Stuff I Like 4

Into the Great Wide Open

Vuelta A Empezar

Artist- Ben Morbid
Track- Fitted For My Coffin
Recorded at JBS Studios
Mixed and Mastered by Manuel David
Lyric Video by Aabrar Mahmood
Copyright October 2021

Merchandise-
BenMorbid.redbubble.com

Ben Morbid Social Media Links Below
https://linktr.ee/benmorbid

Fitted For My Coffin

Stream or download ‘After’: https://anatemusic.com/after

► Connect with Anaté:
Facebook: https://www.facebook.com/anatemusic
Instagram: https://www.instagram.com/anatemusic
Twitter: https://twitter.com/anatetweets
Website: https://www.anatemusic.com

► Subscribe to Anaté on YouTube: https://anatemusic.com/subscribeyt

► Audio
Songwriting - Anaté
Production - Delman
Mix - Ricardo Braun
Master - Giovanni "Meniak" Nebbia @Ithil World Mastering

Fume

After

hi... this song uses a lots of automation clips from many different effects and some vocodex & crossbeat to make jumpy feel... hope ya like this one as much i liked making it.

Rabbit Ride

From the album ‘Trust No Leaders’ by The Chronicles of Manimal and Samara. Released July 1, 2022. 

// Hypermetamorphosis
“Hypermetamorphosis” (a term used in the 1800s to refer to the condition Attention deficit hyperactivity disorder). The song explores what it is like to live with ADHD. The song is a journey of discovery through the imagination of the ADHD mind, allowing one to see connections and flows in a way that is inaccessible through the filter of rationality in a neurotypical brain.
______________________________

// Purchase ‘Trust No Leaders‘ Album CD + Digital Download:
▸ tcomas.com/trust-no-leaders

// Stream album on all platforms:
▸ tcomas.ffm.to/trustnoleaders
______________________________

// The Album
'Trust No Leaders' is a record that weaves a voyage through heavy metal history — from its roots in the New Wave of British Heavy Metal up until present day, fusing heavy metal with their signature ‘poetry performance’. Set against orchestral and cinematic soundscapes, the record also pays tribute to non-Western musical traditions, including Native American and South American folk music, Vedic chants, and Indo-Persian classical music. The lyrics bring together elements from modern theater, classical Persian poetry, to Jungian Psychology and theology. 

Commenting on the motivation behind Trust No Leaders, 
TCOMAS: "Our inspiration extends beyond musical genres and the confines of discipline.The confluence of influences in our album extend throughout time and across cultures. In retrospect, this really captures our ethos: Look back into the past for insight, and look into the future with foresight. And in doing so, we created something new of our own."

Landing about 15 months after their debut album Full Spectrum, the duo’s sophomore LP expresses a more aggressive side to the band and was recorded last summer at TCOMAS’ studio in Camden Town, London.   

Discussing the new album’s motivation, TCOMAS:
"The current crisis and the events of our time have made it necessary for us to analyse, investigate, and expose the issues in urgent need of systemic change by looking inwards into the human condition. We want the album to be a beacon of hope, for making a future that prioritises people and the environment."
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// About The Chronicles of Manimal and Samara
Hailed as ‘pioneers of a new form of expression’ through the performance of poetry in music, The Chronicles of Manimal and Samara (TCOMAS) are a UK-based duo comprising Daphne Ang (Singapore) and Andrea Papi (Italy), who came together in London in early 2020 to record their debut album, Full Spectrum, released on 26 Feb 2021. Breaking new ground in the way they combine progressive music, poetry, and vision, TCOMAS fills a gap in music by bringing literature, theatre, and history, fusing rock and metal, with poetry performance. Their sophomore album, Trust No Leaders, is due to arrive on July 1, 2022.
 
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// Connect With The Chronicles of Manimal and Samara • 

•  Official Website || https://tcomas.com
•  Spotify || https://open.spotify.com/artist/2V3zzIcq2sbRbaEjbGypc8
•  Instagram || https://www.instagram.com/tcomas.music
•  Facebook || https://www.facebook.com/tcomasmusic
•  Twitter || https://twitter.com/tcomasmusic

______________________________

© 2022 The Chronicles of Manimal and Samara / TCOMAS Music
#TheChroniclesofManimalandSamara #TrustNoLeaders #metal #heavy #heavymetalfans #TrustNoLeaders #TCOMAS #TCOMASMUSIC

⚡️Buy Album⚡️

Hypermetamorphosis

Honey, it is not like you think

Slow day.
The holes in the clouds makes the 
dream fade.
The pills will not solve it.
No weekday.
Can ever replace the way friday. 
Can transform your world.
Oh, there's a girl.
A pain in your rib cage.
Is all.

