This one goes out to all my restless hearts out there ... may this track caress you. A Felt Piano piece for all the loving, searching and hopeful people out there. It's the third single of the upcoming River Soul EP :)
#pianoday2023

Restless Heart

Support/Download

Valeska and the River - Restless Heart

Drip Walk Pac 2

EP "ONE / GODZIN"
Label: @unclesmusic_records
Beatport (EP): https://www.beatport.com/release/one-godzin/3902737

GC System - Godzin (Original Mix)

Label: @oniryzmrecords
Beatport (EP): www.beatport.com/release/diamonds/3955277
Beatport (Track): www.beatport.com/track/dance-for-me/17192886

GC System - Dance For Me (Original Mix)

Label: @oniryzmrecords
Beatport (EP): www.beatport.com/release/diamonds/3955277
Beatport (Track): https://www.beatport.com/track/diamonds/17192882

GC System - Diamonds (Original Mix)

Label: @soundteller-records
Beatport: https://www.beatport.com/release/resonarium-003/3992127

GC System - The Sooner The Bader (Original Mix)

noxpox - baxslox

noxpox - baxslox (DL activated)

Whenever I doodle with an instrument, I record if something sounds vaguely interesting. Often these chance bits become the basis of a new track. For this assignment I had four 1-minute-stems, ranging from piano and drums to a drone. 

Added a vibraphone and additional drone from Teletone, plus some Slate & Ash bells. Mixing was hell, as everything was pretty much in the frequency spectrum - that took twice the time of writing the track.

_______________________________________________________________

Disquiet Junto Project 0621: The Leftovers
The Assignment: Use recently discarded material to make something new.

Step 1: At the end of the calendar year, people often participate in holidays that result in lots of leftover food. Think about the leftovers — discarded tracks, or MIDI files, or ideas — that result from your music-making process.

Step 2: Scrounge around on your hard drive and recording equipment, and in your memory, to access the sort of creative leftovers that came to mind in Step 1.

Step 3: Make a new track primarily using the resources that surfaced in Step 2. You can, of course, add new material. And be sure to reheat sufficiently.

Seven Important Steps When Your Track Is Done:

Step 1: Include “disquiet0621” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0621” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How far can you stretch your leftovers?

Deadline: This project’s deadline is the end of the day Monday, November 27, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, November 23, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

Leftovers [disquiet0621]

Petite tribe des familles pour faire la fête le week-end en biennnng
Key : F#minor
Bpm : 160

Cover faite par le grand maitre absolu @o.zen__ (c'est un beau brun sexy)

Loumøs - FCKIN FLEX DAT FIAK [FREE DL]

Akiva - Can't Get Enough (Yohai Mor Remix Edit)-Asymmetric

Happy bouncy track built around a heavy bassline with a sweet melody ;)

Obadi

Biography:

Gonçalo Costa is the name behind the project GC System, born on 10/01/1986, in Portugal.

Always connected to electronic music since he was a child, his interest grew fast and, in the end of 2008, started to buying softwares and hardwares for producing music, which led him to produce his own tracks, editing for the first time in 2012.

Whether in his solo or collaborative efforts, GC System has always been a maverick presence in underground dance culture and he believes that the inspiration can come from anywhere and that’s why he is open to all types of Electronic Music.

Their sound is driven by psychedelic beats and synthetic bass lines with a single purpose...to make people dance!!

▪️ DJ/Producer
▪️ Mixing/Mastering

Labels:   

@trippycode @tripandacid
@likethatunderground
@weareiconyc
@tanzgemeinschaft
@threerecordsuk
@adromusicgroup
@mirmusic_official
@solamarrecords
@soundteller-records
@superordinate-music
@kraftedofficial
@lauterrecords
@sinedierecords
@uxoadutxaelite
@three-hands-records
@us-them-records
@unclesmusic_records
@soundsandfrequenciesmusic
@mysticcarouselrecords @estriborecords
@black-turtle-records
@oniryzmrecords
@vision3records
@neele-records
@transa_records
@polyptychlimited @polyptychmusic
@rezongarmusic
@dtlrecords
@thewavrec
@lamiarecordings
@wisejesterrecords @theaudioatelier
@electronic_tree
@capital-heaven 
@aletheiarecordings @Eleatics
@bc2records @balkan-connection
@heavy-label @openbarmusic 
@azucar-digital @kolour-recordings-digital
@clinique-recordings @bqrecordings @3xa-music
@old-sql-recordings
@asymmetricrecordings
@systemrecordings
@techno-vinyls-rec
@hushrecordz @hushrecordzlimited
@taniramusic
@piso-records @prison-entertainment
@bostechrecords 
@beat-block-records
@deepsessions-recordings @deepsessionsdigital
@crossworldermusicltd @crossworldacademy @crossworldvintage
@diamond-rec @diamondrecluxury
@cubek
@chocolatedealerrecords
@white-island-recordings
@fresh-form-records
@dash-deep-records @max-moritz-music