Just relax into it

This playlist is sort of my "diary" or timeline of the time I've had the privilege to spend here on SoundCloud since fall 2022. It therefore contains quite a lot of songs – of which each and every song is important – and for the said reason I also find it very hard to delete any songs from the playlist.

VintageKlavier1980s

For my soul

WINNER HAIR REGGAE CULTURE

Tunes 13

AGREE WITH YOU IN A FANTASY UNIVERSE

Vintage Spring 2023

More Cool Things

Here's a video that was created by Philleann.
https://www.youtube.com/watch?v=F2Yf5PJ8_QM

I was very lucky to collaborate with Philleann @philleann: on such a beautiful song. 
Peter @user-264930040 collaborated on the lyrics. 


The Glimmering Shore

They married in haste on a bright winter’s day 
Knowing the next tide would sail him away 
But he pledged his return come the warmth of the May
 And to wait for him there on the glimmering shore

High masted whaler, fading from view 
Beyond her horizon of shimmering blue 
Steeling her heart, through tearful adieu 
Set to wait for her love by that glimmering shore

May’s softness as swallows came dancing on air 
July blessed her life with his daughter so fair 
Then autumn winds rising, whispering despair 
While she waits for her love on that glimmering shore

Darklings of winter, snow blankets the sand.
 Earth forged to ice, life stripped from the land. 
Daily returning, the horizon to scan 
To wait for her love on that glimmering shore

Weeks swelled to months that folded to years
 Hope’s light expiring, extinguished by fears 
And the salty sea roared and it crashed like her tears
As she waits for her love on that glimmering shore

Like a ship gripped by tempest ne’er to break free
 Her heart imprisoned on a turbulent sea. 
No lighthouse of guidance to lead her to lee. 
She'd wait for her love on that glimmering shore

Vocal - Suzanne Ledwith 
Guitar - Philip Hitt
Lyrics - Philip Dale & Peter Keenan 
Music - Philip Dale

Picture by Lukas Robertson via unsplash.com

The Glimmering Shore (feat. Philleann)

Walk In A Dream

Winners

Yann Kifer and Oddrun Eikli.
Poem: by Emily Brontë (30 July 1818 – 19 December 1848)
Piano , keys, and instrumental composition: Yann Kifer @annkifer
Vocal and vocal composition: Oddrun Eikli

Thank you so much for this JOY Yann.

'Tis moonlight, summer moonlight by Emily Bronte (30 July 1818 – 19 December 1848)

'Tis moonlight, summer moonlight,
All soft and still and fair;
The solemn hour of midnight
Breathes sweet thoughts everywhere,

But most where trees are sending
Their breezy boughs on high,
Or stooping low are lending
A shelter from the sky.

And there in those wild bowers
A lovely form is laid;
Green grass and dew-steeped flowers
Wave gently round her head.

Emily Jane Brontë (30 July 1818 – 19 December 1848) was an English novelist and poet who is best known for her only novel, Wuthering Heights, now considered a classic of English literature. She also published one book of poetry with her sisters Charlotte and Anne titled Poems by Currer, Ellis and Acton Bell with her own poems finding regard as poetic genius.

Tis moonlight, summer moonlight . Yann Kifer and Oddrun Eikli

https://youtu.be/jXDl1z-M0q4
A calm oriented chill beat with Japanese and Asian influences. A very calm and nostalgic, dreamy and peaceful piece in the modern Japanese style. Erhu and the electric piano give a completely different sound.

Beautiful Sentimental Anime

River Dreaming

Perfect Day by Colin Towns
Arranged by Debra Buesking
Many thanks go to David Dunham for mastering my track. You can hear his beautiful guitar music @david-dunhamuser589535203

Perfect Day (by Colin Towns)

From my Album "Selected Chillwave Works Volume 1"  (On Bandcamp & Spotify) )This synthwave, chillwave, electronic genre track in based on a news article about a Japanese man having a digital holographic girlfriend that talks to him using AI, that was simply the inspiration. other than that I wanted the track to sound really good and listenable. It is an incredibly complex track below the surface as I wanted to make something as original as possible that would sound great in 100 years too. From the past, in the future, but now. thx Tena Lock

