IMPROBABLE

track 2 from “idyll” by marine eyes

https://marineeyes.bandcamp.com/album/idyll

idyll

marine eyes - cloud collecting

Our third release is a collection of various artists.
"Tincture For The Soul part one" includes 5 ambient tracks for deep self-immersion.

Tracklist :
1. Symphocat - A Question To Reality (opus3) 
2. Vitaliy Koltygin - Hill Traveler 
3. Konstantin Beresnev - Liores 
4. Mind Landscape - Alchemy 
5. BOTN - Nostalgia 

Наш третий релиз - это коллекция разных артистов.
"Tincture For The Soul part one" включает в себя 5 эмбиентных треков для глубокого погружения в себя.

Music by Various Artists
Photo by N. Aniskin
Mastering and design: Sonus Fora

Tincture For The Soul part one

Symphocat - A Question To Reality (opus 3) [SF003]

Vitaliy Koltygin - Hill Traveler [SF003]

Final track from an upcoming EP. Thanks for listening.

--Eric

marshlands

rain movement

piano sound diary 0823 w/noise

This piece places a quiet piano performance against a subtle background of noise textures.
I sampled and layered two types of noise:

Gray noise (shaped from white noise with EQ, softened into a fog-like presence)

Pink noise (a warm, grounded layer that slowly emerges in the second half)

By combining these two noise sources, the background gains both depth and atmosphere,
like a shaded canvas on which the piano can unfold its diary-like reflections.

Today’s piano sound diary 0823 w/noise
was created by sampling and blending two different kinds of noise.

piano sound diary 08/23/25 w/noise

https://stereoscenic.bandcamp.com/album/asleep-in-amber

Photography/Album Art by Bryan Hilyard

https://hilyard.bandcamp.com

Add to Spotify!

Asleep In Amber

from 'Electric Stutter' [CD|2xLP|Digital]
Denovali Records · den281
available on all formats at [http://denovali.com/orsonhentschel]

Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel’s new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible.

Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising.    

Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension.

Electric Stutter

Orson Hentschel - Fade In, Fade Out

Free download. 
This was made for a mix I did for astrangelyisolatedplace.

asip.me/isolatedmix63
https://soundcloud.com/astrangelyisolatedplace/isolatedmix-63-warmth

Warmth - The Place

From the upcoming release "Soft Ice" on Polar Seas.

psr-023

poemme - Clouds Of Breath

This track is quoted from a compilation "ArtLism.JP vol.9 - supported by PURRE GOOHN".
Streaming the album and purchasing are available on Apple Music, iTunes, Spotify, Prime Music, LINE MUSIC, AWA, KKBOX etc.

ArtLism.JP
http://artlism-jp.tumblr.com

Album trailer
https://www.youtube.com/watch?v=Lk-GjSHA5ho

syunsui

"shinpeki (深碧)" is a color of deeper green which constitutes a part of humid mountain air, called "kusui (空翠)". 

This track is quoted from an album 'shinpeki - a bond for Haco' which is compiled from tracks that stabilo (speaker gain teardrop) and Gallery Six contributed for Haco's album 'Qoosui' as a collaboration work. 


Haco 'Qoosui' 

buy album (digital) 
https://haco-sound.bandcamp.com/album/qoosui 

buy album (CD, English) 
http://emporium.room40.org/products/597317-haco-qoosui 

buy album (CD, Japanese) 
http://www.inpartmaint.com/site/21587/

written, mixed, mastered by Hidekazu Imashige
art work by Hidekazu Imashige

free download

空翠 instrumental

Pausal are Alex Smalley and Simon Bainton | pausal.net
Mastered by Lawrence English and Porya Hatami
Cover artwork by Susanne Seinmann  | www.susannesteinmann.de

Buy: https://hibernate.bandcamp.com/album/volume-flow
Edition: CD /150
HB66 | hibernate-recs.uk | We Like Ambient

Pausal / Volume Flow (Snippets)

Far Beyond These Windswept Fields

~ IIKKI 013 ~

music : Toàn
photography : Gilles Roudière
album/book : Volta No Vento
duration : 35.52 mn (vinyl) 36.52 mn (cd)
date : November 2020

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Composed, recorded and mixed by Anthony Elfort between 2017 and 2019 in Cruguel, France.

Mastered by Taylor Deupree
Artwork by Gilles Roudière
Design by sprflxgrfzm

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edition :
vinyl : limited to 250 copies hand numbered
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 400 copies hand numbered + hand stamped

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pre-order : October 29th, 2020 / official release : November 29th, 2020

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Links :
https://ambientoan.bandcamp.com/
https://soundcloud.com/toan-3
https://www.gillesroudiere.com/
https://www.iikki-books.com/
https://iikki.bandcamp.com/music
https://www.facebook.com/iikki.books/
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℗ & © 2 0 2 0 - I I K K I - I I K K I 0 1 3

Toàn - Volta No Vento (album preview)

~ IIKKI 014 ~

music : Observatories (Ian Hawgood & Craig Tattersall)
photography : Miho Kajioka
album/book : Flowers Bloom, Butterflies Come
duration : 40.58 mn (vinyl) 45.10 mn (cd)
date : March 2021

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All music by Ian Hawgood & Craig Tattersall.

Mastered by Ian Hawgood
Artwork by Miho Kajioka
Design by sprflxgrfzm

----------------------------------------------------------------

edition :
vinyl : limited to 300 copies hand numbered
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 750 copies hand numbered + hand stamped

----------------------------------------------------------------

pre-order : February 15th, 2021 / official release : March 25th, 2021

----------------------------------------------------------------

Links :
https://www.leavings.co.uk/
https://www.folkreels.com/
https://www.mihokajioka.com/
https://www.iikki-books.com/
https://iikki.bandcamp.com/music

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℗ & © 2 0 2 1 - I I K K I - I I K K I 0 1 4

syunsui

Gallery Six

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Seramind

Турист из СССР

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