ADAGIETTO DOLOROSO FOR PIANO Op. 121 and other compositions by GARY LLOYD NOLAND

ELEGY FOR AN EFFIGY OF YOU-KNOW-WHO

Symphonious Detritus and other compositions by Gary Lloyd Noland

EPISTEMOLOGICAL PARANUNDRUM

Compositions by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

NIMNOD'S ADRENALIZING IRREALITY CHECK IN NEVER-EVERLAND

HYPNOGOGIC EJACULOSIS and other compositions by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

HYPNOGOGIC EJACULOSIS

BALLISTIC LULLABY

HELICOPTER PARENTS FROM HELL

NOSE-THUMBING THE ABYSS

ANOTHER DAY, ANOTHER PUSTULE

Adagietto Doloroso in G Minor for piano: in memoriam Frederic Rzewski (Op. 121). Having just learned of the death of composer/pianist Frederic Rzewski this morning (26 June, 2021), I felt strongly that this piece I was in the process of composing (with only a few finishing touches needed before the score goes to press) would act as a suitable homage to this titan among composers, who influenced so many of us, and whom I had the good fortune of meeting on a couple of occasions back in the early 1990s after hearing him perform his own compositions on a couple of concerts in the Bay Area. His music will not be forgotten and his legacy will live on. He is, arguably, one of the most important composers for the piano of the past fifty years. Rest in peace, Frederic Rzewski! You were one of the great musicians of your time! For more information on Gary Lloyd Noland, please visit his website at: https://composergarynoland.godaddysites.com/

Adagietto Doloroso for piano: in memoriam Frederic Rzewski

Redoubtable members of the PIMPLETON PROCRASTURBATION ENSEMBLE perform ROMANTIC MUSINGS OF A GREEDY PROFITEER, Op. 132, No. 2 by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

ROMANTIC MUSINGS OF A GREEDY PROFITEER, Op. 132, No. 2

The PIMPLETON PROCRASTURBATION ENSEMBLE  performs TAINTED FORGETERIES by GARY LLOYD NOLAND (May 5th, 2022)—enjoy! For more information on the composer, please visit his website at: garynolandcomposer.com

TAINTED FORGETERIES

In these dark days of anguish, misery, pain, grief, despair, chaos, corruption, war, poverty, famine, death, disease, destruction, and an overpowering sense of impending doom from catastrophic climate change and the imminent threat of a nuclear holocaust, it is incumbent upon members of the human race to find something–howsoever inconsequential it might appear in the overall scheme of things—to CELEBRATE. I, for one, am invariably delighted when I find a matching pair of socks in the morning—thus the title of my piece: MATCHING SOCK CELEBRATION, here performed by the PIMPLETON PROCRASTURBATION ENSEMBLE. Cheer up, folks—things could be worse! For more information on the composer, please visit his website at: garynolandcomposer.com

MATCHING SOCK CELEBRATION

The PIMPLETON PROCRASTURBATION ENSEMBLE performs CROAK - AND - DAGGER CROCODILE FEARS by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

CROAK - AND - DAGGER CROCODILE FEARS

The PIMPLETON PROCRASTURBATION ENSEMBLE perform MAX UND MORITZ DO LAS VEGAS by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

MAX UND MORITZ DO LAS VEGAS

The PIMPLETON PROCRASTURBATION ENSEMBLE performs ELEGY FOR AN EFFIGY OF YOU-KNOW-WHO by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

The PIMPLETON PROCRASTURBATION ENSEMBLE performs SYNPHONIOUS DETRITUS by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

SYMPHONIOUS DETRITUS

Pianist Lukas Huisman performs ENIGMOUS PRELUDE Op. 103 by Gary Lloyd Noland. The composer dedicated this piece to the pianist. For more information on Gary Lloyd Noland, please visit his website at: garynolandcomposer.com.

ENIGMOUS PRELUDE for piano Op. 103

Soprano Anna Haagenson and pianist Stephanie Thompson perform Gary Lloyd Noland's setting of Alexander Theroux's poem "The Cabaret of Theresienstadt" Op. 109. For more information on the composer, please visit his website at: garynolandcomposer.com

THE CABARET OF THERESIENSTADT for soprano & piano Op. 109 (poem by Alexander Theroux)

The PIMPLETON PROCRASTURBATION ENSEMBLE performs EPISTEMOLOGICAL PARANUNDRUM, Op. 137, No. 3, by GARY LLOYD NOLAND (May 19th, 2022).

EPISTEMOLOGICAL PARANUNDRUM, Op. 137, No. 3

The PIMPLETON PROCRASTURBATION ENSEMBLE performs NIMNOD'S ADRENALIZING IRREALITY CHECK IN NEVER - EVERLAND by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

NIMNOD'S ADRENALIZING IRREALITY CHECK IN NEVER - EVERLAND

The PIMPLETON PROCRASTURBATION ENSEMBLE performs HYPNOGICIC EJACULOSIS, Op. 135, No. 1, by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

HYPNOGOGIC EJACULOSIS, Op. 135, No. 1

The PIMPLETON PROCRASTURBATION ENSEMBLE performs BALLISTIC LULLABY by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

The PIMPLETON PROCRASTURBATION ENSEMBLE performs HELICOPTER PARENTS FROM HELL by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

The PIMPLETON PROCRASTURBATION ENSEMBLE performs HELICOPTER PARENTS FROM HELL (Op. 134, No. 4) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

HELICOPTER PARENTS FROM HELL (Op. 134, No. 4)

The PIMPLETON PROCRASTURBATION ENSEMBLE performs NOSE - THUMBING THE ABYSS (Op. 134, No. 1) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

NOSE - THUMBING THE ABYSS (Op. 134, No. 1)

The PIMPLETON PROCRASTURBATION ENSEMBLE performs ANOTHER DAY, ANOTHER PUSTULE (Op. 133, No. 2) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

ANOTHER DAY, ANOTHER PUSTULE (Op. 133, No. 2)

The PIMPLETON PROCRASTURBATION ENSEMBLE performs WITH ALL DUE DESPECT, YOUR SIR - REVERENCE… (Op. 133, No. 3) by GARY LLOYD NOLAND. For more information about the composer, please visit his website at: garynolandcomposer.com

WITH ALL DUE DESPECT, YOUR SIR - REVERENCE… (Op. 133, No. 3)

Violist Katherine Murdock and pianist Randall Hodgkinson perform ROMANCE Op. 10 by Gary Lloyd Noland. For more information on the composer, go to his website at: https://composergarynoland.godaddysites.com/

ROMANCE for viola & piano Op. 10

Cellist Hamilton Cheifetz and pianist Victor Steinhardt perform Gary Lloyd Noland's FANTASY IN E MINOR Op. 24 (1984, rev. 1992). For more information on the composer, please visit his website at: https://composergarynoland.godaddysites.com/

FANTASY IN E MINOR for cello & piano Op. 24

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

WITH ALL DUE DESPECT, YOUR SIR - REVERENCE… (Op. 133, No. 3)

Gary Lloyd Noland, composer