Nicole Murphy’s music has been described as “exquisite and sensitive” (Sydney Morning Herald), “strong and compelling” (Loudmouth) and “full of exhilarating tension” (Arts Knoxville). She has been commissioned by eminent arts organisations including the Australian Ballet, the Royal Academy of Dance (London), the Melbourne Symphony Orchestra, Experiments in Opera/Symphony Space (New York), Orchestra Victoria, Wild Rumpus (San Francisco), Chamber Sounds (Singapore), and the Definiens Project (Los Angeles). Her music has been performed by the Tasmanian Symphony Orchestra, Alarm Will Sound, NOWensemble, Ars Nova Dallas, and Halcyon (Sydney), and has been programmed at numerous festivals, including the Norfolk/Yale Chamber Music Festival, the Dallas Festival of Modern Music, the Nief Norf Festival, the Risuonanze Festival (Italy), and the Vox Feminae Festival (Tel Aviv). 

Nicole is the recipient of various awards, including the inaugural Layton Composer Fellowship at the University of NSW (2018), Ensemble Offspring’s Noisy Women Commission (2019), the MAFB International Commissioning Prize (2015), and the Theodore Front International Orchestral Prize (2013). Nicole was a Composer Fellow at the Hong Kong University of Science and Technology’s ‘Intimacy of Creativity’ program (2018) and a Resident Composer at the Mizzou International Composers Festival (2019). Her piano trio, Spinning Top, was included on ABC Classic 2019 release, ‘Women of Note: A Century of Australian Music’. 

Nicole is the Composer-in-Residence at the Queensland Academy for Creative Industries and teaches composition at the Queensland Conservatorium, Griffith University. She holds a PhD from the University of Queensland. She is represented by the Australian Music Centre and her music is published by Wirripang.

The music of Australian-Filipino composer Anthony Moles has been described as being ‘full of mechanistic drive and flair’ (Move Records) and yet ‘containing moments of lapidary stillness at its centre’ (The Music Trust).  The Sydney Morning Herald called his fiendishly difficult piano piece Diabolic Machines ‘a virtuoso showstopper’.

Anthony’s music has been performed by some of Australia’s leading soloists and ensembles, including the Adelaide Symphony Orchestra, Syzygy Ensemble and Halcyon.

GardoodraG is following