Digital Girlfriend Edit - As feature on New "Phaser Set to Stun" Album March 2024

Scarface (Expanded Motion Picture Soundtrack)

Gina

Innovisions

My Girl (feat. Joe "Bean" Esposito)

Tides Of Life

01 - Spitfire Audio - Appassionata Strings - Cellos (6) - Legato
02 - Spitfire Audio - Appassionata Strings - Violins 1 (8) - Legato
03 - Spitfire Audio - Appassionata Strings - Violins 2 (6) - Legato
04 - Spitfire Audio - Appassionata Strings - Violas (6) - Legato
05 - Spitfire Audio - BBC Symphony Orchestra Professional - Oboe - Legato
06 - Spitfire Audio - Hans Zimmer Strings - 60 Cellos - Long
07 - Spitfire Audio - Fractured Strings - Grid
08 - Spitfire Audio - Spitfire Solo Strings - Cello - Legato

Appassionata Strings & Oboe V4

01 - Spitfire Audio - Appassionata Strings - Cellos (6) - Legato
02 - Spitfire Audio - Appassionata Strings - Violins 1 (8) - Legato
03 - Spitfire Audio - Appassionata Strings - Violins 2 (6) - Legato
04 - Spitfire Audio - Appassionata Strings - Violas (6) - Legato
05 - Spitfire Audio - BBC Symphony Orchestra Professional - Oboe - Legato
06 - Spitfire Audio - BBC Symphony Orchestra Professional - Clarinet - Legato
07 - Spitfire Audio - Hans Zimmer Strings - 60 Cellos - Long
08 - Spitfire Audio - Fractured Strings
09 - Spitfire Audio - Spitfire Solo Strings - Cello - Legato
10 - Spitfire Audio - Abbey Road One - Low Woods
11 - Spitfire Audio - Originals Cinematic Frozen Strings
12 - UVI - EGP

Appassionata - Franck Douvin - Jacques Lemaire

no mastering version, mid levels maybe too high. enjoy anyway

AMARA LUNA

Introduction in English:

Sometimes I dream that I meet my great musical idols. When I was intensively occupied for a while with one of my passions, the French chanson, it happened that in one of my dreams Jacques Brel sat opposite me in my small Berlin living room and gave me the assignment to write, in my way and with my possibilities, something like a sequel to his great chanson "Ne me quitte pas".  Whereas here he had described the fear of losing a loved one, now I was to describe in my song what it was like to have lost this loved one forever. 
And on the basis of this nocturnal dream collaboration, my French chanson "Je t’ai perdu" was born. 
The cover is again by the Polish artist Renata Golab.

Lyrics in English:

I have lost you

I have lost you 
lost forever

Just wanted to hold you
Keep you warm and safe

Just wanted to protect you
Protect you from abysses

Protect you from demons
Protect you from the falling

Yes I know 
You will never understand

I know
You'll see it differently

You feel dominated
Dominated by me
Controlled by me
Imprisoned by me

You feel enslaved 
For all eternity

I have lost you
Lost forever

Just wanted to love you  
Love you unconditionally, unconditionally

Strengthen you for life
Strengthen you for becoming yourself

To raise you gently 
Lift you up against the Hades

Over, gone
I have not reached you

Nothing that remains
The oath of revelation

Reap your hatred 
Reproach and hatred
Your scorn and mockery
Scorn and derision

I have lost you
For all eternity

Französischer Originaltext:

Je t'ai perdu,

Je t'ai perdu,
Perdu pour toujours

Je voulais juste te tenir
Garder au chaud en toute sécurité

Je voulais juste te protéger
Protéger des abîmes

Te préserver des demons
Préserver de la chute, de la chute

Oui, Je sais
Tu ne comprendras jamais

Je suis conscient
Tu verras les choses autrement

Tu te sens dominé
Dominé par moi
Supprimé par moi
Enfermé par moi

Tu te sens asservi
Pour l'éternité

Je t'ai perdu,

Je t'ai perdu,
Perdu pour toujours
Je voulais juste t’aimer
T’aimer sans condition

Te renforcer pour la vie 
Renforcer pour devenir soi 
Te redresser doucement
Te dresser contre l'Hadès

