did u steal my coffee?

Waltz, for Jessie

Three-four steps and a riddim breath…
Echoes bloom where roses left…
Vienna dreams in bass and lace…
The ballroom slips into outer space…

Taffeta ghosts spin in spiral delight,
Crinolines drift in the pale strobe light.
Tea turned to tonic, grace turned to groove —
The Empress winks, and the chandeliers move.

Left, right, spin it slow —
Danube beats in vertigo.
Kick, delay, take a bow —
Strauß on vinyl, feel it now…

🎵 Waltz me in dub, let the bassline swirl,
Powdered wigs and a skanking girl.
Three steps deep in echo wine,
The ballroom bends, and so does time.
🎵 Waltz me in dub — no etiquette here,
Just rum, reverb, and Strauß in the ear…

Boots on parquet, dreadlocks twirl,
Silk and smoke in a painted world.
The maestro nods, his baton glows,
Each beat a secret only dub knows.

From Schönbrunn to Trenchtown,
The rhythm wore a crown.
Goldleaf meets ganja,
And nothing calms down…

🎵 Waltz me in dub, let the bassline sway,
Hofburg hearts in a riddim ballet.
Lace and low-end, glide and grind,
A monarch's beat for a dub-designed mind.
🎵 Waltz me in dub, where time dissolves,
And every beat a puzzle solves…

Vienna… rewind... replay…
In dub we waltz… all night, all day…

Waltz Me in Dub

Spinning… slowly…
Time melts where violins glow.
One-two-three… now let it flow.

Velvet floors and starlit skin,
Champagne dreams and shadows spin.
Mirrors bloom with beats beneath,
Strauss meets bass in velvet sheath.

Lights like whispers stroke the air,
Every glance a silent dare.
Silk and rhythm start to blur,
Every step remembers her.

And I spin like Vienna’s dream,
Through neon waltz and house supreme…

🎵 Waltz me deeper, where the bassline sways,
One-two-three through electric haze.
Spin me slow, then let it roar,
Crystals crash on a clubland floor.
🌀 Waltz me deeper, don't rewind —
Strauss in the heart, house in the mind.
Clock’s off beat, but the night feels right,
Grace in groove, and stars in sight.

Harps that echo like champagne rain,
Twirl through strobes, dissolve the pain.
Lace and lasers, tux and trance,
Every loop becomes romance.

Wiener Blut… still in my veins.
Golden halls now beat with chains.
We don’t bow — we lift and soar…
In 3/4 dreams on a 4/4 floor.

🎵 Waltz me deeper, let the strings ignite,
Three steps glide, then flash of light.
Kick, then twirl — a night redefined,
Gowns and glitch in perfect time.
🌀 Waltz me deeper, kiss the delay,
We’re ghosts of the past in a future ballet.
Strauss and sweat, silk and sound —
We rise like dusk when the beat comes down.

One-two-three…
Four… and more…
Waltz me deeper…
Floor to core.

Deep House Waltz

Spin me once in satin breeze,
Palm leaves hum old symphonies.
Toes in sand, hearts in sway,
Moonlight bows, and seashells play.

Midnight violins, coconuts fall,
Strauß in my ear, your name in the call.
Steel drum echoes what Strauss began —
A kiss in the key of Tropicana.

🎵 Waltz in the palm trees, dance me slow,
Three steps turning where warm winds blow.
Your hands like waves, your smile like sun,
In this strange rhythm — we melt as one.
Waltz in the palm trees, no need to speak,
Let the night spin soft on your island cheek. 🎵

Golden marimba with violin sighs,
You laugh like birds in mango skies.
Sugar in air, salt on your skin,
We swirl to a beat that’s always been.

Harpsichords whisper behind the tide,
Hearts keep time where the stars collide.
Oh, Johann, if you only knew,
Your blue Danube flows in oceans too.

🎵 Waltz in the palm trees, dance me slow… 🎵

Tropical House Waltz

Vienna breathes in velvet notes...
A chandelier blink, a footstep floats...
But listen—do you hear the beat beneath the lace?
It’s not just Strauss — it’s bass in grace.

We glide in circles, past the time,
Silk on skin and glass in rhyme.
Your hand, a bow across my waist,
But waltzing hearts pick up the pace...