Mind-frame.
Is not looking upwards in cold space.
Unravelling as you freeze in place.
The clock keeps on ticking.
You're blown away.
Out from the whirl.
Oh, there's a girl. a millstone you carry is all.

A down day.
Not looking outward but in.
Waste on the table is blown away. 
Can't make the connection between states.
Put on your act.
For the girl. 
She's all you have left in this world.

Oh, a fugue state.
Another enchantment is laid to waste.
Stare in the mirror.
Confused face,
Staring back outwardly fine.
What's mine is mine.
And the girl?
Becomes all-encompassing.




Slow Day

Oblivion, Bliss

Just four of us learning and playing some kind of random original song 'The Sunshine By The Bay' in 1978. Three of us were 17 years old. Don was a little older (and a bad influence). 
A BOOMBOX RECORDING 
Rob Cassano - Drums 
Ron Snyder - Lead Guitar 
Joe Storino - Bass 
Don Williamson - Acoustic Guitar & Vocal

High School Days (LIVE 1978 JAM) Cassano-Snyder-Storino-Williamson

Listen my music on all music platforms:
https://youtu.be/x2M7DoEO9mc
https://open.spotify.com/artist/2CEQSSvO7W4nXZa1SUtl2X
https://music.apple.com/us/artist/dna-duo-beats/1558103092
https://tidal.com/browse/artist/23910674
https://www.deezer.com/us/profile/4132129782
https://us.napster.com/artist/dna-duo-beats/albums
https://play.anghami.com/artist/11844096                                                                                          
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HAPPY SAD (ft ED TALENTI)

I wrote the music/melody to this song when I was 12 years old. Later, I totally re-wrote the Title & Lyrics and recorded it at 24.

Recorded on a Tascam, 4-Track 'Syncassette' in January of 1985.

Original Track link: 
https://on.soundcloud.com/gRHoA

Copyright: 1985

The image used in the icon is not mine.  I am not making money from this song.
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

RON SNYDER - Execution By Electrocution (1985 Extended Version)

Normal Peeps

5. Guitar Instrumental - Alex, Daniel, Fawzy: Alex - guitar; Daniel, Fawzy & TM - keyboards; TM – midi drums, production.

Plugin is a creative music making project run by Quench Arts for young mental health inpatients in Birmingham, part of a wider programme called In Sync. It is funded by Youth Music and Services for Education. All music has been created by the young people, supported by our team of music facilitators (Lead Music Leaders - Vix Perks and Chris Tye; Young Music Leaders – Toby Marriott and Ross Walter).

Quench Arts is a not for profit organisation based in Birmingham in the UK. If you like what you hear and want to help us continue to run our music and wellbeing programmes, please do consider donating to us via: paypal.me/QuenchArts.
You can find out more about Quench Arts and our programmes at:
www.quench-arts.co.uk.
Thanks loads and hope you enjoy listening!!

05. Guitar Instrumental - Alex, Daniel, Fawzy

Written and Performed by Ben Morbid
Recorded at JBS Studios
Mixed and Mastered by Manuel David
Beat by- Anywaywell beats
Images and Video by Aabrar Mahmood


Links to all "Ben Morbid" Social Media
https://linktr.ee/benmorbid

Vacate

MUSIC FOR THE THINKING FEW.

(UPDATE: 12/9/2025-I am dropping down my activity on here as life is taking me in other directions and the world is ending, basically. I have stopped reposting as there is just too much AI slop to wade through now and I don't want to elevate it or promote it. The songs on here are 2-3 songs per my current 11 albums, which are available on other venues like Bandcamp and Youtube for free listening or purchase.) 

John Ludi is a musician/singer-songwriter/cultural relic with a diverse and "arty" array of influences and lyrical interests who was "Indie" before the term even existed. Working outside of the music industry by choice has given Ludi the ability to release songs of a level of lyrical depth that are anathema to the current culture...

but none of that really matters anymore, frankly.

Making music in my bedroom with guitars, MPCs, plugins, and cheap synths. Big fan of quartal harmony and Stratocasters.

Honey, it is not like you think

Gamandello

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