Fini, passé
Je ne t’ai pas attaint
Rien qui ne reste
La déclaration de reddition

Je récolte ta haine
Tes reproches et ta haine
Ta moquerie et tes railleries
Ta malice et ta derision

Je t’ai perdu 
Pour l'éternité

Je t'ai perdu

Je t'ai perdu (I have lost you)

Download/Stream

Some songs are just meant to be.  In the earliest days of this song's creation, I came to a juncture that was make or break.  Stepping back, giving it some distance, molding it a bit more, it became a keeper, and one that was well received in its first posting over two years ago.  Debbie added her magic a year ago and its reception and audience grew even more.  Now Bix has added his superb vocal talent to take the song to even greater heights.  Have a listen and fly with us as the angels bear us up on their wings.  Hear more of Bix's great songs @user-432405235-236877019
and Debra Buesking's superb piano @debra_buesking

FLY (HE WILL LIFT YOU UP)
Music: David Dunham/Debra Buesking
Lyrics: Bix Bixler
Aaaah….fly with me
Let the angels
Bear you up
To meet Him
When He comes

Hear the angels
Hear them singing
God’s celestial song

He will lift you up
To rise with Him
On high
And drink His cup
Of love….

We’ll fly……
To meet Him
In the air
And sing
The angel’s song

We’ll fly……
To meet Him
In the air
And sing
The angel’s song

Let the angels
Bear you up
To meet Him
When He comes

Hear the angels
Hear them singing
God’s celestial song

He will lift you up
To rise with Him
On high
And drink His cup
Of love…..

We’ll fly……
To meet Him
In the air
And sing
The angel’s song

We’ll fly……
To meet Him
In the air
And sing
The angel’s song

Let the angels
Bear you up
To meet Him
When He comes

Hear the angels
Hear them singing
God’s celestial song…

FLY (Bix, Debbie Buesking, David Dunham)

L.A. Reggae

Introduction in English:

In my late 30s, I still suffered from frequent anxiety and panic attacks. During this time, I had a recurring nightmare: I am lying in my bed at night. Some dark, strange figure comes into my room. It slowly comes closer to me. Before it reaches me, I wake up screaming and drenched in sweat.  
One day my female psychoanalyst encouraged me to relive this dream with her company. Like a fairy godmother, she now sat in my imagination at the edge of my bed and held my hand. Thus I succeeded in letting the dark figure come closer. And at some point the strange being stood in front of me and I could look him directly in the face. And suddenly it became clear to me that it is the death which stands beside me; which probably always stood beside me and also always will stand beside me: My eternal companion. 
Since these sessions, panic attacks and anxiety attacks occur very rarely. And when they do come, I now know that it is basically my residual fear of finitude, of having to die, and finally of death. And from this realization, I can feel all the more in all my depths the legendary sentence of Sigmund Freud: "If you want to live well, prepare yourself early for death". The song "Finitude" was written against the background of these experiences It is in French, because for me this language comes closest to such existential themes.

Lyrics in English (for those, who don`t speak French):

Finitude

I have no time 
Finitude
Stands in my door
And speaks to me:

Come on go 

Don't stand still
Let no more time pass

The clock is ticking away 
Your shadow wins
Decay haunts you
Pain and anguish

But you are not alone 
The duty to die
Is the bond 

That unites us 
Whether rich or poor 
Wise or foolish

Death doesn't care
He takes us to himself

Finitude
I am ready
Look at you
You move closer to me

Till you're all there with me 

Look around me 
Many backs already crooked
The rollator goes ahead
Straight to the cemetery gate

The lifting only lasts 
Until the next tower clock

Then it comes out

That we melt 
We blow in the wind
Nothing of us remains 
Death rubs its hands

But do not forget
The duty to die 
Is the bond

That unites us 
Whether rich or poor 
Wise or foolish

Death does not care
He takes us to himself

Finitude
I am ready
Look at you
You move closer to me

Till you're all with me 
Until you are
Until you are 
Untill you are
Completely with me

Texte en français:

Finitude

Je n'ai pas le temps 
La finitude
Est à ma porte
Et me parle:

