Cosmic Core is a group of international artists born from the cosm.co.nz music forum for Ableton Live music software Users. 

One user's simple idea of collaboration through the mutual love of music, regardless of age, gender or their location on this big blue planet, snowballed into the first, self-titled, album release in April 2012 , consisting of 22 tracks by 25 artists from around the world, who share a passion and mindset for harnessing the powers and flexibility of emerging music technology that software such as Ableton Live gives us.

Cosmic Core is trully an international affair. Represented countries include: United Kingdom, United States, Costa Rica, Ireland, Belgium, France, Portugal, Germany, India, Canada, Australia, Norway and New Zealand, the home of Tom Cosm, the artist whose forum is in use each day to make new connections, to gather knowledge from his detailed tutorials and to learn from each other's experience of music software, hardware and performance. True to form, Tom put his name forward to be part of the first Album alongside us. 

Cosmic Core (Volume 1) is a fresh, double CD album-worth of original electronic music GIVEN TO YOU for FREE download via bandcamp and here to listen in its entirety on soundcloud. 

The album moves effortlessly from Psy though to Acidhouse, Dubstep and melodic, organic electronica and showcases the power of the latest music technology through these otherworldly soundscapes, straight from the furthest regions of the musical cosmos and direct to your synapses.

The Crew released their second album in November 2012, a Drum n Bass genre album with 17 banging tracks from around the world, Drum & Bass From The Core...

We hope you will enjoy the Cosmic Core album experience

join us on facebook at www.facebook.com/CosmicCore

and: www.cosmic-core.com

Download / Stream "Come To Grips": http://smarturl.it/ComeToGrips
Shop Limited Edition Merch and Vinyl: http://smarturl.it/edITMerch

Ooh Brilliant was a Digital communications agency working in the music industry until it closed on May 1st 2015.

Hello, I'm a 3d animator / vfx dude and I love to write music. 

You asked for it, here it is. All lyrics in the info and all tracks available for download.

I want you to listen, and if you have talent, I want your collaboration.
I don't want to make money, I want to make sweet music. 

Rock on...
Oh yeah, check out my YouTube account for music videos and other cool stuff :)

Debut album out now. CD, Vinyl & Digital ~ smarturl.it/AJ_Album

Musician, songwriter, producer. 

alicejemimamusic@hotmail.com

“I use my gut, and my gut don’t lie to me” is more than just a lyric in Twin Forks’ exuberant “Something We Just Know,” it is a kind of mission statement for the quartet. If you’ve ever been to a musical performance that made you lose all sense of time and place and give in to the cathartic feeling of clapping and dancing and singing along, you’ve already visited the sweet spot where Twin Forks have made it their mission to reside. “Whatever makes the audience stomp their feet and sing at the top of their lungs, that’s what I want to be doing,” says singer/guitarist Chris Carrabba. “I want to be generating that spirit from the stage.

Carrabba figured out the guiding principle for Twin Forks before he even knew exactly what the project would sound like. During recent solo tours, Carrabba -- whose Dashboard Confessional grew from an intimate solo-acoustic affair to a bona fide arena rock band during the mid ‘00s -- says he was reminded how important that audience connection had always been to him as a performer.

He also knew he wanted to craft a sound closer to the music he’d loved as a kid -- classic folk, country and roots music. Growing up outside Hartford, Connecticut in an area he describes as “half-rural, half-city,” Carrabba developed an early fondness for acoustic singer-songwriters he heard on the radio -- Cat Stevens and John Denver and Gordon Lightfoot -- as well as the more obscure Townes Van Zandt, Bob Dylan and Guy Clark LPs he found in his mother and step-brother’s record collections. “At the beginning of Dashboard, I wanted to write an acoustic record, but every time I played a D,C, or G chord -- which are called the ‘cowboy chords’ -- I would think about how Tom Petty or Cat Stevens or John Denver or Gordon Lightfoot did this already,” says Carrabba. “That’s when I started tuning my guitars all to hell and back, just so they sounded weird to me. I was probably playing DCG anyway, but I didn’t know anything about guitar, and that was how I could get myself feeling like I was in new territory.”

