Classic song - good that you brought it back

Supportlist 2

Night Train to Lisboa pt.IV

An electronic/industrial piece, with some fusion elements. Out of my comfort zone here! Maybe it reflects the tempest of the times.

Cosmic Call

In 2018, I did a SoundCloud collaboration with @clive-hawkins after one of his tracks inspired me to write lyrics over his haunting instrumental 'After the Bomb'.

Clive had posted the line "let us not forget the consequences............of unleashing weapons of mass destruction!", and that comment, coupled with listening to his moody track, had me writing the complete lyrics inspired by his music in about 1.5 hours.

In 2025, I am currently working with accomplished keyboard player and Prog Rock enthusiast @Dee-Zee (Dave Zeitlin), to create an Ethno-Prog album 'Beyond the Veiled Horizon'. 

https://soundcloud.com/mrbouzouki/sets/beyond-the-veiled-horizon-series

So when I recently re-heard the old collaboration I wondered if Dave's keyboard wizardry could add a whole new dimension to the lyrics. The message in the lyrics has perhaps has even more urgency in 2025. 

The Doomsday Clock currently stands at 89 seconds to midnight. 
https://thebulletin.org/doomsday-clock/2025-statement/

Using Clive's harmonic rhythm that inspired the melody, that inspired the lyrics, I basically gave Dave a blank slate to see what he could come up with as parts. As usual he delivered some amazing ideas and playing and this left me re-assembling this Redux version of the collaboration. Once again, I made use of the Alto vocal talents of 'Mrs Bouzouki' in a vocal harmony section and as part of some harmony stacks. Towards the end, the additional female backing lines are from the Soundiron 'Voices of Gaia' collection featuring the vocal talents of Linda Strawberry.

I feel the addition of a church organ really added to the track. As a result I removed a choir part I added in the original collaboration and added some low strings to add some weight to the bottom end in places. Besides piano, Dave also added some synth pads to keep things interesting during what is quite a long track. I hope that people can hear why I enjoy working with Dee Zee. I think he's done a fantastic job with this track.

I decided to keep my original vocal takes from 2018 but I feel the track has benefited from my improved mixing and production techniques. 

I feel that once again this track is a great example of how music can be created using the SoundCloud platform. A collaboration can build on a collaboration to create something bigger than the sum of the parts. Thanks @clive-hawkins for being the catalyst for this and @dee-zee for your compositional skill and playing. 

As a follow-up to this song you can watch this movie on the Internet Archive, produced in 1969 about the Hiroshima-Nagasaki bombs of 1945. Some of the imagery is not for the faint-hearted.

archive.org/details/hiroshimanagasakiaugust1945
=======================================================
Lyrics

After The Bomb - P Goodrich 22/01/2018

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Just What Have We Done

Dead Streets, Dead Lives
Dead Seas, Dark Skies
We've Gone, Too Far
Ohhhh We've Lost It All

(C)
And The People Cried As One
With The Firing Of A Gun
Too Late For Second Thoughts
Too Late For All Of Us

No Race, No Faith,
No News, No Lies
Past Ways, Past Lives
They're Over and Done

Dark Days, Dark Times
Dark Deeds, Dark Minds
No Hope, All Gone
We've Nowhere To Run

C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

(organ instrumental)

No Rest, No Sleep
No Love, Just Hate
Dull Hearts, Dead Minds
The Future It’s Gone

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Oh What Have We Done

(C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

One World, One Tribe
(Ad Lib)
We’ve Nowhere To Run
(Final Whispered) After The Bomb ... After The Bomb

After The Bomb - Redux 2025 (89 Seconds To Midnight)

Cheating lovers in a motel.

Lyrics:
At the Motel down by the Liquor Store
"Do not disturb" sign hangs upon the door
Informing Housekeeping of the status of "Our Armour"
You arch your back in a way that I just can't ignore

You say I'm a simpleton
I just watch my pay per view
Your minds on him
And my heart feels so blue
Because I'm
Full-time bastard
I'm your part-time handsome man
Part-time, handsome man

Does your husband see your sad eyes?
And think their true?
I feel like a small part of you
Housekeeping comes once a day
But you like to cum 
So much more than that
You say

Baby, I'm a simpleton
I watch my pay per view
Then I know your hearts with him
I know my heart is blue
I'm a full time bastard
What are you?

