Other

2019

car time 🚗

J/CityPop

Past to Future

yeah

Feel Good

Rainbow Blue - DaizyStripper

ルルルルズ"All Things Must Pass"(Full Ver.)

Ed Sheeran <3

Support me by giving it a <3 on hypem:
http://hypem.com/track/20w6w/Ed+Sheeran+-+I+See+Fire+(Kygo+Remix)

Kygo
https://www.facebook.com/kygoofficial/
http://www.instagram.com/kygomusic 
http://www.twitter.com/kygomusic 
https://www.youtube.com/user/KygoOfficialVEVO/ 
http://kygomusic.com  

Ed Sheeran - I See Fire (Kygo Remix)

[FREE Download] Arpeggio-full version.(from 食べすすんでいくと、少ししょっぱい。)

Burn  - Vintage 60's Girl Ellie Goulding Cover by Postmodern Jukebox

Maps - Vintage 1970s Soul Maroon 5 Cover Ft. Morgan James

The last few months have been amazing in terms of remix assignments and gigs. Dan Reynolds really has an amazing voice and I have done my best to create a good tune around the solid vocals. Hope you will enjoy the remix as much as I did making it! If you like the track leave a <3 and share it! :) Lots of love!

Like it? Give it a <3 on Hypem: 
http://hypem.com/track/26j9j/Imagine+Dragons+-+It's+Time+(Matoma+Tropical+Remix)

Photocredit:
Kamilla Paulsen
milligramdesign.no/

Free Download

Imagine Dragons - It's Time (Matoma Tropical Remix)

Von Smith - Titanium - Vintage 1940s Jazz Crooner - Sia / David Guetta Cover

My new track 'Show Me Love' is out now! Get your copy on Beatport here: http://btprt.dj/1Mq1dbZ
iTunes: http://smarturl.it/samfeldtsml
Spotify: http://spoti.fi/1BPFmbA

Show Me Love

Show Me Love (feat. Kimberly Anne)

Buy on iTunes

Postmodern Jukebox + Vintage Motown Taylor Swift Cover Ft. Von Smith - Shake It

Kerri Watt - You (Oliver Nelson Remix)

My latest release 'Midnight Hearts' with The Him ft. ANGI3 is out now on Beatport! 

DOWNLOAD LINK: btprt.dj/1xsioFB

Midnight Hearts 

Download on Beatport

Sam Feldt & The Him ft. ANGI3 - Midnight Hearts [OUT NOW]

Postmodern Jukebox - Style [Taylor Swift Vintage Cover] (1)

Solid Dance - SHAMBARA (JP)

Sigala's new single 'Give Me Your Love' featuring John Newman and Nile Rodgers is out now!
iTunes: http://po.st/GMYLiT
Spotify: http://po.st/GMYLsp
Apple Music: http://po.st/GMYLam
Google Play: http://po.st/GMYLgp

Connect with Sigala: 
Facebook: http://www.facebook.com/sigalamusic
Twitter: http://www.twitter.com/sigalamusic
Soundcloud: http://www.soundcloud.com/sigalamusic
Instagram: http://www.instagram.com/sigalamusic

Give Me Your Love ft. John Newman & Nile Rodgers

Anri - Remember Summer Days

Título: Prayes 
Cantor/Grupo: Clazziquai Project 
CD: Love Child of the Century (versão Japão) (2007)

Prayers (プレーヤーズ) - Clazziquai Project

Maiya Ayukawa - No Reply / 応答なし

coa white - longing w/summersoul

lyric by summersoul
composed by coawhite
arranged by coawhite

thanks to summersoul

longing w / summersoul

Feel It Yet  Ft. Cruiseline

My favourite remix by Ollygon, couldn't find it on soundcloud

Polar Youth - Bae (Ollygon Flip)

Another oldie finally finished and out the vault!

Enjoy. :)

Do you wanna Groove

School Food Punishment - Turn

yoru よる tape Ep ~ Coa white

4. ame

produced by @coawhite
artwork by @blotto_nn

thanks to @blotto_nn

yoru よる tape Ep ~ Coa white

7. chet baker

produced by @coawhite
artwork by @blotto_nn

thanks to @blotto_nn

chet Baker

Black Clover Ending

고열

@dosiidosii - lovememore
---
Mixed and Mastered By @dosiidosii
Produced & Arranged By @dosiidosii
Vocal By @dosiidosii

dosii 1st EP track

lovememore.

collab with the boys.

check them out...

https://soundcloud.com/capshun
https://soundcloud.com/exhalebeats
https://soundcloud.com/jawshlikesmusic
https://soundcloud.com/dmndstr
https://soundcloud.com/officialpaaus
https://soundcloud.com/chordermusic

FREE DOWNLOAD

portent w/ capshun, exhale, jawsh, dmndstr, paaus & chorder

O nome DaizyStripper é derivado da imagem positiva de garotas jovens (representadas pelo “daisy”) e pela exposição de adultos (representada pelo “stripper”). A música da banda explora a ideia de que adultos tendem a perder a noção do quanto é bom ser imaturo, impulsivo, otimista e sonhador.