“When I started playing acoustic-based music, I wasn’t trying to avoid traditional folk because I didn’t love it -- I just loved it so much and didn’t wanna do an injustice to it,” Carrabba notes. “And I had other influences and I thought, why can’t I combine this punk and hardcore feeling with this classic folk feeling -- because they were both such massive loves of mine. But right now I’m more excited about utilizing the age-old, time-tested thing and trying to excel within the parameters of a traditional template.”

He still wanted to be in new territory, though, so when he started writing songs for the project that would evolve into Twin Forks, he wanted to add a new twist. So Carrabba spent three years teaching himself traditional fingerpicking technique. “There’s magic in that kind of playing, where you’re managing two guitar parts,” he says. “I have always found it fascinating and it just seemed like it was calling to me.” Equipped with that new set of skills, Carrabba started writing his most delicate, musically articulate compositions yet, temporarily setting them aside for he-didn’t-know-what. In the interim, making his 2011 covers album, “Covered In The Flood,” gave him the chance to explore his relationship with songs by some of his favorite folk and country artists, both classic and contemporary, including Clark, John Prine, Justin Townes Earle and Corey Brannan. He then worked up those covers for a performance at San Francisco’s Hardly Strictly Bluegrass festival.

The experience was a major awakening. “Onstage at HSB, we were elated. All I want to be is elated while I’m performing. Why else should we be getting onstage? We’re not up there to be some good-time charlie band, but we are not hiding the fact that we are elated to be onstage with you and we’re choosing the songs that are giving us the best edge to be able to do that.”

After Hardly Strictly Bluegrass, Carrabba returned home with a new sense of purpose and a clarity of vision for Twin Forks. In the previous two years, he had been sticking to a temporary rule he’d imposed on himself as a songwriter: “I had made this rule that I would not say ‘love’ or ‘heart’ in my lyrics,” he explains. “I would talk about those things but I wouldn’t say them. So when I came home from that festival and I did write the first song and it did say both ‘love’ and ‘heart,’ they felt like the right words, after not having used them for so long. I let the songs happen and found a tempo that suits what Twin Forks became.”

“Something We Just Know” came to him first, and then, the flood -- another eight songs in the following eight days. Twin Forks began tracking the new songs whenever they could, between tours with other projects, in a multi-purpose space Carrabba had converted into a studio. Over the course of several weeks starting last fall, they managed to record more than twenty tracks that they plan to whittle down to eleven or twelve for the debut LP they plan to release later this year. “We tracked everything live, and I have this tendency to get really excited about what everyone is doing and I’ll make a little hoot or shout, and you can hear all those things in the final versions of the songs,” says Carrabba. “On ‘Scraping Up The Pieces,’ everytime I listen to it and hear Suzie laughing, I’m dying to remember what could have been so funny. Then we additionally multi-track, which we figured was a thoughtful way of approaching the record. You get the error-prone thing that has all the magic in it, but that doesn’t mean you can’t chase a little more precision. But the goal is always to do our best to get it right in the same room with each other, looking at each other, laughing with each other. I think you can feel that all over the songs.”

Originally recorded with musician friends including mandolin player Suzie Zeldin, bassist Jonathan Clark and drummer Ben Homola, Twin Forks has evolved as a live band to include Kimmy Baranoski on backing vocals, Kelsie Baranoski on mandolin and Shawn Zorn on drums.

Sean Garreth also known as "Sean Garreth Williams" born (1996 January 30) in Worcester, western cape, South Africa. Started his music career early 2020 after many years of trails and tribulations. The current residing Plettenberg Bay artist innitially started recording and producing beats in his bedroom, who further created his own recording lable early 2021 with rapid plans of expansion with skilled and professional personnel to bring the best of Sean Garreth 2022  and onward.

Sean has always been a dream achiever and goal driven. Skilled in many aspects, other than being an artist; Sean Garreth is also a qualified personal trainer who studied sport science at the HFPA Bedfordview Campus.

Sean Garreth is also known for his business skills and entrepreneur qualities; his single "the milli slot" gives us some insights on his journey.

Sean Garreth Williams speaks two languages fluently; home language English and 1st additional language Afrikaans.

For most of Sean Garreth Williams teenage years he resided in George, Western cape, South Africa. where he attened York High School before relocating to Johannesburg, South Africa to complete his schooling career at Dowerglen high, before tertiary studies.

The artist also has his own fashion niche, which you shall see being introduced as he recently started focusing on video and visual.

Sohnray(pty)
for bookings: sohnraypty@gmail.com



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