Electronic / Orchestral / Cinematic composer from London, UK.

My second album, A Chain of Disconnections, is now available on Basecamp, Google Play, iTunes, Spotify, Apple Music, Amazon, and some other places no-one's heard of. Check it out!

If you enjoy my work, please consider supporting me by Liking my Facebook page to get more regular updates. A review of my album on Google Play, iTunes, Amazon etc. would also go a long way! :)

Feel free to send me a message if you would like a licence to use my music for any purpose (If you're not making any money from your project, then I will most probably give you a free licence).

I'm also more than happy to discuss possible collaborations for original music.

Nature is in everything, defines anything, revives some things, even in those things that cannot be revived neither defined, we call it nature. Nature cannot be tamed, instructed, shaped nor thought of because we are instructed by it; it is inspirational to our minds: to be the creative demonstration which truly paints the exotic substance existing, and flourishing within it – the resonance of calmness that resides in every being. With this motto SMR (Solitude Mind Recordings) Deep Core Sessions ventures to the profound transcendence within the unconquered boundaries found in the nature of listening through distant, arresting, freeing, and deeply capturing electronic sounds. As it is the emphasis of SMR (Solitude Mind Recordings our focus is to present an array of exclusive to distinctive genres of a diverse detour into the contours of electronic music. We diligently in pursuit of extraordinariness, swift, and clinical demonstration found outside the ordinary, monotonous even usual DJ sets than are normally in offer in clubs. The eloquent substance of Deep Core Sessions, under SMR, devotes itself to effortless technique of playing rare deep electronic music; to reshape the horizon upon which the foundation of DJs has been portrayed. As it has with new beginnings comes new knowledge, unconquered grounds, seismic awe to elevated spaces of thought and a kaleidoscope of tranquil pictorial sounds to paint one’s mind as it takes a hermitage voyage of self-discovery. Deep Core Sessions are precisely the driving and leading icons to this solitary exploration in Electronic sounds captured and framed with echoing ambience. Comprising of a variety of eccentric DJs influenced in the same canon of electronic-atmospheric genre but with various tenacity, and pedigree for moody mosaics in electronics. The objective of SMR through DCS is to harness the neglected spaces visible within clubbing scenes which we see as loopholes, closed portals to an abandoned universe awaiting to be presented to an ingenious crowd with an ear for a series of subtlety, reserved, melancholic and lounge scenes and partying. SMR in its foundation is to present the obverse side of solitude – the presentation of solitary and personal experience in the tidal waves of electronic serenity. Again, as a collective of DJs our boundless aspiration is devoted solely to take the listener to landscapes of distant yearning, of cleansing and purifying sounds. DCS is an almost ascetic path of electronic music taken individually by each DJ to embrace the audience with all the wonders attainable if the listener follows through. Take electronic music as a channel of emptiness and the DJ as the silence residing henceforth throughout each set in succession with other DJs. Electronic music, as broad, and vastly culminating in most atypical venues (clubs; parks) and out of every elite place –where electronic music is played- all over the world, Deep Core Sessions is neither any different. We are for displaying the picture of sound, of depicting the imagery of feeling, of freeing sound from the deepest depth of the listeners’ subconscious, and lastly enrapture the atmosphere around with combined seasons of enclosed to reverberating sound waves. DCS as a spiritual movement of electronic music, highlighting the unbounded, the intangibles, the unperfected, we are due to raise the platform of electronic sounds high in your mind, through your mind-soul conduit to network our voyage complete and reaching to greater heights of alluring melodies.

Bookings and Contact:
neildiablo{@}gmail.com

Releases:
@futureboogie
@sprechenmusic
@southernfriedrecords
@paperecordings
@paper-disco
@eclectics28

Visit the Rotters Golf Club site for info and to contact us.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Gary Thorley is following