I'm your part time handsome man...

Part -Time Handsome Man

Vocals https://soundcloud.com/couch-king-presents

Production https://soundcloud.com/rizlix


Here's a collab with the soundcloud legend https://soundcloud.com/couch-king-presents


You can hear his original work here;

https://soundcloud.com/couch-king-presents/i-like-to-sample-old-drums




Couch King Presents x RiZLiX - This One Goes

Bonjour j'ai le plaisir de partager avec vous
Le nouveau titre de M'Z qui est une adaptation d'un morceau initialement joué avec Adelphya
'La ruée vers le numérique'
Composé comme une BO de western ramen (alternative au spaguettis) 2025, 
Ça sort aujourd'hui 01/08/25 !!​

Les styles oscillent entre Hip-Hop Electro Jazz Fusion et Prog
Tous les liens à ici :
https://music.imusician.pro/a/y8GUkCtd
https://matzizrecords.bandcamp.com/album/la-ru-e-vers-le-num-rique

La ruée vers le numérique

Additional electric guitar by Lutz Boddenberg

Color of the Night (Jam Session)

Somewhat doom-laden reflection of the prospect....but cheering up, it may never come down to a rogue algorithm sparking it all off!! Hooray!......
Blues track:
Synth; Tenor saxes; Soprano saxes; flutes; alto flutes(bridge); oboes; clarinets (bass parts).
Beats and explosions c/o Garageband.

Pic. 'Silicon Cities' by Heiko Hellwig c/o Pinterest

Algorithmic - Armageddon Blues

Collaboration with the very talented @tea_are_sea  
Tea R. Sea - Guitars, Synths, Arrangement, Mix, Master
Dough Factory - Drums, Bass, Vocals, Mix

Dive

Lumière du matin

Ladys and Gents!!! Proudly presenting Mr Barnett with a MEGA
cover of [Man Eater/Daryl Hall & John Oates]. That classic 80's
track. On top of 1 my recent tracks, [Just Feelings]. Not claiming
any rights on lyrics etc. OK Soundcloud? Lmao! DONT BE PRICKS!
Please. We thank every1 for support. All be returned! MUCH LOVE!
18/8/2016 Date of upload... 

Ray Gone Wild

Maneater (Just feelings)Wild Chris

Texte Français et Google traduction

Le passé chante et se fait voir,
On ne s’invente pas une histoire.
C’était hier, plus à se dire,
Mais rien à faire pour  se maudire.

Tous ces défauts accumulés,
Se montrent trop à regarder,
Et chaque instant est une blessure
Dans le présent qui monte un mur.

De tout on parle et on s’explique,
Les verbes calmes s’en vont bien vite,
Pour laisser place à chaque fois,
A la menace du désarroi.

On a beau faire tout ce qu’on peut,
Reste la misère dans nos aveux,
Troubles questions pour des réponses,
Un clou de plomb que l’on enfonce.

Sera-t-on  jamais heureux,
C’est de la peur entre nous deux ?
Des doutes et peines qui s’installent
Pour nous refaire un peu plus mal.

On se la tend cette douce main,
Dans les moments de « mieux demain »,
Mais sans le voir tous nos reproches,
Repeignent en noir la moindre approche.

Ce mal de vivre, déjà donné,
Aux bateaux ivres les fait couler.
Un beau rivage que l’on dessine
Est loin au large quand on se mine.

Si tous les troubles qui nous menacent,
Faisaient voir double l’amour en face,
Sans inquiétude et pour raison,
Qu’une certitude n’a pas de nom.

Sera-t-on  jamais heureux,
C’est de l’amour entre nous deux ?
Des doutes et peines qui s’installent
Pour nous refaire un peu plus mal.

Sera-t-on  jamais heureux,
C’est de l’amour entre nous deux ?
Des doutes et peines qui s’installent
Pour nous refaire un peu plus mal.

