Motorcycles, blood, sex, guns and insanity. Not things you’d immediately associate with Reading’s prime guitar pop exponents Pete & The Pirates, but then neither are phasing synths, sizzling psychedelia and the general atmosphere of darkness and thunder. Yet, these are the potent thrills P&TP are mixing into their infectious pop stew on their second album, thickening the plot and beefing out their indiepop’s marrow to a staggering bulk. As bold steps forward from their pristine pop 2008 debut ‘Little Death’ go, it’s as fearless as any Wikileak.

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Bookings: ed@arcade-talent.com
Brazil: eddie@wildsheepagency.com
Promos: https://tstack.app/sirushood/send

Biography:

Sirus Hood Biography 

Sirus Hood is a French artist. Age 10, his love for House Music was at the time fed by his older friends, giving him mixtapes recorded in a legendary club in Algiers. Few years later, he moved to Paris, and started his DJ career age 18 when he purchased his first vinyl turntables.
He quickly became a regular DJ at every Parisian club.
The journey continues, as he started to become a self-taught producer, preparing his new project under the name that we know today: Sirus Hood.

After refusing to do social media when the project started, he insisted on building his audience purely through the music and word of mouth first. Once these foundations were built he opened his socials with an instantly huge response from the public. A testament to his following. 
His music is influenced widely from the 80-90s’ Chicago House movement from warehouse & loft parties to the whole Balearic sounds of Ibiza.

Sirus Hood first releases on CUFF including “Welcome To The Hood” EP in 2014 and Dirtybird including “Third Eye” EP in 2016 kickstarted his name. 
Sirus Hood also released on labels like Rawthentic, Cajual, Sola, Wow!, Under No Illusion.

In 2020, his release “Rip Tide” EP on Jamie Jones’ legendary label Hot Creations marked a major step forward to his career. 

Few weeks later, Sirus Hood launched ‘Mood Edits’ on Bandcamp with Manda Moor, a concept of limited series of edited tracks available during a month and then deleted to be replaced by new volumes. He had this idea after realizing that in a world where a lot of DJs or listeners are digging rare cuts, the biggest problem of music nowadays is that it is too available. ‘Mood Edits’ is repeatedly supported by the heavy weights of the scene like The Martinez Brothers and Loco Dice.

DJ residencies in Sankeys Ibiza, Eden Ibiza, Ministry Of Sound in London, Social Club then Showcase in Paris gave him a platform and opened doors to wider audiences all around the globe. From Europe to South America, from Australia to South Africa, Russia to North America, passing by the Middle East, his travel patterns underline his ability to work with different crowds and cultures while illustrating his cosmopolitan, universal side. To him - music is one language and unit.

When Sirus Hood isn’t on the road, he spends most of his time in his ‘laboratory’ like a scientist to his music. He satiates his hunger of knowledge through research of new sounds, with his impressive studio gear collection. He challenges himself on every new track with different recipes. In the end, his goal is to produce tracks that sound different from each other.

Today, his work is regularly supported by big names in house music like Jamie Jones, Nina Kraviz, Marco Carola, Paul Johnson, Claude VonStroke… He frequently appears in the charts.

Pete Jordan is a well known UK-based DJ and the creator of the revered Spectrum club brand, one of the UK's most respected authorities on quality underground music.

In recent times his studio work has gained him further notoriety. Solo productions as well as his collaboration as Jordan & Santero have seen him release and remix on a number of cool and influential labels. 

He recently launched the Weird Science label with Santero - check out here : www.facebook.com/scienceweird 

Follow him on Twitter : www.twitter.com/petejordan

DJ bookings : info@twopointzeroagency.com


ALMiGHTY SOSA OTTO 
Glo Gang Productions #GGP
BANG BANG ︻╦╤─   -
Booking Info : GLOgangBookings@gmail.com
#GANGinDisBiTCH #RiPBLOOD #RiPCAPO 
Check out the following websites
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mixtapes and bootlegs from the archives of chicago duo THE HOOD INTERNET. listen to @aircredits, their band with @showyousuck

For Booking and Features: info@acehoodmusic.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

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