Allez, vas-y 
Ne t'arrête pas
Ne laisse plus passer le temps

L'horloge s'écoule 
Ton ombre gagne
Le déclin te hante
Douleur et tourment

Mais tu n'es pas seul 
Le devoir de mourir
Est le lien 

Qui nous unit 
Riche ou pauvre 
Intelligents ou idiots

La mort c'est pareil
Elle nous fait venir

Finitude
Je suis prêt
Je te regarde
Tu te rapproches de moi

Jusqu'à ce que tu sois 
Tout à fait avec moi 

Je regarde autour de moi 
Beaucoup de dos déjà courbés
Le rollateur va devant
Directement à la porte du cimetière

Le lifting ne dure que 
Jusqu'à la prochaine horloge de la tour

Puis il se révèle

Que nous passons 
Emportés par le vent
Qu'il ne reste rien de nous 
Que la mort se frotte les mains

Mais n'oublie pas
Le devoir de mourir 
Est le lien

Qui nous unit 
Riche ou pauvre 
Intelligents ou idiots

La mort c'est pareil
Elle nous fait venir

Finitude
Je suis prêt
Je te regarde
Tu te rapproches de moi

Jusqu'à ce que tu sois 
Tout à fait avec moi
Jusqu'à ce que tu sois
Jusqu'à ce que tu sois 
Jusqu'à ce que tu sois
Tout à fait avec moi

Finitude

In this collaboration @kokopelli-kailash brings his shamanic touch through light language vocals and his masterful Native American flute riffs, while Mose takes a deep dive into the drums that bring the listener into the energy of the dance around the fire on a full moon. 

Stream/Download: https://fanlink.tv/Mose_KailashKokopelli_Ushtayana

Kailash Kokopelli 
Instagram: kailash.kokopelli
Soundcloud: @kokopelli-kailash
Spotify: https://open.spotify.com/artist/349eUOQ33ZqLfj3WmQo85u?si=qQ5Wb6WsRcy1fGbWmOiKQw



Artwork: @eltripador (Instagram)


Mose:
https://www.patreon.com/mosemusica
http://facebook.com/mosemusica
http://soundcloud.com/mosemusica
http://mosemusica.bandcamp.com
https://www.instagram.com/mosemusica/
https://open.spotify.com/artist/29osCpAsrEiHxE8t6khiJr

Kailash Kokopelli & Mose - Ushtayana

Chant : Paul Le Meur; Trompette : Denys Danielidès; Saxophone : Maxime Jaslier; Trombone : Thomas François; Basse : Julien Hervé; Batterie : Nicolas Sibaud; Clavier et composition : Pierre Lacroix; Prise de son et mixage : Michaël Clergeot.

Une fille dans la ville

This track was created for the Naviar Haiku group.
479 week haiku
https://www.naviarrecords.com/2023/03/08/naviarhaiku479-summer-night/

2023-03-09

Summer Night ( Naviarhaiku 479 )

https://www.instagram.com/athauntes/
https://campsite.bio/athauntes

she knelt on the floor heavily
the rite was about to commence
she was nervous, trying not to show it
oh her grace, her grace, she was in constant pain
surrounded by guards, she struggled for solace
but after some time, chose to do the honors
they then praised her body, her manners and morals
oh her grace, she’d never love them

and for the first time
since i’d known her
she wasn’t doing what 
she really wanted
if i witnessed her obtain the precious crown
i’d believe she was mortal no more, she was a god

the silent god
they sealed her hostile mouth
the silent god
they cut her tongue out
didn't let her speak her mind
another sacrifice in this mire

when it was time for her journey to start
she grabbed him as if she was drowning
and he was a vessel moving through the sea
helpless and lonely in the middle of nowhere
and while she enjoyed his company
he was heading nowhere towards her aim
and while she enjoyed his humor
when he laughed, it stung, she gasped for air
 
and for the first time
since i’d known her
she wasn’t doing what 
she really wanted
if i witnessed her obtain the precious crown
i’d believe she was mortal no more, she was a god

the silent god
they cut her tongue out
the silent god
they sealed her hostile mouth
didn't let her speak her mind
another sacrifice in this mire

written, performed and produced by athauntes

Silent God

Azure Deja Vú

Dicky Ticker

WE ARE NOT A CULT
Vocals and Verses: Rs FRAWSTAKWA 
https://soundcloud.com/frawstakwa/sets/frawstakwapella-open-for-1
Backing Track song… Save me.  Paploviante
https://soundcloud.com/paploviante2/save-me-feat-mirja
Adding : Beat, Guitar, Sax and Vocals
Production and Arrangement: Lillithe

