like this piece - and appreciate your good words of explanation about it.  an excellent idea. all the best to you.

Written and produced by Agustín Mena
Collaborations by Pepo Galán and Robert Farrugia
Mastering by Taylor Deupree
Photography by Alexander Kopatz
www.go70north.com
Archives59 // ArchivesCD40
Archives / 2019

Warmth - Soil

Written and Produced by Robert Farrugia
Mastered by Taylor Deupree
Photography by Alexander Kopatz
www.go70north.com
ARCHIVES74 // ARCHIVESCD55
Archives | 2021

Robert Farrugia - Variations

Written and performed by Carlos Ferreira and deer meadow
Mastered by Ian Hawgood
Photography by Alexander Kopatz.
www.go70north.com
Faint026 // FaintCD026
Faint / 2021

Carlos Ferreira & deer meadow - bild

Written and performed by Andrea Peluso & Emanuele Pertoldi
Mastered by E. Pertoldi at Organic Audio
Photography by Alexander Kopatz.
www.go70north.com
Faint027 // FaintCD027
Faint / 2021

Tripsolate & Redundænt - Reminescenza #7

Here is my track "Next To You" That is part of Shimmering Moods Records Meditations 10 compilation.

ENJOY :)

Next To You (Shimmering Moods Records)

Written and Produced by Dovydas Vasiliauskas
Mastered by Taylor Deupree
Photography by Alexander Kopatz
www.go70north.com
SNG03
Archives | 2022

Misleading Structures - Subdivision Zones

On February 24, 2022, at 5 am, Russian bombs began to fall on Kyiv and other Ukrainian cities. The perfidious invasion of Russian troops forever changed the history and face of this country. Every day, civilians and soldiers who defend their homeland are getting killed. This war is senseless and merciless. No decent person can remain indifferent. The Chitra Records label also took on a small mission of helping to rebuild Ukraine. We teamed up with ambient and neoclassical musicians from all over the world and released a two-hour compilation of calming, peaceful, and experimental ambient music. Our goal is to raise funds for the civilians of Ukraine. All proceeds from the digital sales of the compilation on Bandcamp for the first two weeks from the release date (until March 21, 2022) will be sent to the Red Cross Society of Ukraine.

https://chitrarecords.bandcamp.com/album/pacification

Music is a powerful calming force. We want this war to end as soon as possible. On March 21, we will publish the receipt of the donation transfer.

We ask for your help and support: tell your friends about this compilation and repost it on your social media.

https://chitrarecords.bandcamp.com/album/pacification

Peace and good music to you, friends!
credits
released March 7, 2022

Henrik Meierkord (Sweden) www.soundbread.se

Yellow6 (UK) yellow6.bandcamp.com

Kshatriy (Russia) kshatriy.bandcamp.com

Adrian Lane (UK) adrianlane.bandcamp.com

NK x [Ųvás Gøød It] (Ukraine) nkxmusic.bandcamp.com

FlownBlue (UK) soundcloud.com/flownblue

Michele Andreotti (Italy) soundcloud.com/michele-andreotti

Mortuus Auris & The Black Hand (UK) mabh.bandcamp.com

Sergio Mariani (USA) sergiomariani.bandcamp.com

Alejandro Fiori (Argentina) alejandrofiori.bandcamp.com

Dionisaf (USA) dionisaf.bandcamp.com

Macrogramma (Italy) soundcloud.com/macrogramma

Sebby Kowal (USA) soundcloud.com/sebbykowalmusic

Toni Dimitrov (Macedonia) The owner of the labels: www.post-global.com and elanvital.bandcamp.com

Alessandro Barbanera (Italy) alessandrobarbanera.bandcamp.com

Lelya (Russia)

KapTep (UK) kaptep.bandcamp.com

Federico Balducci (USA) federicobalducci7.bandcamp.com

fourthousandblackbirds (Canada) soundcloud.com/fourthousandblackbirds

A Distant Shore (Italy) adistantshore.bandcamp.com

Mastering by Dionis Afonichev (Dionisaf)
Artwork and cover design by Dionis Afonichev (Dionisaf)

Label playlist on Spotify: open.spotify.com/playlist/6NhkzsiLGCStuOkSjCfvso

Patreon: www.patreon.com/chitrarecords

Pacification

Support

Alessandro Barbanera - These Seeds In Your Pockets, One Day They Will Grow

Track 2 from “Le Vitrail” by Lamasz

https://lamasz.bandcamp.com/album/le-vitrail

Le Vitrail

Lamasz – Coloration

2. LIGHT - DARK

In my past productions, I have focused on how to mix natural and artificial sounds. I have been experimenting with methods and proportions of mixing the two because I have always believed that only when the two are perfectly blended in an exquisite way can a beautiful work of art be created.

One day, I came across a passage in a book by the Japanese artist Taro Okamoto in which he referred to the beauty of Japanese gardens, and I was very strongly attracted to it.

He wrote, "The artificial garden, which is the unreal, and the landscape outside the garden, which is the real, are distinguished and recognized more clearly by the stone wall or fence that separates the two."

In other words, by placing not only the two but also a third party between them, a dialectical resolution is achieved, and the whole becomes more beautiful.

I began to feel strongly about applying this to my sound production and put it into practice. To incorporate something else between the melody produced by the synth, which is the unreal (artificial), and the field recording, which is the real (natural). In fact, you can see the struggle in some of my past works. I will not go into it here, but anyway, I pursued the third party, the so-called "Boundary line," and became strongly interested in the "Boundary line" itself.

It is something that lies between two things and separates them. In my daily pursuit of this, there was a moment when I suddenly looked at the sky at dusk. The sky was a beautiful gradation of bright yellows and reds left behind by the sun, and blues and blacks as the evening sun began to set. At that moment, I wondered, "Is there a border between each color of the sky?" I began to wonder if it would be possible to answer this question with sound.

As in the previous work, the theme of this piece is that "While being in the midst of transition, it is almost impossible to recognize that transition itself", and this time, I imitated the changing colors of the sky at sunset and dawn. Just as I cannot clearly distinguish the color of the sky I saw from yellow up to this point and blue from there, you will spend these 20 minutes without being able to clearly perceive the changes in the sound itself.

Produced by Hidekazu Imashige
Cover Art by Hidekazu Imashige

Transition 2

track 2 from "a wake in shadows" by @Hilyard

https://hilyard.bandcamp.com/album/a-wake-in-shadows

Transition 2

Gallery Six

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