Specializing in quality roots and Americana music since 1978.

Smith has amassed an unfailingly devout fan base, not only in his native Southeast region, but all around the nation, simply by telling it the way it is.  He has released 10 albums—including 2011’s Top 20 release “The Broken Record”.  Corey has written every word on every album and has produced 9 out of 10 of the records. In Summer 2015, Corey teamed up with producer Keith Stegall (Alan Jackson, Zac Brown Band) for his album, “While the Gettin’ Is Good,” released on Sugar Hill Records.  Smith’s concerts, which were documented on his last live record, “Live in Chattanooga”, regularly sell out, with audiences singing along to such fan favorites as the coming-of-age anthem “Twenty-One,” the nostalgic time warp “If I Could Do It Again” and the group hug “I Love Everyone”.  Corey has a consistent touring history, usually hitting around 120 dates per year, but recently has taken a pause form touring to undergo a risky eye surgery.  During his time at home, Corey has begun releasing solo acoustic tracks every week, directly to his devoted fan base via his YouTube series Songsmith Weekly and all music streaming platforms.  These tracks, such as “Cellophane”, “Where I Wish I Was” and “Going Blind” have re-energized his fan base.  Corey is planning in compiling these releases in a more traditional album format later this year and is looking forward to hitting the road soon in support of all this new music.

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

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