THE PIMPLETON PROCRASTURBATION ENSEMBLE performs WHAT HAPPENS LATE AT NIGHT WHEN YOU'RE FAST ASLEEP, Op. 138, No. 13, by GARY LLOYD NOLAND (October 7th, 2022). For more information on the composer, please visit his website at: garynolandcomposer.com

WHAT HAPPENS LATE AT NIGHT WHEN YOU'RE FAST ASLEEP, Op. 138, No. 13

Music lover...Performer...Sound designer...Computer & guitar player... Dj...
Up, Down, left, right... 
d°!°b Enjoy and Peace...☀️🌍☀️

musical sketchbook
DIY, low skill, low fidelity

https://bergerrond2.bandcamp.com/

La musique (fragments, vent et virtuel), la littérature vocale et les vidéos du Berger Rond (2003...) se forment de courts extraits remplis de sens et qui exigent toute l’attention peu habituée au brouhaha.

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Page vocale, 
https://soundcloud.com/vincentbergeron
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1999-2003-First Fragments
2009-Instruit mental
2016-Plages d`Intrus Mental
2019-En dehors de tout
2022-Cet oc​é​an effrayant et furieux 

01-2004-Casse-tête de l'Existence
02-2005-L'Art du Désarroi
03-2007-Philosophie Fantasmagorique
04-2008-Le SAVANT devait arriver avant SONGEUR!
05-2009-Audiomachie - Logomachie
06-2009-Imperméable aux prévisions
07-2010-Étrange En Compagnie
08-2011-[{ }]
09-2011-Un doux rêveur dans. Homme Sauvage dit
10-2012;18-Elle Avait Raison Hathor
11-2012-En Dehors de Tout
12-2013-Il y a seulement des apparitions
13-2013-Game Overtime
14-2014-Même quand ils se fâchaient, on tendait l`oreille pour entendre
15-2015-Village De La Métaphore
16-2015-La Rumeur De La Circulation
17-2015-Virtuel Inconnu
18-2016-I Could Not Figure Out This One Yet
19-2016-La répétition du même acte
20-2017-Simulacre Occidental
21-2017-Du pain d`épices à la marche raide
22-2017-Schizosphère
23-2018-InQUIETudes
24-2018-For that, you have to live more...
25-2019-Des voix au hautbois
26-2019-Oh Boy !
27-2019-Eau du Bois
28-2020-Plénitude de la Solitude
29-2020-Un ancêtre retiré du chemin de la sévérité trouvée en lui
30-2021-Fil de la Pensée - Train of Thought
31-2021-But Ruminates on Necromantic Skill
32-2021-Laissez​-​moi Rêver en Paix !
33-2022-La Victime d`un Cou monté !
34-2022-De Tortueux sentiers montrent nos instants défaits
35-2023-Nous sommes composés d`infinis pluriels et d`obstination 
36-2023-Nous sommes composés

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

WHAT HAPPENS LATE AT NIGHT WHEN YOU'RE FAST ASLEEP, Op. 138, No. 13

Gary Lloyd Noland, composer