Doppelganger Inside

Nice Little Bow (Fuck All the Shot Callers!)

歌詞、演唱：周偉弘
作曲編曲、混音錄音：藍云

此曲以緬懷蔣先生未竟之大業為依據，遙想其遺孀於慈雲寺出家後之念想，將對蔣先生的追憶思念繫於曲中，故名「追水」，望能喚起世人對蔣先生光芒璀璨一生的記憶。

蔣渭水先生一生奉獻於台灣民主運動，為台灣人民的文化及民主政治奠立良好基石，雖未能竟全功而身先死，但其奮鬥不懈矢志開創當世新局之理想與抱負，一腔熱血令人動容。


A
天命茫茫四野蒼蒼我獨往  你冷眼看我笑我一生太猖狂
問起一句  大夢誰先醒 醒後何處辨忠良
風也蕭蕭雨亦悄悄  往事呼嘯仍未低頭只留淚兩行
副歌
她還在雲裡霧裡 獨思量  青燈纏繞尚且把心事藏
不能念 不能想 不能遺忘. 光芒依舊  
欲回頭看望  卻不得已將那縹緲念想下了葬
不能念 不能想 不能遺忘.  光芒依舊 說不出的炙熱而滾燙
A2
死生太短放手太難都不管   我熱血企你盼你幾回不算晚
長嘆一聲  只得書幾卷　坐看人生有冷暖
大義不彰大名不傷  前程迷茫猶不回首卻恨夢太短
副歌２
她還在雲裡霧裡　或逞強  白頭憔悴不肯讓愛無償
不能念 不能想 不能遺忘  光芒依舊  
欲回頭看望   卻不得已將那縹緲的念想下了葬   
不能念 不能想 不能遺忘   光芒依舊

中國風流行歌管弦樂團編曲＿追水 By 藍樂雲端 ヰ 藍云

So high

I LOVE THIS SO MUCH ADJL S
ILL VIBE TO IT AND NOT EVEN FEEL NARCISISSTIC
AH BY THE WAY! The original song is by Mr. Kitty- a great artist!

After Dark || Edit [not a loop]

POPU2

pop track by Sj

MUSICAL PORTRAIT OF GERMAN OPERATIC TENOR AND COMPOSER DANIEL BEHLE Op. 117, No. 7. Composed and performed by Gary Lloyd Noland. Having attended a recital of musical portraits by Virgil Thomson in Boston back in the 1980s (with the composer present, whom I briefly met), I have decided to embark upon a similar pilgrimage. This is a delicately sculpted, multi-layered comprovisation for piano and is the seventh in a series of such musical portraits. Thus far I have composed portraits of artists, writers, and performers who emanate powerfully luminous auras in their work, including portraits of the American novelist, essayist, and poet Alexander Theroux, American playwright David Hirson, South African composer/conductor Michael Rosenzweig, English Writer Will Self, French novelist, essayist, poet, actor, filmmaker, and singer Michel Houellebecq, and American feminist academic and social critic Camille Paglia.

MUSICAL PORTRAIT OF GERMAN OPERATIC TENOR AND COMPOSER DANIEL BEHLE Op. 117, No. 7

“All love”

Watch Music Video : https://youtu.be/Q6sacYJ0BCk

Presenting "Feel The Breakup Mashup" in the voice of "Adnan Ahmed Alam" and the Choreographer in this Music Video are very talented "Uzair Mujahid" & "Ahmed Ali Bhatti".

Audio Credits: 
Singer: Adnan Ahmed Alam
Music: Nelson Mudliar
Flute: Divyansh Shrivastava
Mixed/Mastered by: Adnan Ahmed Alam

Video Credits:
Model Footages by: TONY RCS
Choreographer's video shot by: Izhar Naveed
Adnan Ahmed Alam's video shot by: Ameer Hamza Ali
Post Production : Adnan Ahmed Alam
Special Thanks: Muhammad Huzaifa and Shah Khalid.
Directed by: TONY RCS and Adnan Ahmed Alam
Produced by: Adnan Ahmed Alam

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FEEL THE BREAKUP MASHUP

FEEL THE BREAKUP

Feel The Breakup Mashup By Adnan Ahmed Alam

Volnovod - Magnetron

My first single ! Many more to come 💜💜💜

Big Bitch - LustiiLavender

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

MUSICAL PORTRAIT OF GERMAN OPERATIC TENOR AND COMPOSER DANIEL BEHLE Op. 117, No. 7

Gary Lloyd Noland, composer