TWO-PART INVENTION IN D MAJOR, Op. 81

Pianist MARINA PIEROVA performs BAGATELLE for piano, Op. 1, No. 2 (1983) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

BAGATELLE for piano, Op. 1, No. 2 (1983)

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs A MOTLEY CAVALCADE OF HIGH-STRUNG HO-HUMMING HIPSTER DIPSTERS by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

A MOTLEY CAVALCADE OF HIGH-STRUNG HO-HUMMING HIPSTER DIPSTERS

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs KAFKA IN DESIGNER JEANS by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

KAFKA IN DESIGNER JEANS

MACHIAVELLIAN PATHOGENS

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs NOWHERE TO FLEE by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

NOWHERE TO FLEE

SQUAWKTURNAL SCARENADE

TITS FOR TAT FROM A NURSING HOME NAZI'S NEMESIS

STUFFOCATED CLUTTERBUGS

SOFT-BOILED EGGHEADS

Ukrainian pianist Polina Chorna performs Two-Part Invention in D Major Op. 81 by Gary Lloyd Noland. For more information on the composer, please visit his website at: https://composergarynoland.godaddysites.com/

TWO-PART INVENTION in D Major Op.81 (2006)performed by pianist POLINA CHORNA

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs BEEHIVES OF BUMBLEDOM, Op. 139, No. 1, by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

BEEHIVES OF BUMBLEDOM, Op. 139, No. 1

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs FESTERING OLD FARLEY FEELS FIT AS A FLEA IN HIS CREEPY OLD AVANT-GARDEN-VARIETY CLOUD-CUCKOO-LAND, Op. 139, No. 12, by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

FESTERING OLD FARLEY FEELS FIT AS A FLEA IN HIS CREEPY OLD AVANT-GARDEN-VARIETY CLOUD-CUCKOO-LAND

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs PUKESCENT CORNBALL BARFIES, Op. 139, No. 13, by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

PUKESCENT CORNBALL BARFIES, Op. 139, No. 13

JAMES WEBB SPACE TELESCOPE PHOTO MONTAGE for Piano & Electronics (sans piano), Op. 130 by GARY LLOYD NOLAND. Composed for pianist Lukas Huisman. For more information on the composer, please visit his website at: garynolandcomposer.com

JAMES WEBB SPACE TELESCOPE PHOTO MONTAGE for Piano & Electronics (sans piano), Op. 130

Pianist MARINA PIEROVA performs BAGATELLE, Op. 1, No. 2 (1983) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

BAGATELLE for piano, Op.1  No.2 (1983)

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs A MOTLEY CAVALCADE OF HIGH - STRUNG, HO - HUMMING HIPSTER - DIPSTERS by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

A MOTLEY CAVALCADE OF HIGH - STRUNG HO - HUMMING HIPSTER - DIPSTERS

Argentinian Soprano Mailén and pianist Tamara Benitez perform GARY LLOYD NOLAND'S setting of Eduard Möricke's poem VERBORGENHEIT, Op. 1, No. 11. For more information on the composer, please visit his website at: garynolandcomposer.com

VERBORGENHEIT for soprano & piano, Op. 1, No. 11

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs MACHIAVELLIAN PATHOGENS, Op. 140, No. 4, by GARY LLOYD NOLAND (December 1st, 2022). For more information on the composer, please visit his website at: garynolandcomposer.com

MACHIAVELLIAN PATHOGENS, Op. 140, No. 4

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs NOWHERE TO FLEE by GARY LLOYD NOLAND (December 6th, 2022). For more information on the composer, please visit his website at: garynolandcomposer.com

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs SQUAWKTURNAL SCARENADE, Op. 140, No. 5, by GARY LLOYD NOLAND (December 10th, 2022. For more information on the composer, please visit his website at: garynolandcomposer.com

SQUAWKTURNAL SCARENADE, Op. 140, No. 5

TITS FOR TAT FROM A NURSING HOME NAZI'S NEMESIS, Op. 140, No. 2, performed by THE PIMPLETON PROCRASTURBATION ENSEMBLE by GARY LLOYD NOLAND (December 12th, 2022). For more information on the composer, please visit his website at: garynolandcomposer.com

TITS FOR TAT FROM A NURSING HOME NAZI'S NEMESIS, Op. 140, No. 2

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs STUFFOCATED CLUTTERBUGS by GARY LLOYD NOLAND (December 14th, 2022). For more information on the composer, please visit his website at: garynolandcomposer.com

STUFFOCATED  CLUTTERBUGS

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs SOFT - BOILED EGGHEADS by GARY LLOYD NOLAND (December 16th, 2022). For more information on the composer, please visit his website at: garynolandcomposer.com

SOFT - BOILED EGGHEADS

CONFUNKLED SNAFUBARBIES AND THEIR BIRDBRAINIAC CARBON COPIES CONFLABULATING AT THE FUNERAL HOME BEFORE THE FALL, Op. 140, No. 3, by GARY LLOYD NOLAND performed by THE PIMPLETON PROCRASTURBATION ENSEMBLE. For more information on the composer, please visit his website at: garynolandcomposer.com

CONFUNKLED SNAFUBARBIES AND THEIR BIRDBRAINIAC CARBON COPIES CONFLABULATING AT THE FUNERAL HOME…

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

CONFUNKLED SNAFUBARBIES AND THEIR BIRDBRAINIAC CARBON COPIES CONFLABULATING AT THE FUNERAL HOME…

Gary Lloyd Noland, composer