The Pimpleton Procrasturbation Ensemble performs HARMONIOUS WEDLOCK by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

HARMONIOUS WEDLOCK

Bass Clarinetist Sauro Berti and Contrabassoonist Fabio Morbidelli perform DOG DUO, Op. 66 (arr. Sauro Berti) by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

Sauro Berti, bass clarinetist of the Teatro dell’Opera di Roma, has collaborated with the most important Italian orchestras (Teatro alla Scala, Maggio Musicale Fiorentino, RAI National Orchestra), the Royal Scottish National Orchestra, and the Sinfonia Finlandia Jyvaskyla. He has played under G.Prêtre, R.Chailly, M.W.Chung, R.Muti, W.Sawallisch, V.Gergiev, L.Maazel, P.Boulez, and Z.Mehta. He has also participated in the DVD recording of Mozart’s Serenade No. 10 “Gran Partita” under M. Muti. Berti was a soloist at the Tokyo ClarinetFest 2008, the last five ClarinetFest 2009-2013 (Porto, Austin, Los Angeles, Lincoln, Assisi), the 2nd Costa Rica Festival, the 1st and 2nd Peruvian Congreso Latinoamericanos, the 5th “Congreso de Madrid,” the Festival Guimaraes 2012, and the 3rd Guatemala Festival 2013. In 2009 he obtained his conducting diploma with D.Renzetti. He has published Venti Studi per Clarinetto Basso, Tuning for winds (Suvini Zerboni), his version of V. Bucchi’s concerto and the album Suggestions with N. Fujiya (Edipan).

Berti plays on Buffet Crampon instruments and is a Rico Artist.

Fabio Morbidelli is an orchestra musician at Teatro dell'Opera di Roma

DOG DUO (arr. Sauro Berti) for bass clarinet & contrabassoon, Op. 66

ORLAN DOY GLANDLY conducts members of the PROCRASTURBATION ENSEMBLE in GARY LLOYD NOLAND'S PRIMORDIAL GLOOP, with the composer at the piano. For more information on GARY LLOYD NOLAND, please visit his website at: https://composergarynoland.godaddysites.com/

PRIMORDIAL GLOOP

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs WHAT HAPPENS LATE AT NIGHT WHEN YOU'RE FAST ASLEEP, Op. 138, No. 13, by GARY LLOYD NOLAND (October 7th, 2022). For more information on the composer, please visit his website at: garynolandcomposer.com

WHAT HAPPENS LATE AT NIGHT WHEN YOU'RE FAST ASLEEP, Op. 138, No. 13

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs UNBOUNDED CONFUSIASM, Op. 139, No. 10, by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

UNBOUNDED CONFUSIASM, Op. 139, No. 10

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs I DON'T KNOW WHAT TO THINK ANYMORE, Op. 139, No. 9, by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

I DON'T KNOW WHAT TO THINK ANYMORE, Op. 139, No. 9

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs BEER GARDEN BANTER, Op. 139, No. 8, by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

BEER GARDEN BANTER, Op. 139, No. 8

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs CANDYFLOSS FOR TINSEL DESPOTS: PEACE, LOVE, JOY, AND ALL THAT JAZZ—a festive cluster of queerworms to accompany the exuberant celebration of the onrushing Xmas & New Year's hustle & bustle by GARY LLOYD NOLAND, Op. 143, No. 8(December 24th, 2022). For more information on the composer, please visit his website at: garynolandcomposer.com

CANDYFLOSS FOR TINSEL DESPOTS: PEACE, LOVE, JOY, AND ALL THAT JAZZ, Op. 143, No. 8

THE PIMPLETON PROCRASTURBATION ENSEMBLE performs A TOP - SECRET INSIDE LOOK AT THE SURREPTITIOUS INTELLIGENCE - GATHERING SURVEILLANCES OF TRUST - FUNDED IN - CROWD WANNABES BY MARGINMAN AND HIS BOX - DWELLING BROHORTS by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