O DaizyStripper é uma banda que explodiu na cena musical japonesa com algo para oferecer a todas as pessoas. Seja com músicas leves e inspiradoras ou com canções agressivas e pesadas, o DaizyStripper tem uma sonoridade cativante que transborda energia e emoção. Não importa o estilo da música, a prioridade da banda é fazer “melodias que permaneçam durante o tempo”.

DaizyStripper - Brilliant Days

New original synthwaveish track inspired by 80s music. 
Now available on Spotify and Apple Music, etc.

Follow me!
Instagram/Twitter - @nogymx

Buy this single - https://nogymx.bandcamp.com/track/nakatomi-plaza

Nakatomi Plaza

フェニックス (Phoenix)

Spotify: 
https://open.spotify.com/track/5Q8ofSBzUrCBouWxbJ8nEJ?si=8o4fn44vT5WySPfLZMo3Rw

Follow us:

D-Real [愛] : 
https://twitter.com/D_Realist_MC
https://www.youtube.com/user/DDBderrick

Prod. by my Goddess below:
https://soundcloud.com/thegoddessofwisdom

Lyrics
----------------------------------------------------------------------------------------

I'm going live get your poggers out

I'll give you something to vlog about

mood is just fuck what you talking bout

hop on the beat boy im bout to bring frogger out

neck on a leash wonder why they keep dogging out

cause you weak when they hear what you barking bout

a whole lot of nothing just gossip & bluffing

No wonder your girl keep on walking out

Sometimes ya boy need some privacy

I take my waifu and practice some sodomy

Nourish my spirit believe whats inside of me

conquer myself let the rest be my odyssey

It's the journey of men in the valley of sin

see we all doing dirt hope you washing your hands

come a long way from the fakest of friends

now im finding myself and exploring my zen

drown in my flow get your gills up

rhythm & weeb from d-real love

Cafe click moe bout to build up

Radio.wavs bout to eat get your meals up

D-real a monster best head for the hills

stray from the thots who give head for some heels

lie on the gram and just Flex for appeal

sorry to say baby that isn't real

yeah you on dope but not OD

you shooting up but not OG's

scared of the stage oh you froze be

ran in a blizzard i see you got cold feet

Verse 2
----------------------------------------------------------------
smashing my peach booty bump in the air

good in the neutral get hit with a nair

those were the days that i thought i was player

life is a onion you get it in layers

fun isn't always the way it appears

take away pleasure add some of your fears

sometimes your loved one could bring you to tears

now you lack trust when you look at your peers

stand up for nothing scream life isn't fair

really convinced that you live in a chair

don't be that guy to spread follies to ears

runs out of breath just for putting on airs

lose to your greed or the notion to share

lose all your patience a tortoise to hair

lose your compassion assume that your rare

cause when you feeling down it's like why should i care

x2 Mood is on fuck what you talking bout

took a break just to figure where life is

coming from some where thats life less

return of the phoenix

i exiled my demons i ran where the thief in the night is

Spotify

Phoenix (Prod by Athena)

"My Feelings" is Dirty Radio's latest single off their forthcoming album "Pleasures". 

Follow DR:

www.instagram.com/dirtyradiomusic
www.facebook.com/DiRTYRADiOMUSIC
www.dirtyradio.ca/

Single art by Chrome Destroyer

MY FEELINGS

Performed by:
Sébastien Piette (Dr.)
Lee Wen Rui (Bs.) 
Darren Wee (Key.) 
Jonathan Saiman (EP/Syn.)
Jerry Galeries (Syn./Perc.)
Kachi Chan (Gtr.)

with special thanks to The Analog Factory

Crazy For You feat. Erica Tan (Live at The Waterfront)

I made this ReEdit in 1983 using the Pause Buttons on my Double Cassette Boombox. It cuts between the Vocal Version and the Special Instrumental Remix both from the 12" single. I had no idea this was a thing anybody else did until I read this excellent article by @ginosorcinelli of @micro_chop for @RBMA https://daily.redbullmusicacademy.com/2019/04/pause-tape-production-feature

You can find the original 12" of From Time on all digital music services including this one.

From Time

From Time (Vocal Version)

Buy from JUNO

FROM TIME (Double Cassette Pause-Button ReEdit) - MCKENZIE & GARDINER [unreleased]

Download for free on Hypeddit:
https://hypeddit.com/track/0pj46e

We Never Stop

➥ REMIX IT!

Gonzi - WE NEVER STOP

さよならワルツ (Demo) / la la larks
Sayonara-Waltz

さよならワルツ (Demo) / la la larks

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


Crazy For You feat. Erica Tan (Live at The Waterfront)

𝑱𝑬𝑹𝑹𝒀 𝑮𝑨𝑳𝑬𝑹𝑰𝑬𝑺