dance floor shaker @galtier, you cannot go wrong with the bleepy sonics! ✨🔥

BANDCAMP

Singles/Remixes

releases April 29, 2022

Overkill and Tidemill produced and mixed by Small Car NRG
Overkill remixed by Stolen Velour
Artwork by www.missridd.biz
Mastered by Joker

Road Legal

Small Car NRG

Small Car NRG - Overkill

IM096 - @aroent - Say
Label: Infinite Machine
Release Date: May 27th,2022
Format: Digital
Artwork by Vojd

Following on from a release-packed 2021, Infinite Machine are back with a new 4-track offering from the relative newcomer, Aroent. Across 3 new original cuts (plus a rework by UK dance royalty, Ploy) the Berlin-based producer delivers some serious rollers crammed full of gnarly drumwork and a pervasive air of unease. Like the strange, abstract creature of the record artwork, the music of Say EP is an amorphous beast, mixing the dense arrangements/layering of 90s IDM records with the off-kilter and swung beats of UK Techno and Funky.

The EP opens with its title track; a whirl of snaps, claps and phantom samples all firmly underpinned by an acid-inflected bassline. Aroent embracing of chance and luck in his compositions is evident on this track, throwing in idiosyncratic automations and randomizers to grow and evolve the tune over its 5 minute duration. The vox samples (stolen from Breaking Bad) seem to decay and fall inwards on each other on ‘Say’, as if the song is soundtrack to a decaying and corrupted society (not dissimilar to Heisenberg’s).

On ‘Rolling Oddities’, Aroent’s love for the Bristol bass & techno scene really shines through clearly. A track that seems almost built for a spinny night that rolls on until the morning, the song really does what it says on the tin with its combination of driving, rhythmic elements and it’s smattering of pretty out-there decisions in terms of arrangement and sound processing. This is a definite must-listen tune for fans of Batu, Lurka or Hodge.

Next up, ‘Bobcat’ takes things in a slightly more buoyant and ecstatic direction with its ever-rising filters and muted percussion that seems like it’s dancing along on tip-toes. On this song especially, Aroent’s genre-agnostic approach to production is abundantly obvious with elements of techno and bass sitting alongside kick drums that wouldn’t feel out of place on some Jersey Club tracks.

Ploy brings up the rear on Say EP with a ferocious ‘Skeletal Tool remix’ of the releases’ title track. Taking a reductionist approach to his rework, the Timedance signee strips out some of the originals’ more hyperbolic or dramatic elements and reduces it to a polyrhythmic, semi-genreless heater. Seriously - you try and pin this edit down to a single ‘genre label’, I dare you!

Despite the small number of releases to his name, Say EP is a highly confident and well-realized offering from the Greek-born, Berlin-based producer. In a way, Aroent is already creating his own sonic signature that lifts and interpolates aspects across the UK Bass spectrum and turns it into something totally unique. This is music that lurks in the shadows of warehouse clubs.

Tracklist:

1. Say
2. Rolling Oddities
3. Bobcat
4. Say (Ploy's Skeletal Tool Remix)

Aroent - Say (IM096)

Oerchar

The mysterious humanoid machine Low Khey is back on Comic Sans Records with a second album that pushes way further its explorations through deviant dancehall landscapes and dark science-fiction sound design.

Read more on CxC 🔗 couvrexchefs.com/en/low-khey-protomagias-riddim-comic-sans-records

Article

PREMIERE: Low Khey - Protomagias Riddim (Comic Sans Records)

buy : https://secondsecond.bandcamp.com/album/rasuba-ep

We got a new release coming on TemeT on October 5th on CD.

'Rasuba EP' comes courtesy of Second., a pure local product (from Rezé, in the sububs of Nantes). Big Big level and proper club heats !

Pre-orders of CD & digi are AVAILABLE NOW at bandcamp: https://secondsecond.bandcamp.com/album/rasuba-ep

Played and supported by Mad Miran, Bruce, Toma Kami, Emma Dj...
Visual by DR.ME
Mastering by Charles Michaud.

Second. - Go To Work

Ikävä Pii brilliantly experiments with new creative processes on their new EP to be released on Early Reflex.

Read more on CxC 🔗 couvrexchefs.com/en/ikava-pii-early-reflex-protocol-art

PREMIERE: Ikävä Pii - Protocol Art (Early Reflex)

harddware squelch beat tool

squeaky chunkk beat tool

100BPM mover beat tool

artwork by me
mastered by me

2021 Demos

Finite Rubble

REMADE welcomes an array of new and exciting artists to the fold with a remix edition of SHALT’s 2140. The EP’s 6 remixes cover a huge range of global styles which all take the label’s ethos of sound design driven club music in their own unique direction.

REMADE003 is out digitally on 22nd March 2023.

Cover art by Helin Sahin.

SHALT - Falaise (De Grandi Remix)

On 21st April the Parisian producer E-Unity presents his mini album, ‘BBB<3’. 

We're so happy to present the first single Avray Link. 

Pre order available now at our bandcamp : https://e-unity.bandcamp.com/album/bbb-3-mini-album

Visual by Laurent Allard 
Art Direction by Unité Services &  DR.ME 
Mastering par Krikor

BBB<3

E-Unity - Avray Link

Pho Beat Bazar embodies the classical atmosphere you breathe in a jumbled stand where who is patient enough to root around can find the oddiest gears.
 It's a shared virtual place where we want to get close our favourite artists, welcome to Pho Beat Bazar vol. 3!