One-two-three... one-two-three...
Now shift — set it free...

🎵 Spin me once — in midnight gold,
Drop me twice — let the rhythm hold.
High on heels, low on doubt,
We waltz it in, then funk it out!
Ah-haaa…
Spin me once, then drop me loud.

Curtains sway to techno breeze,
Your tux is wild with neon tease.
The violins pulse in filter fire,
And suddenly — Strauss meets desire.

Dum-da-da... dum-da-da...
Backwards spins, champagne haze.
Tick of time, then kick of craze.
A minuet with laser blaze...

🎵 Spin me once — we broke the mold,
Drop me twice — hot, bright, bold.
Three steps back, four to the floor,
Class and bass forevermore.
Ah-haaa…
From palace halls to club encore!

Strauss never knew the night could sweat...
But here we are — and we’re not done yet.

Groove House Waltz

Vienna sways in satin shoes,
But tonight… we dance barefoot.

You came with the moonlight, hand in hand with fate,
Eyes like a tango, lips like a serenade.
We stepped in the rhythm of a ballroom long ago,
But maracas call louder than violins know...

Three steps to love, but your hips count four —
Strauß meets Havana on a gilded floor.

🎵 Dance me round, corazón caliente,
In lace and smoke, we blur the line.
Vienna sighs, but your fire tempts me —
A waltz with spice, like aged red wine.
One-two-three… cha-cha free…
Spin this Strauss in your fantasy.

You speak in clave, I answer in grace,
My bow on the strings, your hand on my waist.
From Danube dreams to the Malecón tide,
We dance where both traditions collide.

Accordion breath and rumba kiss,
No border in a step like this.

🎵 Twirl me deep in your bolero night,
Let violins flirt with the candlelight.
You’re jazz in heels, I’m Strauss in air —
Together we’re the perfect affair.
One-two-three… cha-cha free…
Vienna con tu fantasy.

The waltz was mine…
But now the rhythm is ours.

Vienna con Corazón

Your Story Interactive - Love, Sin & Evil - Halloween Ezra

"Blues for Alice" is one of the most celebrated and harmonically sophisticated blues compositions by legendary alto saxophonist Charlie Parker. Written and first recorded in 1951, the tune is renowned for its “Bird blues” changes—a highly inventive variation on the classic 12-bar blues progression. Instead of the traditional blues form, Parker introduces a series of quick, chromatic II-V progressions that provide both a challenge and a thrill for jazz musicians.

Despite its technical demands, “Blues for Alice” maintains a soulful, lyrical quality that embodies Parker’s genius for blending complexity with emotion. The song is named in honor of Alice Roberts, a dancer at the Savoy Ballroom and a friend of Parker’s. “Blues for Alice” is a staple in the jazz repertoire, admired for its beautiful melody, harmonic richness, and the opportunities it offers for creative improvisation.

Fun fact: The “Bird blues” progression introduced in this piece has influenced countless jazz compositions and is often used as a study tool for advanced improvisers looking to master bebop harmony.

Discover more jazz classics and creative arrangements by visiting my website: https://ricardofarao.com
And subscribe to my YouTube channel: https://www.youtube.com/@rfviolao

Blues for Alice - C. Parker

108 Waltz for Artistic Roller Skating "Try to Remember" by Harvey Schmidt, arranged and performed by Shaun Bauer on the Yamaha DGX-640

108 Waltz "Try to Remember"

Artistic Roller Skating Keyboardist; Artistic Roller Skating Coach; Lifelong Learner; Language Enthusiast; Supporter of the Arts

SPOTIFY-----DEEZER-----APLE MUSIC 
https://linktr.ee/djinotan 
CЛУХАТИ У SPOTIFY - https://open.spotify.com/track/0Quwip92cPkwOTXamQSJRP?si=33dd9696264e41ab

Основний композитор гри Клуб Романтики.

Working on some stuff. 

Thank you for letting me be myself 💗

Hi there — welcome to my corner of the web.

I’m here for one simple reason: to share my music with you.
Take a listen, explore, and I hope something here resonates with you. Enjoy the vibe!

Contact: dietmarhanner@yahoo.com

New tracks tagged #waltz