Name: BAGATELLE for piano, Op.1 No.2 (1983) by Gary Lloyd Noland, composer in KAFKA IN DESIGNER JEANS
Duration: 1 min 5 s
Description: Pianist MARINA PIEROVA performs BAGATELLE, Op. 1, No. 2 (1983) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs KAFKA IN DESIGNER JEANS by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

KAFKA IN DESIGNER JEANS

sent i november (The Nook, April 2022)

sunday morning by marron 5 cover produced by me. 
I used Sing King backing track and garage band mixed with mic, Cort amp my old mac desk and a bunch of cables haha

Sunday Morning Sample - 8:23:22, 6.56 PM

The Pool

Grabación de Campo por @mapasonoroap
.
Descripción:
“Era una fría mañana de Junio, me encuentro en el parque del centenario, un parque urbano en el plano de Arica, realizando grabaciones de campo para el proyecto “Mapa Sonoro de Arica y Parinacota”, en ese horario se pueden escuchar diversas especies, como Chincoles (Zonotrichia capensis), Picaflores del Norte (rhodopis vesper), Águilas (Generanoaetus melanolecus),  Cernícalos (Falco tinnunculus), Paloma común (Columba livia), Tórtolas Quiguagua (columbina cruziana), entre otras especies. por suerte la costanera que bordea el parque tenía muy poco movimiento y todavía no llegaban las familias, ya que era un domingo de día. Así  que arme el equipo y puse a grabar al micrófono zoom H3vr que realiza grabaciones ambisonic (esfera 360°) y en ese lapso de tiempo de grabación , volaban alrededor entre el follaje de los árboles una colonia de tórtolas.
En la grabación se pueden escuchar tres tipos de vocalizaciones, llamados generales, llamado de atención y vocalización de enfrentamiento entre machos. La vocalización de las tórtolas es muy interesante ya que las personas que no conocen la especie creen que es una “pequeña rana croando”. Mientras grabo el audio solo me queda sentarme, respirar hondo y disfrutar del ambiente."

Equipos: 
Micrófono ambisonic zoom H3vr
.
Localidad: Parque del centenario, Región Arica y Parinacota, Ciudad Arica  - Chile 
Fecha: Junio del 2021
Hora: Desde las 9:00 am a 10:00 am (GMT-3)
.
Bio: 
Gato del Desierto (gdsf.cl) (Arica, Chile), Manuel M. Figueroa (Gato del Desierto), nacido en la ciudad de Arica, desde muy pequeño gracias a su madre, comienza por el amor a las Artes, las tradiciones y la conservación. Fue fotógrafo de danza y arte, con exposiciones en Chile y Perú. Comienza en el área de sonido el 2016, y el 2020 crea el proyecto de Mapa Sonoro, el año 2021 participa en las transmisiones de Tsonami Radio (Chile), en el 2022 participa en el Festival Sur Aural (Bolivia) y Festival Asimtria (Perú). Actualmente sigue con nuevas fases del mapa sonoro y comienza como investigador sonoro.
 
Links: 
Proyecto Fonografico Mapasonoroap  ist’aña suyu https://gdsf.cl
Instagram: @mapasonoroap @gato_desierto.cl
SoundCloud: @mapasonoroap

Compilación de Vocalizaciones de Tortolita Quiguagua - Gato del Desierto

Art of Psy Trance (Live)

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs PUKESCENT CORNBALL BARFIES, Op. 139, No. 13, by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

PUKESCENT CORNBALL BARFIES, Op. 139, No. 13

DJ Pelo No Cu - Azumanga

JAMES WEBB SPACE TELESCOPE PHOTO MONTAGE for Piano & Electronics (sans piano), Op. 130 by GARY LLOYD NOLAND. Composed for pianist Lukas Huisman. For more information on the composer, please visit his website at: garynolandcomposer.com

JAMES WEBB SPACE TELESCOPE PHOTO MONTAGE for Piano & Electronics (sans piano), Op. 130

Pianist MARINA PIEROVA performs BAGATELLE, Op. 1, No. 2 (1983) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

BAGATELLE for piano, Op.1  No.2 (1983)

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs A MOTLEY CAVALCADE OF HIGH - STRUNG, HO - HUMMING HIPSTER - DIPSTERS by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

A MOTLEY CAVALCADE OF HIGH - STRUNG HO - HUMMING HIPSTER - DIPSTERS

Warped [single]

Garage rock trying to live up to the very finest vintage

Lay it down flat

Here's another HIT, on the house, super LIT,
Home grown, Master's OWN, Certified LEGIT,
Take it to the CLUB, roll it up, in the PUB,
Good vibes ONLY, cuz we all lit as FUCK!

Hol' up! LET me pause for a second NOW,
Turn the KNOB, fade the base for a better NOD,
Uh! It's four to the twenty NOW,
Time to chill LIKE, D O double g HUH!
Rollin' thru the SHEETS,
Rollin' thru the STREETS,
Blazin' with the HEAT, Blazin' to the BEAT huh,
Rollin' in the DEEP,
Rollin' in ma SLEEP,
Blazin' with the HEAT, Blazin' to the BEAT huh,

Here's another HIT, on the house, super LIT,
Home grown, Master's OWN, Certified LEGIT,
Take it to the CLUB, roll it up, in the PUB,
Good vibes ONLY, cuz we all lit as FUCK!

Throw your HANDS in the air, say HELL YEAH!
Cuz we ain't STOPPIN', till we passin' thru the GANJA!
Throw a party on the STREET, outta NOWHERE!
Cuz we ain't PASSIN', till we starin' at the SUN YEAH!
Roll the stash OUT, time to RE-UP
Hit ma dealer UP, see what's hot NOW,
Had a blue DREAM, Met a girl SCOUT,
With a white WIDOW, silver haze CLOUD,.
High on every STRAIN, cuz am going ALL TERRAIN,
Fly the ASTRAL PLANE, cuz it is SOUL ALTERING,
Tonight's ENTERTAINMENT,
Is all MARY JANE AND,
Burning trees and MAYHEM,
Bloody eyes! AMEN!

Here's another HIT, on the house, super LIT,
Home grown, Master's OWN, Certified LEGIT,
Take it to the CLUB, roll it up, in the PUB,
Good vibes ONLY, cuz we all lit as FUCK!

Super Lit

Flying Blind

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

BAGATELLE for piano, Op.1 No.2 (1983)

Gary Lloyd Noland, composer

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