I have put together a series of deeper 4/4 mixes from my collection, ranging from deep house to the deeper side of techno. Not the type that I usually mix in my deep-space electro mixes or higher energy techno and electro mixes, but a good opportunity to bring something slightly different to the (turn)table!

This mix includes tracks from Vince Watson, ReKaB, G-Prod, Daniel Stefanik and includes a magnificent track from Dylan Forbes from Irish label 393 Recordings. All vinyl of course. Enjoy the journey!

The video of the recording available on Electronic Convergence's YouTube channel.

https://youtu.be/rYTDQXMNVQQ?si=Vd3CABzSH9iQIwcp

Tracklist:

1.	Losoul – Open Door ‘Gerd Remix’ (Running Back Double Copy)
2.	Jovonn – Raise Up ‘Raise Up High’ (Nu Groove)
3.	ReKaB – Forced Upwards (Móatún 7)
4.	Vince Watson – Make A Wish (Every Soul)
5.	Vince Watson – Mystical Rhythm ‘VW20 Mix’ (Every Soul)
6.	Direkt – Way Back (Re.Face Limited)
7.	Alex Noto – Twinturbocharged ‘G-Prod Remix’ (Gasoil)
8.	Hajoso – Sundevit (Bullfinch)
9.	Daniel Stefanik – A Time to Rebuild (Ornaments)
10.	Dylan Forbes – Trip 2 Jupiter (393 Recordings)
11.	Garrett David – Cruisin Thru (We’re Going Deep)
12.	Tommaso Pizzelli – No More Clones (Relikt White)
13.	Neurotron – Free Fallin (Port-Au-Prince)
14.	Tommaso Pizzelli – Gotta Get Down (Relikt White)
15.	Neurotron – Shout (Port-Au-Prince)
16.	G-Prod – One Trice (fluid electronics)
17.	Neurotron – Human (Port-Au-Prince)
18.	Johnmon – The Workaround (PWRLDR)

Electronic Convergence Mix - October 2023

Mix on Youtube : https://www.youtube.com/channel/UCf-qoP0MwKlMi_fgmfaBlbQ/?sub_confirmation=1

Booking / remix request : dclviiiofficial@gmail.com

"Carrousel" Top 4 in Traxsource chart 09/24
 https://ffm.to/qrd256frxuk24

DCLVIII OFC is an innovative techno artist whose signature sound has rapidly caught the attention of the electronic music community. Based in Toulouse, France., DCLVIII OFC skillfully blends deep, hypnotic rhythms with atmospheric melodies, creating immersive soundscapes that resonate on dancefloors around the world.

With a standout signing on the legendary label of Laurent Garnier, DCLVIII OFC has established themselves as a formidable presence in the techno scene. This work has not only received critical acclaim but has also garnered support from notable DJs such as Laurent Garnier, Karotte, Hernan Cattaneo, and Dimitri Kneppers. This strong endorsement from industry heavyweights emphasizes DCLVIII OFC's ability to connect with both audiences and fellow artists alike.

Looking ahead, DCLVIII OFC has exciting releases lined up with respected labels like COD3qr and Sudbeat. These upcoming tracks promise to showcase this evolving artistry and commitment to pushing the boundaries of electronic music, ensuring that fans can expect fresh and captivating sounds.

As DCLVIII OFC continues to make strides in the industry, they invite listeners to join this on this exhilarating journey. With each release, DCLVIII OFC aims to create unforgettable experiences, solidifying this place as a rising star in the techno landscape and leaving an indelible mark on the global music scene.


Gigs Next : Fetes de la musique @ Dock du sud / Cahors - 21/06/25


Gigs past  : Danceteria @ Marseille 28/02/25

👽📡🛰️🔊
inquiries : DM or aflatoonacid@gmail.com
https://linktr.ee/aflatoonacid

Ian Hart & Jelly Jessop aka MachineJazz

Basement Project resident DJ's

____________________________________________________________________
The N'djinn is up & running ...

13.12 // Shenanigans @ ??? (Bucharest)
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02.05 /// POSITIVE ISOLATION @ Studio dB (Wedding) - https://ra.co/events/2142924

16.05 /// LISTENING SESH @ Unkompress (Kreuzberg)

20.05 /// sektgarten @ about blank (Friedrichshain) - https://ra.co/events/2157941

24.05 /// Rhythmus im Blut @ King Georg (Köln) - https://rausgegangen.de/en/events/rhythmus-im-blut-mit-ndjinn-0/

31.05 // Honey Loops @ Paloma (Kotti) - https://ra.co/events/2110293

12.07 :// elements @ about blank (Friedrichshain) - b2b2b w/ Lena Brumby & Ed Herbst >>> https://ra.co/events/2191651

22.07 :// sektgarten x a ghost in the machine @ about blank (Friedrichshain) - b2b w/ Ezy Fischel >>> https://ra.co/events/2195731

09.08 // Open-Air @ Jungfernheide (Berlin)

24.08 // Durușa Summer Hills (Maramureș, Romania)
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Greetings fellow Earthling!