WILL YOU NEVER HAPPY?

The past sings and shows,
We do not invent a story.
It was yesterday, more to say to himself,
But nothing to do to curse.

All these accumulated faults,
Are too much to watch,
And every moment is an injury
In the present that climbs a wall.

Everything we talk about and we explain,
The calm verbs go away quickly,
To leave room each time,
At the threat of confusion.

We can do everything we can,
Remain misery in our confession,
Troubles questions for answers,
A nail of lead that one sinks.

Will we ever be happy,
Is it fear between us?
Doubts and sorrows that settle
To make us a little worse.

We hold out this sweet hand,
In the moments of "better tomorrow",
But without seeing all our reproaches,
Repaint in black the slightest approach.

This pain of living, already given,
Drunken boats make them sink.
A beautiful shore that we draw
Is far off when one is mine.

If all the troubles that threaten us,
Show double love in front,
Without worry and for reason,
That a certainty has no name.

Will we ever be happy,
Is it love between us?
Doubts and sorrows that settle
To make us a little worse.

Will we ever be happy,
Is it love between us?
Doubts and sorrows that settle
To make us a little worse.

SERA-T-ON JAMAIS HEUREUX (Le manque de confiance amoureux)

Herzlich Willkommen zu unseren neuen Cover Song Amazing Grace.
Eine schöne zusammen Arbeit mit Colin Powell und Lisa Gill .
Wir hoffen Sie genießen diesen Cover Song genauso wie wir auch.
Ich spielte es auf Piano und Colin spielte Instrumente hierzu ein.
Lisa wollte gerne auf diesen Song Singen so kam es zu dieser zusammen Arbeit,
Wir wünschen allen viel Freude mit diesem Cover Song " Amazing Grace ".
Pianist : Oliver Papke
Voice : Lisa Gill    https://soundcloud.com/juniper-kiss
Instrumente : Colin Powell    https://soundcloud.com/a-multitude-of-one
Arrangemann Oliver Papke& Colin Powell 
Remastered by  Colin Powell 
Amazing Grace verdankt seine Entstehung einem Schlüsselerlebnis seines Autors John Newton, der Kapitän eines Sklavenschiffs war. Nachdem er am 10. Mai 1748 in schwere Seenot geraten und nach Anrufung des Erbarmens Gottes gerettet worden war, behandelte er zunächst die Sklaven menschlicher. Nach einigen Jahren gab er seinen Beruf sogar ganz auf, wurde stattdessen Geistlicher und trat gemeinsam mit William Wilberforce für die Bekämpfung der Sklaverei ein.
Die heute weltweit bekannte Melodie, die sogenannte New Britain, tauchte erstmals in einem Gesangbuch von 1831, dem Virginia Harmony auf. Sie ist pentatonisch und soll ursprünglich auf amerikanische oder englische Wurzeln zurückgehen, wird aber auch James P. Carrell und David S. Clayton zugeschrieben. Der ursprünglich zur Melodie gesungene Originaltext ist heute verloren. Der heute üblicherweise gesungene Text von John Newton wird gelegentlich auch mit einer anderen Melodie gesungen, der 1958 in Kentucky entstandenen Old Regular Baptist.

In ihrer Nachwirkung besonders bedeutsam ist die Harmonisierung, wie sie im Gesangbuch Southern Harmony von 1835 geboten wird. Die für dieses Hymnenbuch charakteristische Setzweise, in der die Hauptmelodie in der Mittelstimme liegt und von jeweils einer darüber bzw. darunter liegenden, leiser gesungenen Stimme begleitet wird, findet sich bis heute in US-amerikanischer Musik für Vokaltrios und wurde besonders bekannt durch den Stil der Andrews Sisters.

Oliver Papke & Colin Powell& Lisa Gill - AMAZING GRACE ( COVER SONG )

Thanks everyone for listening and supporting and all you smiles, laughter, head bobs, swaying, toe tapping, and finger snapping. I appreciate it all! I am glad we are all still here after all these years and SC scares and alternate site distractions. 