We Are Not A Cult - FRAWSTAKWA, Lillithe & Paploviante

Conversations with mom. March 2023
Antonio Picado guitars http://guitarraspicado.com/site/

Fragile

f r a g i l e

Hey,  I’ve done a mix a Clive’s @winkandwoo cool track Beautiful Day.  Here is the original https://soundcloud.com/winkandwoo/a-beautiful-day

Enjoy,
Dx

BEAUTIFUL DAY**WINK&WOO**RICØ MIX

Pagoda Bc

Complete rework of an old track that I shelved for a while :)
An alien message comes through to a space station, which is analysed and eventually decoded.
(Yeah I live in fantasy land now and then lol)

Free download if you like it :)

Thank you for listening ♥

Interstellar Transmission

Uxorirous

The Devil  by WÜST

■概要(Overview)
入り口と出口！私はここにいるわ！
・・そんな感じの曲です。
今回はギターを一切入れないで作ってみました。

entrance and exit! I'm here!
It's that kind of song.
This time I tried to make it without any guitar.

■歌詞
「ベビーユニバース」

ベビーユニバース
迷い込んだわ
あなたに教えたいの
私はここにいるわ

ベビーユニバース
私はここにいるの
糸電話の糸なの

ベビーユニバース

■ lyrics
"baby universe"

baby universe
I got lost
i want to teach you
i am here

baby universe
i am here
It's a thread telephone thread

baby universe

Baby Universe

Fantasy Night

I am here for you.

Lyrics:-
What matters to you
Doesn't matter to me
What matters to me
Doesn't matter to you

All we hope for is that one day
We'll bridge the gap and we'll live in harmony
That's how you know it should be
Agree to disagree

From the girl in her room
To the man on the street
From the man in the moon
To Police on the beat

All we hope for is that one day
We'll bridge the gap and we'll live in harmony
That's how you know it should be
Agree to disagree

From the Farmers who toil
To the City bank boys
From the kettles that boil
To the kids with their toys

All we hope for is that one day
We'll bridge the gap and we'll live in harmony
That's how you know it should be
Agree to disagree

From the media pundits
To the teachers at school
From alternative trumpets
To the stubborn old mule

All we hope for is that one day
We'll bridge the gap and we'll live in harmony
That's how you know it should be
Agree to disagree

winkandwoo 2023

Agree To Disagree

Ireve Reloice

method: layering; akai miniak, boss vo-1,  ehx grand canyon and walrus audio ages
narration: things do change, don't they .... aiming for that 'eno feel', I allowed too much dirt in - and liked it ;-)  
image: my photo based on a mask, gimped

poem / copyright jo richter:

he holds out a hand
watches the light change

a voice clings to him
as he walks past the building

THIS IS THE DAY
THE FUTURE WILL VANISH

trajectory minds
a dime a dozen

unidentified objects
of thought and delusion

THIS IS THE DAY
ELECTROMAGNETIC

all over the suburbs
giant birds roosting

spreading their wings
across minute houses

THIS IS THE DAY
THAT LASTS FOREVER

he feels vibration
life under his feet

atmospheric dilations
sentinence seeds

THIS THE DAY
EVERYTHING FLOATS

EVERYTHING FLOATS

the day everything

May I be able to make a normal song to all tastes? This rock ballad was my best opportunity, though I had to prog it a bit... well, please tell me.

Pic taken by myself at a beach near my hometown, a cloudy morning about two weeks ago.

Letra  /  Lyrics

El sol está quieto (…)  /  The Sun is still (…)

Hace mucho tiempo que el sol está quieto.  /  Since a long time ago the Sun is still.
Lo quieto del sol da lugar al invierno.  /  Stillness of the Sun originates the winter.
Invierno que expresa su frío con viento.  /  Winter which expresses its coldness with wind.
El viento en la playa moja mi cuerpo.  /  The wind at the beach wets my body.

