• Musician • Producer • Engineer • Snake Charmer • Professional Loner •


Member of NYC based Collective DojoFam
LonerGroove. 

"Sarajevo" LP and Cassettes are now in stock!

Pittsburgh based producer focusing on music inspired and created by analog synthesizers. 

Remixes/Inquiries/Booking: betamaxxofficial@gmail.com ***I do not check my soundcloud inbox***

A Perfect View Records artist

"NIGHT.WAV" A Synthwave Party is the first Synthwave/Darksynth/Retrowave Party in New York where we play music by some of the best artist in the genre. This page is to post the Dj mixes from the event every month and sick mixes by the Dj's. This is music inspired by 80s horror and action movie soundtracks. For fans of the movie Drive, Kung Fury, Stranger Things, John Carpenter, Hotline Miami and all things larger than life and as cool as can be. The party happens once a month at the famous Heavy Metal Venue/Bar Saint Vitus in Brooklyn, NY

Also we have "SAN JUNIPERO - A Retrowave Party" which is an all RETROWAVE music dance party showcasing the best tracks from the coolest Retrowave producers around.

Both parties are thrown in New York and Los Angeles

Please Follow Our Official Record Label >>> @nrwrecords

This is the Official NewRetroWave Soundcloud.

NewRetroWave is the frontier of all that is retro in the music scene. We specialize in promoting the best and most unique sounds and artists in the growing Retrowave scene which begin in early 2004.

@nrwrecords will be releasing some MEGA albums this year. Stay tuned.

Please email all enquires to info@newretrowave.com


I'm here to help you escape the confines of your mind and time. 

New album "BLAME" OUT NOW!
https://linktr.ee/ORAX

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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