Pho Beat Bazar Vol. 3

Galtier - Otswowe

>>>i wanna be a superstar vol. 2<<< 
19 artists 
24 tracks 
—> ON TAPE 

for a second time, crttrs and friends have gathered to share their various noisy visions in a cute compilation. 
certain crttrs have spun a web of twisted bass lines to keep their snares and kicks in place, while others have dug through the ground to recycle old, forgotten fragments. 
still others have formulated spoken words, while the nostalgic ones chirped their sweet melodies. 
many things happened. 
synthesized and divided. 
each for itself, all together. 
a moist, humid compost has emerged. 
a nutrient soil and fuel to your imagination and dreams. 

we wanna be superstars! 
we might never be the ones that shine brightly in the sky… 
but who cares? 
the future lies in your local, rotting compost heap, anyway <33

>> Mastering by Tobias Lanz & Yves Spiri 
>> Artwork by Jost Zeindler (jostzeindler.ch) 

<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3

Galtier - Orbiting (Frostbite)

Originally meant to be a remix, this track was never released and the project file is lost like so many others, so it joins the forgotten archive. Suitable for the colder months of North Earth this time of year.

Chunky, aggressive, oddly forward thinking for where I was at musically at the time. Listening to this track makes me realise how this style was kind of a turning point for me and the sound I was trying to make.

Artwork by Jiah Wells

Torn & Strewn

https://fanlink.to/btip004_neida

Embark on an exhilarating musical odyssey with Neida's latest "Can't Get Enough EP", a mesmerizing follow-up to his standout contribution on June 2023's "Good Vibes Vol. 1". 
Unveiling a sincere exploration of sound and emotion through three original tracks and four remixes, blending rhythm and intensity in a way that keeps hearts racing and dance floors alive.

The EP's title track, "Can't Get Enough," thrusts us into a realm of frenetic beats and palpable energy, creating an immersive experience that feels both sweaty and liberating, while "Hydro" delves into aquatic dreamscape intertwining distortion and trap influences. 
"Trainwreck" propels the listener forward at breakneck speed, capturing the essence of a high-speed locomotive leading us to four visionary remixes adding a kaleidoscope of perspectives to the EP. 

Miss Jay's daring reinvention of "Dirty" sets the tone, with an intense video game-inspired groove evolving into drum and bass, infused with neurofunk influences. Portway's remix of "Can't Get Enough" takes the original into uncharted territories, fusing elements of dnb and electro, creating a futuristic yet vintage sonic landscape.
Galtier's reimagining of "Hydro" paints a sonic picture of fluidity, with a pacey, liquid-esque roller vibe that elevates the track into a conscious, heightened state of mind. Subsism then takes the reins, delving into dub, grime, and trance influences in the remix of "Trainwreck."

The result is a genre-blending piece that adds an extra layer of depth to Bad Tips' exploratory commitment.

𝐫𝐞𝐥𝐞𝐚𝐬𝐞𝐬 𝐌𝐚𝐫𝐜𝐡 𝟕, 𝟐𝟎𝟐𝟒 𝐢𝐧 𝐃𝐢𝐠𝐢𝐭𝐚𝐥

curated by gboi
designed by Johanna Burai
mastered by Perception Mastering

bandcamp

Neida - Hydro (Galtier Remix)

The French deep-rave & tech-naturalist imprint Virtual Forest Records gives us a masterclass of synth-tailored mental bass & IDM from the Swiss producer Fels. Hear the EP’s title track getting a peak-time remix treatment by Nostro Hood’s boss Galtier.

Read more on CxC 🔗 couvrexchefs.com/en/fels-sirens-virtual-forest-records-galtier-remix

PREMIERE: Fels - Sirens (Galtier Remix) (Virtual Forest Records)

Clemency presents References (Remixed) - three re-interpretations of her debut EP by Perko, Boofy and Jennifer Walton. 

Each remix builds on the sparse dissonant sounds of Clemency’s original production into three heavyweight soundsystem workouts. 

Perko works ‘Testimony’ into a wriggling, hypnotic drum workout; 
Boofy leans into ‘Biblical Names’’ subby rhythmic momentum; 
Jennifer Walton pairs ‘Mimic Animals That Are Easy to Love’s menacing sirens with apocalyptic 303s and unforgiving percussion. 

References was originally released with a collection of Clemency’s own personal references - including poetry, fiction, coordinates and cosmetics - that inspired the record. References (Remixed) comes with new references from each remixer to accompany their interpretations.

Jennifer Walton's References

Saje - Peppermint Halo Essential Oil Roll On 
Christopher Lasch - The Culture of Narcissism
DJAX RECORDS - The power of the underground (1989 - 1999)
Long Covid Delirium 
Metahaven - Uncorporate Identity
White Tiger Balm

Mimic Animals That Are Easy To Love (Jennifer Walton Remix)

Forced to pause the events in the spring, our restlessness has manifested itself in the form of a debut label release: a 21-track genre spanning compilation.

We chose to work closely with friends and family, artists that have an affiliation with AM, each expressing themselves in their freest forms from broken-techno, glitchy breakbeats and mutant dancehall, to IDM & electro.

@de_grandi

De Grandi - How Do You Know (Accidental Meetings)

Founder/General Manager @nostro-hood-system

Releases on @infinite-machine

ggaltiermusic@gmail.com

Finite Rubble

Galtier

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