A TOP - SECRET INSIDE LOOK AT THE SURREPTITIOUS INTELLIGENCE - GATHERING SURVEILLANCES OF…

The Pimpleton Procrasturbation Ensemble performs DOOM WOP BA-DOOM, Op. 140, No. 1, by Gary Lloyd Noland (January 6th, 2023). For more information on the composer, please visit his website at: garynolandcomposer.com

DOOM WOP BA-DOOM, Op. 140, No. 1

The Pimpleton Procrasturbation Ensemble performs SLAPSTICK REQUIEM, Op. 143, No. 3, by Gary Lloyd Noland (January 9th, 2023). For more information on the composer, please visit his website at: garynolandcomposer.com

SLAPSTICK REQUIEM, Op. 143, No. 3

The Pimpleton Procrasturbation Ensemble performs THERE'S NO THERE WHERE?, Op. 143, No. 9, by Gary Lloyd Noland (January 23rd, 2023). For more information on the composer, please visit his website at: garynolandcomposer.com

THERE'S NO THERE WHERE?, Op. 143, No. 9

Pianist MYRNA SETIAWAN performs GOLDEN GATE RAG, Op. 123 (1974, revised 2021) by GARY LLOYD NOLAND. This piece is dedicated to the memory of pianist/composer VICTOR STEINHARDT (1943-2021).

GOLDEN GATE RAG (Op. 123), Myrna Setiawan, piano

Pianist MYRNA SETIAWAN performes FUNERAL WALTZ, Op. 91 (2008) by GARY LLOYD NOLAND. This piece is dedicated to the memory of JOHN MEREDITH SWACKHAMER (1923-2006).

FUNERAL WALTZ, Op. 91, performed by pianist MYRNA SETIAWAN

The Pimpleton Procrasturbation Ensemble performs WHIPPING THE NIGHT ORGASTIC, Op. 143, No. 6, by Gary Lloyd Noland (January 25th, 2023). For more information on the composer, please visit his website at: garynolandcomposer.com

WHIPPING THE NIGHT ORGASTIC, Op. 143, No. 6

Pianist Myrna Setiawan performs ETUDE, Op. 1, No. 10 (1983) by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

ETUDE for piano, Op. 1, No. 10; Myrna Setiawan, piano

The Pimpleton Procrasturbation Ensemble performs HARMONIOUS WEDLOCK, Op. 143, No. 2, by Gary Lloyd Noland (February 3rd, 2023). For more information on the composer, please visit his website at: garynolandcomposer.com

HARMONIOUS WEDLOCK, Op. 143, No. 2

The Pimpleton Procrasturbation Ensemble performs AN UNGAINLY GAGGLE OF ALTOGETHERY GALOOTS by Gary Lloyd Noland (February 4th, 2023). For more information on the composer, please visit his website at: garynolandcomposer.com

AN UNGAINLY GAGGLE OF ALTOGETHERY GALOOTS

Pianist Kaori Katayama Noland performs TABLOID, Op. 29, No. 2 from QUAALUDE, TABLOID & BUG by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

TABLOID for piano, Op. 29, No. 2; Kaori Katayama Noland, piano

Having for the last several years imagined the joy and jubilation that would be felt collectively once the current king is removed from his throne, I have composed this modest piece in anticipation thereof:  "DEMAGOGUE UNSEATMENT CELEBRATION MARCH" for MILITARY BAND (Op. 110). For more information on composer Gary Lloyd Noland, go to: https://composergarynoland.godaddysites.com/

DEMAGOGUE UNSEATMENT CELEBRATION MARCH for military band Op. 110

Pianist RANDALL HODGKINSON performs ALLEGRO Op. 8, No. 1 from SIX AND A HALF PIECES FOR PIANO by GARY LLOYD NOLAND. This piece was recorded at the home of Paul Matisse (grandson of Henri Matisse and stepson of Marcel Duchamp) in Groton, just outside of Boston in November, 1987. For more information on composer GARY LLOYD NOLAND, please visit his website at: composergarynoland.godaddysites.com/

ALLEGRO for piano Op. 8, No. 1

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

HARMONIOUS WEDLOCK

Gary Lloyd Noland, composer