver internationale en médiation de la musique in Paris, in the concert hall of the Orchestre National d'Île-de-France. She has also collaborated with the Haute École de Musique in Geneva; since she is active in the research field, she was a research assistant at the latter institution in 2021.

She is currently working on an opera which will be premiered in 2024 at the Tete à Tete Opera Festival in London.

Her artistic creation ranges from the musical-theatrical field to pure sound creation, as well as the analysis of historical compositional techniques and musical means of the oral tradition.