This is another track I made many years ago. I made it audio bin style by rearranging baselines and guitar parts from old stems from Blankets. If my recollection is correct, I might have reused parts of “Falling Off (The Precipice),” which is currently set on private. It has been sitting on my hard drive asking to be released but I have been telling it no, you need to be patient and wait. Once I finally felt I could release it, it sounded old to me, lol. So Wou-Wou and Wizardshoes / AKA Ill Dub came to the rescue. They resuscitated it, fed it good food, and dressed it up real nice, and now it is ready to go! 

Big thanks to Wou-Wou and Wizardshoes for always being there for me! You guys rock! 

Blankets: Bass and guitar 
https://soundcloud.com/allergeist
Wou-Wou & The Wormling: 2nd arrangement, production, bass, guitar, synth, additional drums, and of course art!
https://soundcloud.com/wouwouandthewormling
https://soundcloud.com/the-audio-bin
Wizardshoes: 3rd arrangement production, mixing, mastering, and final decision on what art to use 
https://soundcloud.com/ill-dub-productions
https://soundcloud.com/wizardshoes
Couch King: Original arrangement, production, lyrics, and vocals

Lyrics: 
Sometimes you don’t make me feel right
Sometimes when I’m with you it’s out of sight
It don’t have to all be great
It don’t have to all be real

I’m here with you
I’m a be right here with you
Baby I’m right here with you
I’m a be standing right here with you

This is some sticky love 
This is some sticky love yea

I might be sad but it’s not your fault 
You might be mad and it’s all my fault 

It might not be all good
It might get all real
What ever happens to us still 

I’m here with you
I’m a be right here with you
Baby I’m right here with you
I’m a be standing right here with you

Wizardshoes, Wou-Wou & The Wormling, Blankets, and the Couch King - I'm Here With You

Muzic / Production / cover art by Lochman 
Vocals / vocal effects by Fat Pockets
Vocals by Treez of the 505
Listen to more Fat Pockets here: https://soundcloud.com/fatpockets
Listen to more Treez of the 505 here: https://soundcloud.com/audrianna-walker-2
Listen to more of Lochman's music here : @time2cclear
Amazon : https://www.amazon.com/s/ref=ntt_srch_drd_B01HH09WUE?ie=UTF8&field-keywords=Lochman&index=digital-music&search-type=ss
Itunes: itunes.apple.com/us/artist/lochman/id1127988349
Beatport: www.beatport.com/search?q=Lochman

Lochman feat.  Fat Pockets & Treez of the 505 "Micro Bus"

🎵 Purchase Link | Instant Download (untagged):http://www.logiclevls.com/downloads/suffering/

🎵 Website: www.logiclevls.com

🎵 Listen On Youtube:https://www.youtube.com/watch?v=epeGsOpNIXY

👉Support Logic Levls;

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☎️ Contact: logiclevls@gmail.com

All free instrumentals can only be used for non-profitable, non-commercial projects and nothing besides that. I must also be credited in the title and description (prod. by Logic Levls) and as described above ) Please, keep in mind – before releasing your song if you want to make profit with it, you must purchase a licence that is suitable for yourself before releasing.

Buy This Beat

Logic Levls - Suffering [For Sale]

Making beats is my cure since 2013. 
Check my YouTube channel if you dig my beats, i got new ones there. :) 

Buy beats - Untagged / Instant downloads after purchase - www.logiclevls.com  (Buy 1 Beat, Get 3 Free!)



Much love to all my listeners! <3

All my instrumentals (tagged)are free to use in your videos if and only if you credit me in the right way. Put my  links in the description (Soundcloud, Youtube, Spotify, Website - atleast one of these) and write : Instrumental produced by Logic Levls.


TRE6TRE
Rip Allan
#flgang

Producer. Hip Hop, House, techno etc.
Sometimes I write, Rap. Do hooks, DJ.
I follow those who listen. Support me.
Your attitude is equally important as
your talent. Don’t check Dm much.
Especially those who just take.
Ain’t no mug, user, fool. Chow!

Maneater (Just feelings)Wild Chris

Gaz Roach

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