3rd-person biotechnograph cut-up, pasted, and edited by 1 person in a 2-dimensional space; reads throughout the 4th dimension:

An engine, in the following referred to by the term "N'djinn", is a machine designed to convert one form of energy into another.
In ultra-modern usage, N'djinn describes a device, akin to a steam engine as well as an internal combustion engine, that burn or otherwise consume fuel in order to perform, and this by way of thrust, thereby bestowing motion upon otherwise inert entities. Such entities are usually dispersed, but will have a strong tendency to unite due to the high-intensity exposure to (e)motion. Admittedly, the thrust-output emits the greatest amount of exhaustion because the method of producing thrust is directly related to the reproduction of sound. In other words, despite having a high level of endurance, N'djinn is not a perpetuum mobile.
Nevertheless, time is short, so to improve efficiency, the scope of N'djinn has increased, and so the rate at which N'djinn produces work. The higher forces and pressures created by these changes creates vibrations throughout an unknown universe. The operations brought about by N'djinn typically has a positive impact upon air quality and ambient sound levels. N'djinn can indeed also be understood as a thermoacoustic device that uses both low and high-amplitude sound waves to pump heat from one place to another, typically from vinyl via turntables and mixer through membranes; ultimately reaching the sensory organs of all entities exposed to these waves. In general, the thermoacoustics of N'djinn can be divided into captivated wave and travelling wave devices, i.e. recordings of and/or live performances. In either case N'djinn uses electrical energy to produce musical energy, usually through the interaction of magnetic fields and current-carrying conductors. Given that the majority of recordings utilized in both settings are defined by their rotation, N'djinn's speed is measured in revolutions per minute (RPM), while N'djinn's impact is measured in beats per minute (BPM). Regarding the case of sound levels, N'djinn's operation is always undertaken with respect to the sources of the system in question.

Yet N'djinn is a hybrid; not only a machine capable of setting things in motion, but also a genie capable of assuming human form and exercising supranatural influence over people.
The existence of N'djinn can be proven, even though arguments concerning the origin of N'djinn are beyond human comprehension.
The body encapsulating N'djinn must either be ethereal or made of solid material; if composed merely of the former, it would not able to do hard work, like carrying heavy records. If composed of the latter, it would be visible to any human with functional eyes.
Based on a so-called "modern" world-view, reinterpretated references to N'djinn as a microorganism in the grand scheme of things or an undetectable uncivilized person also occur.
The supernaturality of N'djinn does not mean it transcends nature, but that it might appear so in relation to the ordinary/everyday perception of nature. As an entity it is "natural" in the classical philosopical sense by consisting of an element, undergoing change and being bound in time and space. Thus it is not purely spiritual, but also physical in nature, being able to interact in a tactile manner with people and objects, and also subject to bodily sensations like sights and sounds. N'djinn supposedly comes from a sublunary realm, prone to reflection, however in equal measure related to the solar wind and may even appear - as an element of surprise - in mists or sandstorms.

Bless you

Bedroom dj :)
Part of SBROD https://on.soundcloud.com/Y4H3T4Pr4ikkkqAQA

Vinyl enthusiast and Phat Controller of @warehouse-manifesto

www.instagram.com/gamadonofficial

www.facebook.com/Gamadonandonandon

https://www.juno.co.uk/junodaily/2024/09/09/juno-daily-in-the-mix-gamadons-warehouse-manifesto-extravaganza/

RLSD Dark Streams (Techno):
https://www.youtube.com/watch?v=X-58bpqFwqA&ab_channel=RLSDRecords

https://youtu.be/4IY9Awn28ys

•	GAMADON (aka GAvin MAc DONagh) started buying records and DJing in 1996.
•	Established the Warehouse Manifesto (WM) record label and guest mix series.
•	WMR001 was released in February 2022 and is distributed on Bandcamp and Juno records.
•	Had the privilege of warming up for The Prodigy, on their European tour in cities such as Berlin, Hanover, Prague and Luxembourg in 2015-2016.
•	First gigs were in my hometown of Mullingar in 1997 with Martian Arts, supporting the likes of 808 State and Sunil Sharpe in The Stables.
•	By 1998, I had secured myself gigs playing techno at the legendary Genius night @ Kitchen and also The POD alongside Warren Kiernan & Joe McGrath. I also played at Derek F’s acid techno parties @ Tivoli Theatre and 13thFloor/McGraths’ supporting Dave the Drummer, Chris Liberator and Lawrie Immersion.
•	Moving to Vancouver, Canada in 1999, I signed up with the Pound Recordings crew under the name ‘Dex of Hazzard’ and was resident at their weekly parties in The Palladium playing breakbeat and electro. I was also invited to play club Sonar and various raves around the city. I also played club Rebar in the city of Edmonton.
•	In 2001, I moved back to Mullingar and started a weekly hard-techno night called ‘The Beat Bunker’ in Daly’s in Mullingar, giving local DJs a chance to play in an intimate venue.
•	In 2003, the next destination was Bermuda. For the three years living and working in this scenic, secluded island, I co-ran the Calisthenics house music parties with DJ Andy Schnerg of Toronto. The Hip Therapy parties were a great success, being Bermuda’s only House and Techno night.
•	I started the Disco Nouveau parties in Mullingar in 2008. This monthly event was held in The Stables live music venue – hosting DJs like Sunil Sharpe, Fran Hartnett, Al Keegan, Niall Power, Barry Redsetta and even DJ Mes, label owner of Legendary US West-Coast house label Guesthouse!). This night ran for 4 memorable years.
•       Long-standing resident with Project Basement, based in Galway.