Mi cuerpo mojado sufre en silencio.  /  My wet body suffers silently.
Silencio que siempre me trae recuerdos.  /  Silence which always brings me memories.
Recuerdos que se agrupan en pensamientos.  /  Memories which get grouped in thoughts.
Pensamientos que pronto parecen deseos.  /  Thoughts which soon seem to be desires.

Deseos que te tienen a ti en el centro.  /  Desires which have you in the middle.
Tú en el centro pero yo más lejos.  /  You in the middle but me further away.
Lejos de todo lo que llamamos nuestro.  /  Far from everything we call ours.
Nuestro pasado es ahora lo primero.  /  Our past is now the first thing.

Primero de todo te echaré de menos.  /  First of all I will miss you.
Menos de un día ya se me hace eterno.  /  Less than one day already feels eternal to me.
Eterno fue el día en que decidí no vernos, más.  /  Eternal was the day when I decided not to meet, more.
Mas, vernos me hace salir de este infierno.  /  But, us meeting helps me get rid of this hell.

Infierno que pronto cambiaré por el cielo.  /  Hell which soon I will change for heaven.
Cielo que sólo tú puedes tenerlo.  /  Heaven which only you can own.
Tenerlo contigo es lo que más quiero.  /  To own it with you is what I want the most.
Quiero estar contigo en alma y cuerpo.  /  I want to be with you in soul and body.

Mi cuerpo mojado, en la playa hace viento.  /  My wet body, at the beach it is windy.
Viento que expresa el frío del invierno.  /  Wind which expresses the coldness of the winter.
Invierno debido a que el sol está quieto.  /  Winter due to the Sun being still.
El sol está quieto hace mucho tiempo.  /  The Sun is still since a long time ago.

ER28HC07 ©1995 ®2015

El sol está quieto (...)

It's been a pleasant challenge to craft Mark's adlibed voice.

Tried finger drumming... moments of 3/4, others 4/4... then I remembered Franco Battiato singing about 7/8 measures in Brittish folk, and... why not?

Similar doubts about the chords, I finally built a sliding harmony using groups of notes found along the vocal line.

Many laboratory hours after I got something friendly; time to jam brainlessly a pair of guitars which made some organic company to the voice.

Great temptation of singing with Mark, but I finished the vocal edition by building a final choir instead ;)

Hope you'll enjoy, and peace be with you all !!

Original vocal track: https://soundcloud.com/markjbennett/the-parting-glass-open-collaboration
Parting Glass project: https://soundcloud.com/markjbennett/sets/the-parting-glass-open

The Parting Glass (with Markjbennett)

New Edition - Mr. Telephone Man

Galaxies is the climactic space new age music ending to the concept album 'Seven'. Sweeping orchestral synthesizers and epic space ambience.
This track was recorded in September2019
Paul Landry: Roland A-49 midi synth with various VSTi synths,

Composed, performed, produced and recorded by Paul Landry
Paul Landry ©2019
► open.spotify.com/artist/5tbvGDZA2vYsMHitQ7GNKv
► www.paulssounds.com/
► itunes.apple.com/us/artist/paul-landry/id287800079
► www.youtube.com/channel/UC4oiRhX2e51zhvzHQwmVt0A
► paullandrymusic.bandcamp.com/

Seven

(Epilogue) -Galaxies

⬇️ Free download

Paul Landry - Galaxies

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

When all around us seems so far beyond our control. When few things now seem as permanent as they once did. When the names of so many are 'writ in water'. At such times, a true soul that we can always rely on, is a precious gift indeed.

With many thanks to the inimitable Carolina de la Muela (vocals) and some wonderful playing from Guido Scharmer-Choi (cello)

Lyric Vid Link:
https://www.youtube.com/watch?v=sDYyV2qGK3c

All My Certainties

Fingerstyle guitarist and composer, based in Parets, Barcelona, Spain.

Remember to seek beauty.

Artwork by perevilardebo.estudio _ www.perevilardebo.com

f r a g i l e

gaspar monterde