I took this cloud photo last week whilst sitting on the beach in the early morning attempting to gather my thoughts, just before work. I had just captured a field recording of the sea when I noticed this cloud looming above the cliff edge, so I’ve chucked that in here too for good measure. 

I wanted to somewhat try to capture the mood I was in when I noticed the cloud. 

In response to the prompt I used:

Free image to MIDI Max for Live device in Ableton - to turn the cloud photo into midi data

https://tomcosm.gumroad.com/l/ZiGjZ

(White areas of cloud photograph image were rendered as absences of MIDI data i.e. 0s)

Probability gate on a Kontakt Irish Harp freebie VST I picked up recently which I'd been curious to try out and the prompt seemed as good a time to do so as any. I don't normally used sampled instruments much but this one was quite fun to work with. The multiple probability gates helped to make the rendered image to MIDI data less dense and more listenable to:

https://maxforlive.com/library/device/6982/mm4l-probability-gate

Disquiet Junto Project 0604: Heaven’s Gate
The Assignment: Use a picture of the clouds as a plan for adjusting your sound.

Step 1: Think about the use of a gate in music production. A gate can be described as an “on/off switch, allowing signals over threshold to pass while muting everything below.” (It’s likely that discussion will occur during this project regarding useful explanations of the concept.)

Step 2: Take a picture of some clouds.

Step 3: Think of how to interpret the clouds as a model of a gate.

Step 4: Record a track employing the approach you determined in Step 3 using the picture from Step 2.

I took the cover photo in Ashland, Oregon, earlier this year; no filters were employed. Regarding the title, I’m a Michael Cimino admirer.

Source: https://tapeop.com/interviews/33/noise-gates/ 2

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0604” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0604” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0604-heavens-gate/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How fast are those clouds moving?

Deadline: This project’s deadline is the end of the day Monday, July 31, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, July 27, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

Cumuliform disquiet0604

Written by me, Mark (SpAcE HopPeR) 2023. Adam Crane on electric & acoustic guitars. Extra guitar, & root idea guitar loop, Paul Stokes (The Strawmen). Vocal effects, me

FLumPy DReamZ

starlings, sparrows (2022)
for amplified clarinet, cello and prepared piano with synthesizer
*
Trio Catch
BOGLÁRKA PECZE Klarinette
EVA BOESCH Violoncello
SUN-YOUNG NAM Klavier/Synthesizer
*
WP: 7.5.2022, Wittener Tage für Neue Kammermusik; Trio Catch
Duration: ca. 16′ - (some short excerpts here on soundcloud with kind permission by Trio Catch)

starlings, sparrows (2022) - Excerpts - Trio Catch

i am a waste of flesh
sack of skin and bones
everything i get
deserved on my own

kill all the elder kings
in their towers of sin
make them suffer
make them bleed

lay my body naked
for everyone to see
for anyone to touch
for anyone to feel

eight corpses side by side
as far as eyes can see
eight billion types of cancer

blessed be the lazy ones 
who amount to nothing
blessed be the corpses

Eschatology

Spotify

Eschatology VIII

Composed by Roberto García.

A couple dances in Musikverein.

Enjoy all of Roberto's music and much more content on www.garciabrothers.es

All rights reserved (2024) ©

Viennese Waltz

Unscheduled Stop

Be Here

S T V T I O N S - B Side

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rock avvolgente , brano potente e melodico.fatevi avvolgere dal ritmo di swear e divertitevi!

Swear

Constitutional Motion

Enjoy a new song of different genre every Sunday!

https://garciabrothers.es/musicalcompositions/

Viennese Waltz

Garcia Brothers

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